Loading...

results

108 results
Sort by 
Filter
  • Many Voices

    Ethnic Literatures of the Americas

    The literature of the Americas has a variety of cultural elements present under the general term "American." The canonical English mainstream of North America and the corresponding Spanish/Portuguese mainstream of South America have nevertheless reflected the arrival, assimilation, and marginality of numerous groups. Their experiences are both unique and representative of universal conditions of cultural contact and conflict. In both the United States and Canada, there are works which represent diverse aspects of the Black, Irish, Italian, Hispanic or Latino, Franco, German, Jewish, Portuguese, Greek, Slavic, and Asian communities, among others, as writers give both creative and testimonial form to the realities, both past and present of groups arriving subsequent to the original colonial period. In Latin America, some of these same groups are represented in the fiction written in Spanish and Portuguese. While this series focuses on specific ethnic groups and/or individual representatives, the fictional and poetic texts therein may address a range of issues, among them race relations, language and bilingualism, nationalism, colonialism, gender, class, cultural conflict, identity and maintenance, the context of multiculturalism. Critical approaches may include ethnocriticism, historical analyses, others, as well as structural critiques of these sorts of texts which by the very nature of their multiple focus become the aesthetic model for their content: a sort of border, mixed-blood, metis linguistic mode that in turn requires a double vision of its readers and critics. The literature of the Americas has a variety of cultural elements present under the general term "American." The canonical English mainstream of North America and the corresponding Spanish/Portuguese mainstream of South America have nevertheless reflected the arrival, assimilation, and marginality of numerous groups. Their experiences are both unique and representative of universal conditions of cultural contact and conflict. In both the United States and Canada, there are works which represent diverse aspects of the Black, Irish, Italian, Hispanic or Latino, Franco, German, Jewish, Portuguese, Greek, Slavic, and Asian communities, among others, as writers give both creative and testimonial form to the realities, both past and present of groups arriving subsequent to the original colonial period. In Latin America, some of these same groups are represented in the fiction written in Spanish and Portuguese. While this series focuses on specific ethnic groups and/or individual representatives, the fictional and poetic texts therein may address a range of issues, among them race relations, language and bilingualism, nationalism, colonialism, gender, class, cultural conflict, identity and maintenance, the context of multiculturalism. Critical approaches may include ethnocriticism, historical analyses, others, as well as structural critiques of these sorts of texts which by the very nature of their multiple focus become the aesthetic model for their content: a sort of border, mixed-blood, metis linguistic mode that in turn requires a double vision of its readers and critics. The literature of the Americas has a variety of cultural elements present under the general term "American." The canonical English mainstream of North America and the corresponding Spanish/Portuguese mainstream of South America have nevertheless reflected the arrival, assimilation, and marginality of numerous groups. Their experiences are both unique and representative of universal conditions of cultural contact and conflict. In both the United States and Canada, there are works which represent diverse aspects of the Black, Irish, Italian, Hispanic or Latino, Franco, German, Jewish, Portuguese, Greek, Slavic, and Asian communities, among others, as writers give both creative and testimonial form to the realities, both past and present of groups arriving subsequent to the original colonial period. In Latin America, some of these same groups are represented in the fiction written in Spanish and Portuguese. While this series focuses on specific ethnic groups and/or individual representatives, the fictional and poetic texts therein may address a range of issues, among them race relations, language and bilingualism, nationalism, colonialism, gender, class, cultural conflict, identity and maintenance, the context of multiculturalism. Critical approaches may include ethnocriticism, historical analyses, others, as well as structural critiques of these sorts of texts which by the very nature of their multiple focus become the aesthetic model for their content: a sort of border, mixed-blood, metis linguistic mode that in turn requires a double vision of its readers and critics.

    5 publications

  • Liberatory Stories and Rebel Voices for Abolition

    Liberatory Stories and Rebel Voices for Abolition, is a grass-roots community-focused radical transformative critical decolonizing anti-authoritarian book series on the political delineations of transforming education for liberation in communities occupying Indigenous territories and stolen land on Turtle Island (North America) and beyond. This book series will provide space and place for marginalized communities, students, workers, public intellectuals, activist-scholars, teachers, professors, justice impacted people, youth, and oppressed voices to critically resist and amplify their counter-stories which demand that in the rollout of the neoliberal agendas, that public education must be affordable, inclusive, equitable, inclusive, just, transformative, and open to all. This book series foregrounds writer’s agency with authentic story-telling, autoethnography, collective biography and life writing narratives and is a place for disseminating participatory action and social justice activist research. It seeks critical teaching and critical writing that resists Eurocentric pedagogies and methodologies such as denotative reports, standardized metrics, rubrics, corporate, neoliberal, capitalist, standardized, colonial, factory education that colonizes the mind. Instead, the series privileges radical liberatory praxis and makes space for outstanding embodied action research tied to teaching, transformative participatory projects created with not ‘on’ marginalized communities that centers the margin. This book series defends, supports, and participates in revolutionary, transformative, social justice radical critical abolition movements to end authoritarianism, domination, oppression, state-violence, and repression. This book series has a hope for democracy from which knowledge from and for the margins emerge as powerful counter-currents and disruptive discourses that liberate. This book series holds space and place for these voices who brave the world with knowledge in one hand and resistance in the other to liberate all.

    7 publications

  • Title: The Art of the Unspoken

    The Art of the Unspoken

    Rhetorical Devices, Linguistic Parallels and the Influence of the Singing Voice in Classical and Romantic Piano Literature
    by Gabriela Mayer (Author) 2023
    ©2023 Monographs
  • Title: Beethoven’s Irish Songs Revisited

    Beethoven’s Irish Songs Revisited

    Texts Chosen by Tomás Ó Súilleabháin Edited by Margaret O’Sullivan Farrell
    by Tomás Ó Súilleabháin (Author) Margaret O'Sullivan Farrell (Author) 2018
    ©2019 Monographs
  • Title: Body, Letter, and Voice

    Body, Letter, and Voice

    Constructing Knowledge in Detective Fiction
    by Maria Plochocki (Author)
    ©2010 Thesis
  • Title: Tradition and Craft in Piano-Playing

    Tradition and Craft in Piano-Playing

    by Tilly Fleischmann
    by Ruth Fleischmann (Volume editor) John Buckley (Volume editor) 2019
    ©2014 Monographs
  • Title: A Dissident Voice

    A Dissident Voice

    Essays on Culture, Pedagogy, and Power
    by Antonia Darder (Author)
    ©2011 Textbook
  • Title: Media and Marginalized Voices

    Media and Marginalized Voices

    Women and LGBTQIA+ Community
    by V. Vijay Kumar (Volume editor) Jyoti Sahoo (Volume editor) 2025
    ©2025 Edited Collection
  • Title: Democracy and Capabilities for Voice

    Democracy and Capabilities for Voice

    Welfare, Work and Public Deliberation in Europe
    by Ota De Leonardis (Volume editor) Serafino Negrelli (Volume editor) Robert Salais (Volume editor) 2012
    ©2012 Edited Collection
  • Title: Women and Malay Voices

    Women and Malay Voices

    Undercurrent Murmurings in Indonesia’s Colonial Past
    by Tineke Hellwig (Author) 2012
    ©2012 Monographs
  • Title: Robert Lowell and the Confessional Voice

    Robert Lowell and the Confessional Voice

    by Paula Hayes (Author) 2013
    ©2013 Monographs
  • Title: Voices and Visions

    Voices and Visions

    Interviews with the Contemporary English-Language Poets of Wales
    by Kathryn Gray (Author) 2019
    ©2019 Edited Collection
  • Title: Voices of the Churches, Voices of the Nationalities

    Voices of the Churches, Voices of the Nationalities

    Competing Loyalties in the Upper House of the Hungarian Parliament (1867 - 1918)
    by Andreea Dăncilă-Ineoan (Author) Marius Eppel (Author) Ovidiu-Emil Iudean (Author) 2019
    ©2019 Monographs
  • Title: Der «Piano Grading Test» in der Klavierpädagogik Chinas

    Der «Piano Grading Test» in der Klavierpädagogik Chinas

    Entstehung – Inhalts- und Funktionsanalyse – Perspektiven
    by Yanjun Zhang (Author) 2012
    ©2012 Thesis
  • Title: Challenging Voices

    Challenging Voices

    Music Making with Children Excluded from School
    by Philip Mullen (Author) 2021
    ©2022 Monographs
  • Title: Voice-over Translation

    Voice-over Translation

    An Overview- Second Edition
    by Eliana P.C. Franco (Author) Anna Matamala (Author) Pilar Orero (Author) 2013
    ©2010 Monographs
  • Title: The Stranger’s Voice

    The Stranger’s Voice

    Julia Kristeva’s Relevance for a Pastoral Theology for Women Struggling with Depression
    by Carol L. Schnabl Schweitzer (Author) 2010
    ©2010 Monographs
  • Title: Mario Praz: Voice Centre Stage

    Mario Praz: Voice Centre Stage

    by Elisa Bizzotto (Volume editor) 2019
    ©2019 Edited Collection
  • Title: Dialogue: The Church and the Voice of the Other

    Dialogue: The Church and the Voice of the Other

    by John Amankwah (Author)
    ©2007 Thesis
  • Title: Written in Her Own Voice

    Written in Her Own Voice

    Ethno-educational Autobiographies of Women in Education
    by Dolapo Adeniji-Neill (Volume editor) Ann Mungai (Volume editor) 2019
    ©2016 Textbook
  • Title: Silenced Voices

    Silenced Voices

    Hunagrian Plays from Transylvania
    by Csilla Bertha (Volume editor) Donald E. Morse (Volume editor)
    ©2008
  • Title: Voices of Dissent

    Voices of Dissent

    Interdisciplinary Approaches to New Italian Popular and Political Music
    by Giovanni Pietro Vitali (Author) 2020
    ©2020 Monographs
  • Title: Voices of Marginality

    Voices of Marginality

    Exile and Return in Second Isaiah 40-55 and the Mexican Immigrant Experience
    by Gregory Lee Cuéllar (Author)
    ©2008 Monographs
  • Title: Alice McDermott's Fiction

    Alice McDermott's Fiction

    Voice, Memory, Trauma, and Lies
    by Gail Shanley Corso (Volume editor) 2018
    ©2018 Monographs
  • Title: Voices in the Heart

    Voices in the Heart

    Postcolonialism and Identity in Hong Kong Literature
    by Brian J. Hooper (Author)
    ©2003 Thesis
Previous
Search in
Search area
Subject
Category of text
Price
Language
Publication Schedule
Open Access
Publication Year