Films of Genocide and Ethnic Cleansing
Everyone’s Not Here (1987): Families of the Armenian Genocide: Paul Bookbinder
In the 1930s, the memory of the Armenian massacres during WWI compelled Raphael Lemkin to begin his campaign to have the mass murder of ethnic groups declared a crime under international law. Lemkin’s coining of the word “genocide” thus has its origins in the fate that Armenians suffered at the hands of the Turks during WWI. Knowledge of this crime, though widespread as it was happening, did not lead to rescue actions or an attempt to redress the wrongs or to punish the offenders. Gone from the historical memories of almost all but the victims and their descendants until after WWII, this memory has been presented to a larger public through film.
The documentary Everyone’s Not Here uses the testimony of Armenian families to humanize the genocide of 1915; before focusing on these personal stories, however, the filmmakers describe the genocide through graphic photographs, maps, narration, and testimony. The images of piles of corpses and victims whose skeletal thin bodies with obvious signs of beatings and torture are reminiscent of films about the Holocaust and more recently the Serbian ethnic cleansing campaign against Bosnian Muslims. Brief survivor testimony is interspersed with this narration as survivors describe horrifying scenes of rape, body parts being hacked off, children being buried alive, and churches, filled with fleeing Armenians, being burned to the ground.
The narrator reiterates that the Armenians were targeted for annihilation, and therefore, the survivors encountered in the film represent the millions whom...
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.