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Masking the Drama

A Space for Revolution in Aphra Behn’s «The Rover» and «The Feign’d Courtezans»

Tiziana Febronia Arena

«Masking the Drama: A Space for Revolution in Aphra Behn’s The Rover and The Feign’d Courtezans» pursues an in-depth investigation of the process whereby female identity was performatively negotiated on the Restoration stage by women playwrights such as Aphra Behn and of how a new articulation of social space contributed to the formation of a potentially emancipatory sense of gendered selfhood understood as a flexible and porous instantiation of performative roles.

The author interrogates the prominent role played among Restoration women playwrights by the tropes of theatrical performativity as providing an alternative path to feminist revision and thus offering new perspectives on and challenges to existing scholarship on early modern women’s studies and the status of Aphra Behn studies in this scholarly context and stressing how women challenged, transgressed and subverted heteropatriarchal normativity by stepping outside their allotted social roles to appropriate a female space within the public domain of the theatre.

From within a widely-argued critical discourse concerning masking and masquerade, the book takes a novel look at Behn’s internal and external mental conditionings, arguing that they still lived on even though the political divisions which had sustained their ideological rationale were no longer in place. One of the thesis’s critical edges lies here: rather than fixing Behn’s representational discourse within a rigid revolutionary/conservative dialectics, even when such a narrative of difference partly informs the plays analysed, the author convincingly argues against any monolithic view, thus eschewing the risk of ideological reductionism. The book brilliantly fashions a novel narrative of cultural phenomena especially relevant to the discussion of such a self-contradictory artist as Aphra Behn arguably is.

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I wish to express my deepest gratitude to the supervisor of my thesis, Professor Maria Grazia Nicolosi, for her incisive reading and valuable feedback during these years. I am humbled by her unwavering faith in me. Her groundbreaking work in this area has led me to reconsider the direction of my research many times throughout the writing process. Her expert supervision at every stage of my dissertation writing helped me to persevere when faced with academic and personal challenges. I am very fortunate to have had such outstanding role model.

I would like to thank my parents. My mother’s love, faith, wisdom, and dedication have greatly inspired me. My loving father, my sister and my brothers have also been my strongest supporters, encouraging me to persevere in my academic goals despite life’s challenges.

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