Acknowledgements This book is based on research done for a PhD degree in Drama Studies at University College Dublin. I am much in debt to my supervisor, Dr Joseph Long, for his assistance in preparing the book for publication. I am also deeply grateful to him for his inspiring and generous mentorship, his passionate commitment to my chosen topic, as well as his constant encour- agement and support as Director of the UCD Drama Studies Centre. I am deeply grateful to my other supervisor, Dr Eamonn Jordan, for his insightful, conscientious and supportive mentorship, his generous help and advice, and for his friendly encouragement throughout the course of my research. I cannot imagine having had better mentors for this project, and my gratitude to them for their knowledgeable guidance and continu- ous support cannot be overstated. Naturally, any inaccuracies or omissions are solely my responsibility. I wish to thank Professors Anthony Roche, Richard Allen Cave and Christopher Murray for their constructive comments on my work and for their support and advice. I wish to thank Dr David Barnett and Dr Victor Merriman for their good counsel at an earlier stage in my post-graduate career, and for first encouraging my interest in the analysis of political theatre. My thanks to theatre practitioners Dave Duggan, Tim Loane, Paula McFetridge and especially Jo Egan for granting me such generous inter- views, providing precious play scripts, and for giving so freely of their time and interest. My thanks also to Kerry McDowell Woods from...
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.