Edited By Tiziana Morosetti
Far from focusing exclusively on the subaltern, colonial subject, this volume addresses the Other in its wider meaning, focusing on case studies as famous as Edwin Forrest and Ira Aldridge or as neglected as that of the Māori who appeared on the London stage in the 1860s. Written by an international group of scholars, this collection offers an informed, updated insight into the extensive and multifaceted presence of the non-British in both Georgian and Victorian drama, investigated through new lenses and materials to shed light on the complex engagement of nineteenth-century British culture with alterity.
List of Figures
| vii →
Toni Wein, ‘“By a Nose” or “By a Hair”: Bearding the Jew on the Georgian Stage’
Figure 1: Portrait of Macklin, author unknown. © National Portrait Gallery, London.
Figure 2: Portrait of Kean, by Henry Meyer, published by R. Barnard, after Walter Henry Watts. Mezzotint, published 2 May 1814 (March 1814). © National Portrait Gallery, London.
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