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The Political Woman in Print

German Women’s Writing 1845–1919


Birgit Mikus

This book analyses the depiction and function of politically active women in novels by six female authors from the margins of the democratic revolution of 1848 and the first German women’s movement: Louise Aston, Malwida von Meysenbug, Mathilde Franziska Anneke, Fanny Lewald, Louise Otto-Peters, and Hedwig Dohm. What was their political stance in relation to democratic developments and women’s rights? How did they render their political convictions into literary form? Which literary images did they use, criticise, or invent in order to depict politically active women in their novels in a positive light? Which narrative strategies were employed to ‘smuggle’ politically and socially radical ideas into what were sometimes ostensibly conventional plots? These authors wrote before modern feminist theory was established; however, their proto-feminist observations, demands, and discursive tactics contributed much to the formation and institutionalisation of feminist thought. This book contextualises the authors’ works in their historical and social environment in order to evaluate what can be considered radical and political in the period 1845-1919.
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Anneke, Mathilde Franziska:

———. As Mathilde Franziska von Tabouillot: Oithono oder Die Tempelweihe (Wesel 1842).

———. ‘Uhland in Texas’, Sontagsausgabe der Illinois Staatszeitung, 15th April to 3rd June 1866.

———. ‘Das Weib im Conflict mit den socialen Verhältnissen’, typescript in: Nachlaß Mathilde Franziska und Fritz Anneke’, Anneke-Papers (Box 6 Folder 7 (1847); Madison, USA: Archive of the State Historical Society of Wisconsin 1847).

———. ‘Woman in Conflict with Society’, in Susan L. Piepke (ed.), Mathilde Franziska Anneke (1817–1884). The Works and Life of a German-American Activist (New York: Peter Lang 2006).

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