Show Less
Restricted access

The Reception of German Theater in Greece

Establishing a Theatrical Locus Communis: The Royal Theater in Athens (1901-1906)

Michalis Georgiou

The author examines the vigorous reception of the German theater in Greece, a phenomenon that took place along with the process of establishing in Athens, in 1901 the Royal Theater. The multiple aesthetic, social and political forms of this phenomenon provided a "locus of contact" with the German culture and accomplished a function, regarded as the instrument for the development of the bourgeois theater in Greece. This happened through the work of theater practitioners and intellectuals, as well as through the transfer of institutions, theatrical plays, and scripts of direction instructions, decorations, and props. The performances staged were the iceberg in the process of this reception, as they provided a strategy toward the revitalization of the Greek theater, realized in a productive way.

Show Summary Details
Restricted access

Copyright Page

Extract

Bibliographic Information published by the Deutsche Nationalbibliothek

The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the internet at http://dnb.d-nb.de.

Library of Congress Cataloging-in-Publication Data

A CIP catalog record for this book has been applied for at the Library of Congress.

Printed with the kind assistance of Siblings Boehringer Ingelheim Foundation for the Humanities.

Cover image: Edmondos Fyrst as Faust in the performance of Goethe’s Faust (1904), Pinakothiki, vol. 4, ed. 47, 1905, p. 214.

ISBN 978-3-631-77181-5 (Print)

E-ISBN 978-3-631-78444-0 (E-PDF) • E-ISBN 978-3-631-78445-7 (EPUB)

E-ISBN 978-3-631-78446-4 (MOBI) • DOI 10.3726/b15392

This publication has been peer reviewed.

You are not authenticated to view the full text of this chapter or article.

This site requires a subscription or purchase to access the full text of books or journals.

Do you have any questions? Contact us.

Or login to access all content.