Establishing a Theatrical Locus Communis: The Royal Theater in Athens (1901-1906)
The author examines the vigorous reception of the German theater in Greece, a phenomenon that took place along with the process of establishing in Athens, in 1901 the Royal Theater. The multiple aesthetic, social and political forms of this phenomenon provided a "locus of contact" with the German culture and accomplished a function, regarded as the instrument for the development of the bourgeois theater in Greece. This happened through the work of theater practitioners and intellectuals, as well as through the transfer of institutions, theatrical plays, and scripts of direction instructions, decorations, and props. The performances staged were the iceberg in the process of this reception, as they provided a strategy toward the revitalization of the Greek theater, realized in a productive way.
Sources and Bibliography
Archiv der griechischen Gemeinde zur Heiligen Dreifaltigkeit in Vienna
Evangelical Proclamation of Births and Baptisms, Vienna 14.5.1898, box K14, envelope 7.
Diplomatic and Historical Archive of the Ministry of Foreign Affairs in Athens
Central Office Archive 1899/965 (1).
Central Office Archive 1899/8878 (98).
Geheimes Staatsarchiv Preußischer Kulturbesitz in Berlin.
GStAPK, I.HARep. 89, Geheimes Zivilkabinett Nr. 3088f.
Hellenic Literary and Historical Archive (E.L.I.A.)
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