Contents: Julian Preece/Frank Finlay: Introduction – Dieter Stolz: ‘Was auf dieser Welt, welcher Roman hätte die epische Breite
eines Fotoalbums?’ Photography and the Art of Modern Fiction in the Works of Arno Schmidt, Günter Grass, and Reinhard Baumgart
– Axel Schalk: Image and Text: W.G. Sebald’s Montage Technique – Arthur Williams: Some Thoughts on W.G. Sebald, Drawing, Painting,
and Music – Daniela Berghahn: Cultural Legitimisation and Critique in East German Period Films – Alan Corkhill: From Novel
to Film to Remake: Jurek Becker’s Jakob der Lügner – Deborah Holmes: Literature on the Small Screen: Michael Haneke’s
Television Adaptations of Josef Roth’s Die Rebellion and Kafka’s Das Schloß – Lyn Marven: ‘So fremd war das
Gebilde’: The Interaction between Visual and Verbal in Herta Müller’s Prose and Collages – David Clarke: ‘Störstellen’: Architecture
in the Work of Reinhard Jirgl – Paul Cooke: From Dr Seltsam to Lieutenant Surf: The Berlin ‘Vorlesebühnen’ and Contemporary
East German Literature – Simon Ward: The Limits and Possibilities of Dialogue between Poetry and Music: The Collaborative
Work of Clemens Gadenstätter and Lisa Spalt – Karl Ivan Solibakke: The Semiotics of Musical History in Thomas Bernhard’s Der
Ignorant und der Wahnsinnige, Vor dem Ruhestand, and Heldenplatz – Stuart Parkes: Music: ‘The Food
of Literature’? Three Recent Prose Works by F.C. Delius, Petra Morsbach, and Wolf Wondratschek – Peter Graves: A Day in the
Year of Christa Wolf – Juliane Parthier: Retrospective Writing on Life in the East German Provinces in Recent Texts by Thomas
Rosenlöcher and Christoph Dieckmann – Lyn Marven: ‘Die Landschaft ihrer Gedanken’: Autobiography and Intertextuality in Irina
Liebmann’s Berlin Texts – Laura Bradley: Recovering the Past and Capturing the Present: Özdamar’s Seltsame Sterne starren
zur Erde – Jonathan Woolley: ‘Unbehauen, unverstellt, echt’? Jörg Fauser’s Rohstoff as an Example of Life-writing
– Stuart Parkes: All a Matter of Perspective: Martin Walser’s Autobiographical Novel Ein Springender Brunnen – Silke
Horstkotte: ‘Ich bin ins Reich der Toten geraten’: Stephan Wackwitz and the New German Family Novel – Marie Louise Wasmeier:
The Past in the Making: Invented Images and Fabricated Family History in Marcel Beyer’s Spione – Christophe Fricker:
Text and Moment: Ernst Jünger’s Diaries Siebzig verweht – Christian Schlösser: ‘I am Hamlet, I’m a Negro, I’m a Land
Surveyor’: Heiner Müller - Life as Material – Victoria Smith: ‘Über eure Kriegserlebnisse dürft und könnt ihr sprechen, […]
ich über meine nicht’: Writing Against Collective Memory in Ruth Klüger’s weiter leben. Eine Jugend – Sinead Crowe:
‘Der Tod schneidet den Film des Lebens’: Life-Writing in the Theatre of Werner Fritsch – Julian Preece: The Art of Literary
Biography in Germany Today.