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Media and Materiality in the Neo-Avant-Garde

by Jonas Ingvarsson (Volume editor) Jesper Olsson (Volume editor)
©2012 Conference proceedings 171 Pages

Summary

Media and Materiality in the Neo-Avant-Garde explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century.
The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides – high and low, ideology and form, art and everyday life – that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol’s Factory, the perspectives established and the operations performed in Media and Materiality in the Neo-Avant-Garde thus traverse a network of art and technology that has been crucial for more than half a century, and still is today.

Details

Pages
171
Year
2012
ISBN (PDF)
9783653013788
ISBN (Hardcover)
9783631621844
DOI
10.3726/978-3-653-01378-8
Language
English
Publication date
2012 (May)
Keywords
Bengt Emil Johnson's Poetry Stepford Wives Media history Cybernetics Sound Technology Beach Boys Literary Experiments Digital medium Epitaph für Aikichi Kuboyama Lingual Music Re-writing Resistance with Andy Warhol
Published
Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2012. 171 pp., 11 fig., 1 table

Biographical notes

Jonas Ingvarsson (Volume editor) Jesper Olsson (Volume editor)

Jonas Ingvarsson is a postdoctoral fellow at the Forum for Intermedial Studies at Linnaeus University, Växjö (Sweden). His current research includes intermediality, media archaeology and posthumanism. Jesper Olsson is LiU Researcher and Swedish Academy Researcher at Linköping University (Sweden), freelance critic, and one of the editors of the journal OEI. He has written extensively on contemporary poetry, avant-garde aesthetics, and media history.

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Title: Media and Materiality in the Neo-Avant-Garde