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Musical Identities and European Perspective

An Interdisciplinary Approach

by Ivana Perković (Volume editor) Franco Fabbri (Volume editor) 2018

©2017 Edited Collection
Queering Freedom: Music, Identity and Spirituality

(Anthology with perspectives from over ten countries)

by Karin Hendricks (Volume editor) June Boyce-Tillman (Volume editor) 2018

©2018 Edited Collection
The Power of Symbols

The Alhambra in a Global Perspective

by Francine Giese (Volume editor) Ariane Varela Braga (Volume editor) 2018

©2018 Edited Collection
The Embodiment of Authority

Perspectives on Performances

by Taina Riikonen (Volume editor) Marjaana Virtanen (Volume editor) 2015

©2015 Edited Collection
The Musical Culture of Silesia before 1742

New Contexts – New Perspectives

by Pawel Gancarczyk (Volume editor) Lenka Hlávková-Mrácková (Volume editor) 2013

©2014 Edited Collection
TV Transformations & Transgressive Women

From Prisoner: Cell Block H to Wentworth

by Radha O’Meara (Volume editor) Tessa Dwyer (Volume editor) Stayci Taylor (Volume editor) Craig Batty (Volume editor) 2022

©2022 Edited Collection
The Performance Practice of Electroacoustic Music

The Studio di Fonologia years

by Germán Toro-Pérez (Volume editor) 2018

©2018 Edited Collection
Mapping Cinematic Norths

International Interpretations in Film and Television

by Julia Dobson (Volume editor) Jonathan Rayner (Volume editor) 2017

Edited Collection
On Spectatorship

An Approach to Contemporary Spanish Theatre

by Anxo Abuín González (Volume editor) Eduardo Pérez-Rasilla (Volume editor) 2024

©2024 Edited Collection
Nordic Design in Translation

The Circulation of Objects, Ideas and Practices

by Charlotte Ashby (Volume editor) Shona Kallestrup (Volume editor) 2023

©2023 Edited Collection
Neo-Disneyism

Inclusivity in the Twenty-First Century of Disney’s Magic Kingdom

by Brenda Ayres (Volume editor) Sarah Maier (Volume editor) 2022

©2022 Edited Collection
Ritualised Belonging

Musicing and Spirituality in the South African Context

by June Boyce-Tillman (Volume editor) Liesl Van der Merwe (Volume editor) Janelize Morelli (Volume editor) 2021

©2021 Edited Collection
Living Song

Singing, Spirituality, and Wellbeing

by Karin Hendricks (Volume editor) June Boyce-Tillman (Volume editor) 2021

©2021 Edited Collection
Interactions

Dublin Theatre Festival 1957-2007

by Patrick Lonergran (Volume editor) Nicholas Grene (Volume editor) 2020

©2008 Edited Collection
Echoes Down the Corridor

Irish Theatre - Past, Present and Future

by Patrick Lonergan (Volume editor) Riana O'Dwyer (Volume editor) 2019

©2007 Edited Collection
For the Sake of Sanity

Doing things with humour in Irish performance

by Eric Weitz (Volume editor)

©2014 Edited Collection
Devised Performance in Irish Theatre

Histories and Contemporary Practice

by Siobhán O'Gorman (Volume editor) Charlotte McIvor (Volume editor)

©2015 Edited Collection
The String Quartet in Spain

by Christiane Heine (Volume editor) Juan Miguel González Martínez (Volume editor) 2017

©2016 Edited Collection

Musical Development from a Lifespan Perspective

Musical Identities and European Perspective

Queering Freedom: Music, Identity and Spirituality

Francis Bacon

The Power of Symbols

The Embodiment of Authority

The Musical Culture of Silesia before 1742

Italian Cinema

TV Transformations & Transgressive Women

The Performance Practice of Electroacoustic Music

Mapping Cinematic Norths

On Spectatorship

Nordic Design in Translation

Giuseppe Tartini: Fundamental Questions

Neo-Disneyism

Magic

Ritualised Belonging

Living Song

Interactions

Polish Avant-Garde in Berlin

Echoes Down the Corridor

For the Sake of Sanity

The Theatre of Enda Walsh

Devised Performance in Irish Theatre

The String Quartet in Spain

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