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Open Access
Year
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The Theatre of the Absurd, the Grotesque and Politics
A Study of Samuel Beckett, Harold Pinter and Tom Stoppard©2021 Monographs -
Staging the Other in Nineteenth-Century British Drama
©2016 Edited Collection -
Art and Resistance: Studies in Modern Indian Theatres
©2019 Edited Collection -
Masking the Drama
A Space for Revolution in Aphra Behn’s «The Rover» and «The Feign’d Courtezans»Thesis -
(Re)defining gender in early modern English drama
Power, sexualities and ideologies in text and performance©2020 Edited Collection -
‘Experienc’d Age knows what for Youth is fit’?
Generational and Familial Conflict in British and Irish Drama and Theatre©2019 Edited Collection -
Building (in) the Promised Land
Postcolonial Biblical Readings of Contemporary Irish Drama (2000-2015)©2022 Monographs -
Labyrinth of Hybridities
Avatars of O’Neillian Realism in Multi-ethnic American Drama (1972-2003)©2010 Monographs -
Signatures of the Past
Cultural Memory in Contemporary Anglophone North American Drama©2008 Conference proceedings -
The Doing of Telling on the Irish Stage
A Study of Language Performativity in Modern and Contemporary Irish Theatre©2008 Thesis -
The Languages of Performance in British Romanticism
©2008 Edited Collection -
Edward Ravenscroft's «Mamamouchi, or The Citizen Turned Gentleman» (1672)
A Critical Edition©2024 Others -
Dis/Figuring Sam Shepard
©2008 Monographs -
L’espace scénographique dans les mises en scène des pièces de William Shakespeare au vingtième siècle
Etude appliquée aux scènes françaises et anglaises©2006 Thesis