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Reimagining Kenyan Cinema

by Charles Kebaya (Volume editor) Christopher Joseph Odhiambo (Volume editor) 2022

©2022 Monographs
The Cinema of Iceland

Between Tradition and Liquid Modernity

by Sebastian Jakub Konefał (Author) 2019

©2019 Monographs
Italian Political Cinema

Public Life, Imaginary, and Identity in Contemporary Italian Film

by Giancarlo Lombardi (Volume editor) Christian Uva (Volume editor) 2016

©2016 Monographs
Turkish Cinema and Television Industry in the Digital Streaming Era

by Tuna Tetik (Volume editor) Deniz Gürgen Atalay (Volume editor) Nilay Ulusoy (Volume editor) 2022

©2022 Edited Collection
Balkan Cinema and the Great Wars

Our Story

by Adrian-Silvan Ionescu (Volume editor) Savas Arslan (Volume editor) Marian Tutui (Volume editor)

©2020 Edited Collection
Inspiring Views from «a' the airts» on Scottish Literatures, Art and Cinema

The First World Congress of Scottish Literatures in Glasgow 2014

by Klaus Peter Müller (Volume editor) Ilka Schwittlinsky (Volume editor) Ron Walker (Volume editor) 2017

©2017 Conference proceedings
The Cinema of the Swimming Pool

by Christopher Brown (Volume editor) Pam Hirsch (Volume editor) 2014

©2014 Edited Collection
Mapping Cinematic Norths

International Interpretations in Film and Television

by Julia Dobson (Volume editor) Jonathan Rayner (Volume editor) 2017

Edited Collection
Entering the Frame

Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi

by Robert Lumley (Author)

©2011 Monographs
Entering the Frame

Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi

by Robert Lumley (Author) 2023

©2023 Monographs
France and the Mediterranean

International Relations, Culture and Politics

by Emmanuel Godin (Volume editor) Natalya Vince (Volume editor) 2012

©2012 Edited Collection
Film Criticism as Cultural Fantasy

The Perpetual French Discovery of Australian Cinema

by Andrew McGregor (Author) 2011

©2010 Thesis
Motion Pictures

Travel Ideals in Film

by Gemma Blackwood (Volume editor) Andrew McGregor (Volume editor) 2016

©2016 Edited Collection
The Art of Directing

A Concise Dictionary of France’s Film Directors

by Michaël Abecassis (Volume editor) Marcelline Block (Volume editor) Felicity Chaplin (Volume editor) 2023

©2023 Others
Contemporary Greek Film Cultures from 1990 to the Present

by Tonia Kazakopoulou (Volume editor) Mikela Fotiou (Volume editor) 2017

Edited Collection
Italy On Screen

National Identity and Italian Imaginary

by Lucy Bolton (Volume editor) Christina Siggers Manson (Volume editor) 2011

©2010 Conference proceedings
What Makes a Film Tick?

Cinematic Affect, Materiality and Mimetic Innervation

by Anne Rutherford (Author) 2011

©2011 Thesis
New Queer Images

Representations of Homosexualities in Contemporary Francophone Visual Cultures

by Florian Grandena (Volume editor) Cristina Johnston (Volume editor) 2011

©2011 Edited Collection
From Self-Portrait to Selfie

Representing the Self in the Moving Image

by Muriel Tinel-Temple (Volume editor) Laura Busetta (Volume editor) Marlène Monteiro (Volume editor) 2019

©2019 Edited Collection

Reimagining Kenyan Cinema

The Cinema of Iceland

Italian Political Cinema

Turkish Cinema and Television Industry in the Digital Streaming Era

Balkan Cinema and the Great Wars

Inspiring Views from «a' the airts» on Scottish Literatures, Art and Cinema

The Cinema of the Swimming Pool

Mapping Cinematic Norths

Entering the Frame

Entering the Frame

France and the Mediterranean

Film Criticism as Cultural Fantasy

Motion Pictures

The Art of Directing

Contemporary Greek Film Cultures from 1990 to the Present

Crossing the Wall

Italy On Screen

Anton Walbrook

What Makes a Film Tick?

All About Almodóvar’s Men

Multilingualism in Film

Another Rendez-Vous

New Approaches in Media and Communication

New Queer Images

From Self-Portrait to Selfie

Key Subject Areas