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Open Access
Year
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New Readings in British Drama
From the Post-War Period To the Contemporary Era©2021 Edited Collection -
Masking the Drama
A Space for Revolution in Aphra Behn’s «The Rover» and «The Feign’d Courtezans»Thesis -
(Re)defining gender in early modern English drama
Power, sexualities and ideologies in text and performance©2020 Edited Collection -
Shakespeare, the Orient, and the Critics
©2010 Monographs -
Edward Ravenscroft's «Mamamouchi, or The Citizen Turned Gentleman» (1672)
A Critical Edition©2024 Others -
Building (in) the Promised Land
Postcolonial Biblical Readings of Contemporary Irish Drama (2000-2015)©2022 Monographs -
Theatres in the Round
Multi-ethnic, Indigenous, and Intertextual Dialogues in Drama©2011 Edited Collection -
Lust’s Dominion; or, the Lascivious Queen / El dominio de la lujuria, o, la reina lasciva (ca. 1598-1600), by/de Thomas Dekker, John Marston, John Day, William Haughton
A critical and annotated edition and translation into Spanish/Edición crítica y anotada y traducción al español©2019 Others -
A Road Less Traveled
Critical Literacy and Language Learning in the Classroom, 1964–1996©2018 Textbook -
Visions of Apocalypse
Representations of the End in French Literature and Culture©2013 Edited Collection -
Shakespeare in 19th-Century Opera
©2019 Monographs -
Expressionism and Its Deformation in Contemporary Chinese Theatre
©2014 Monographs