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Multilingual Films in Translation
A Sociolinguistic and Intercultural Study of Diasporic Films©2017 Monographs -
Politeness and Audience Response in Chinese-English Subtitling
©2012 Monographs -
Unbridling the Western Film Auteur
Contemporary, Transnational and Intertextual ExplorationsEdited Collection -
Cowboy Imperialism and Hollywood Film
©2007 Textbook -
Documentary Film Cultures
ISSN: 2504-4834
This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)
6 publications
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Dealing with Difference in Audiovisual Translation
Subtitling Linguistic Variation in Films©2015 Monographs -
Entering the Frame
Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi©2011 Monographs -
Entering the Frame
Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi©2023 Monographs -
Contemporary African American Cinema
©2002 Textbook -
Reimagining Kenyan Cinema
©2022 Monographs -
New Media Technology and Motion Pictures
©2024 Textbook -
Theorizing Ambivalence in Ang Lee's Transnational Cinema
©2012 Monographs -
Translating Audiovisuals in a Kaleidoscope of Languages
©2019 Edited Collection