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  • Title: Multilingual Films in Translation

    Multilingual Films in Translation

    A Sociolinguistic and Intercultural Study of Diasporic Films
    by Micòl Beseghi (Author) 2017
    ©2017 Monographs
  • Title: Watching «The Lord of the Rings»

    Watching «The Lord of the Rings»

    Tolkien’s World Audiences
    by Martin Barker (Author) Ernest Mathijs (Author)
    ©2008 Textbook
  • Title: Crossing the Wall

    Crossing the Wall

    The Western Feature Film Import in East Germany
    by Rosemary Stott (Author) 2012
    ©2012 Monographs
  • Title: Translation, Globalization and Younger Audiences

    Translation, Globalization and Younger Audiences

    The Situation in Poland
    by Michał Borodo (Author) 2017
    Monographs
  • Title: Politeness and Audience Response in Chinese-English Subtitling

    Politeness and Audience Response in Chinese-English Subtitling

    by Yuan Xiaohui (Author) 2012
    ©2012 Monographs
  • Title: Mapping Cinematic Norths

    Mapping Cinematic Norths

    International Interpretations in Film and Television
    by Julia Dobson (Volume editor) Jonathan Rayner (Volume editor) 2017
    Edited Collection
  • Title: Unbridling the Western Film Auteur

    Unbridling the Western Film Auteur

    Contemporary, Transnational and Intertextual Explorations
    by Emma Hamilton (Volume editor) Alistair Rolls (Volume editor) 2018
    Edited Collection
  • Title: Cowboy Imperialism and Hollywood Film

    Cowboy Imperialism and Hollywood Film

    by Mark Cronlund Anderson (Author)
    ©2007 Textbook
  • Documentary Film Cultures

    ISSN: 2504-4834

    This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)

    6 publications

  • Title: Children’s Media and Modernity

    Children’s Media and Modernity

    Film, Television and Digital Games
    by Ewan Kirkland (Author) 2017
    ©2017 Monographs
  • Title: Dangerous Dreams

    Dangerous Dreams

    Essays on American Film and Television
    by Jan Whitt (Author) 2013
    ©2013 Monographs
  • Title: Popularizing Research

    Popularizing Research

    Engaging New Genres, Media, and Audiences
    by Phillip Vannini (Volume editor)
    ©2012 Textbook
  • Title: Dealing with Difference in Audiovisual Translation

    Dealing with Difference in Audiovisual Translation

    Subtitling Linguistic Variation in Films
    by Claire Ellender (Author) 2015
    ©2015 Monographs
  • Title: Ripping Open the Set

    Ripping Open the Set

    French Film Design, 1930–1939
    by Ben McCann (Author) 2013
    ©2013 Monographs
  • Title: Entering the Frame

    Entering the Frame

    Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi
    by Robert Lumley (Author)
    ©2011 Monographs
  • Title: Screening Reality

    Screening Reality

    French Documentary Film during the German Occupation
    by Steve Wharton (Author)
    ©2006 Monographs
  • Title: Entering the Frame

    Entering the Frame

    Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi
    by Robert Lumley (Author) 2023
    ©2023 Monographs
  • Title: Entertainment Public Relations

    Entertainment Public Relations

    Communicating with Audiences
    by Carol Ames (Author) 2016
    ©2016 Textbook
  • Title: Laughter in the Living Room

    Laughter in the Living Room

    Television Comedy and the American Home Audience
    by Michael Tueth (Author)
    ©2005 Textbook
  • Title: Contemporary African American Cinema

    Contemporary African American Cinema

    by Sheril D. Antonio (Author)
    ©2002 Textbook
  • Title: Reimagining Kenyan Cinema

    Reimagining Kenyan Cinema

    by Charles Kebaya (Volume editor) Christopher Joseph Odhiambo (Volume editor) 2022
    ©2022 Monographs
  • Title: New Media Technology and Motion Pictures

    New Media Technology and Motion Pictures

    by Daniel S. Hunt (Volume editor) 2024
    ©2024 Textbook
  • Title: Queering Contemporary French Popular Cinema

    Queering Contemporary French Popular Cinema

    Images and their Reception
    by Darren Waldron (Author)
    ©2010 Monographs
  • Title: Theorizing Ambivalence in Ang Lee's Transnational Cinema

    Theorizing Ambivalence in Ang Lee's Transnational Cinema

    by Chih-Yun Chiang (Author) 2012
    ©2012 Monographs
  • Title: Translating Audiovisuals in a Kaleidoscope of Languages

    Translating Audiovisuals in a Kaleidoscope of Languages

    by Montse Corrius (Volume editor) Eva Espasa (Volume editor) Patrick Zabalbeascoa (Volume editor) 2020
    ©2019 Edited Collection
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