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New Studies in European Cinema
ISSN: 1661-0261
With its focus on new critical, theoretical, and cultural developments in contemporary film studies, this series encourages lively analytical debate within an innovative, multidisciplinary, and transnational approach to European cinema. It aims to create an expansive sense of where the borders of European cinema may lie and to explore its interactions and exchanges within and between regional and national spaces, taking into account diverse audiences and institutions. The series reflects the range and depth of European cinema, while also attempting to revise and extend its importance within the development of cinema studies in the coming decades. Of particular interest is how European cinema may respond to the challenges of digital distribution and the new intermedial landscape, evolving issues in transnational funding and production, the significance of film festival culture, and questions of multivocality and pluralism at a time of global crisis. The impact of all such developments upon European culture and identity will be of fundamental interest in the coming decades and the New Studies in European Cinema series makes a key contribution to this debate. Proposals for monographs and edited collections are welcome. All proposals and manuscripts undergo a rigorous peer review assessment prior to publication.
28 publications
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Stage and Screen Studies
ISSN: 1660-2560
This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays. This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays. This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays.
10 publications
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Reimagining Kenyan Cinema
©2022 Monographs -
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Catullan Mediations and Other Essays
©2011 Monographs