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Voices of Dissent
Interdisciplinary Approaches to New Italian Popular and Political Music©2020 Monographs -
Ubuntu Fusion Music
©2024 Conference proceedings -
Ferramonti
Interpreting Cultural Behaviors and Musical Practices in a Southern-Italian Internment Camp©2021 Thesis -
Das Alte Testament im Dialog / An Outline of an Old Testament Dialogue
ISSN: 1662-1689
This series intends to promote and stimulate the scientific dialogue between the Old Testament and its interrelated subjects. The interest is focused on the relationship between the Old Testament and the New Testament and on its relationship with the human sciences. In addition to theology, anthropology and ethics and aside from areas relating to psychology, pedagogy, sociology, economics, historiography, music and linguistics, there are some important points of reference to scientific questions, including medicine. This international series will publish not only monographs and conference volumes but also theses and dissertations in German, English, Italian and Romanian. Of vital importance is the desire that these volumes address themselves not exclusively to specialists, but to the general interested reader. Diese Reihe will den wissenschaftlichen Dialog zwischen dem Alten Testament und benachbarten Fächern fördern. Im Mittelpunkt des Interesses stehen der weit verzweigte Dialog zum Neuen Testament sowie die wechselseitige Beziehung mit den Humanwissenschaften, die durch die Vielschichtigkeit des Alten Testaments hervorgerufen wird. Dazu gehören neben der Theologie, Anthropologie und Ethik auch Gebiete wie Psychologie, Pädagogik, Soziologie, Ökonomie, Geschichtsschreibung, Musikwissenschaften und Sprachforschung. Aber auch zu naturwissenschaftlichen Fragen wie beispielsweise in der Medizin gibt es einige wichtige Bezugspunkte. In diese international ausgerichtete Reihe werden sowohl Monographien und Tagungsbände als auch Dissertationen und Habilitationen in deutscher, englischer, italienischer und rumänischer Sprache aufgenommen. Ein wichtiges Anliegen ist es, dass sich die Bände nicht ausschliesslich an Fachleute richten, sondern eine breitere wissenschaftlich interessierte Leserschaft ansprechen.
12 publications
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Studi Pergolesiani- Pergolesi Studies
a cura di / edited by Simone Caputo©2012 Conference proceedings -
Film translation from East to West
Dubbing, subtitling and didactic practice©2013 Edited Collection -
FRANCESCO ALGAROTTI
AN ESSAY ON THE OPERA (Saggio sopra l’opera in musica) The editions of 1755 and 1763©2022 Prompt -
A Translation of Luigi Paolucci's «On Birdsong»
Phenomenology, Animal Psychology and Biology©2018 Monographs -
At the origins of Classical opera
Carlo Goldoni and the «dramma giocoso per musica»©2018 Monographs -
Translating America
The Circulation of Narratives, Commodities, and Ideas between Italy, Europe, and the United States©2011 Conference proceedings -
The Languages of Performance in British Romanticism
©2008 Edited Collection -
Chivalric Festivals at the Ferrarese Court of Alfonso II d’Este
©2003 Monographs -
Varia Musicologica
ISSN: 1660-8666
The series „Varia Musicologica" treats a wide range of subjects from all fields of musicology. The editions, monographs and collections present the latest research from the music of the Middle Ages to new forms of music culture and adapt historical, cultural-historical, musical-aesthetic, biographical, analytical or source-critical methods. The volumes are presented in the languages English, German, French and Italian. Die Reihe «Varia Musicologica» ist als breit angelegtes Medium für vorwiegend monographische Arbeiten aus allen Feldern der Musikwissenschaft konzipiert. Die Bände erscheinen in freier Folge in den vier Sprachen Englisch, Deutsch, Französisch und Italienisch. Sie präsentieren neueste Forschungen von der Musik des Mittelalters bis zu neuen Formen von Musikkultur und gehorchen dabei historischen, kulturhistorischen, musikästhetischen, biographischen, analytischen oder quellenkritischen Methoden.
26 publications
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Studies in Contemporary Women’s Writing
ISSN: 2235-4123
A series founded by Gill Rye This book series supports the work of the Centre for the Study of Contemporary Women’s Writing at the Institute of Languages, Cultures and Societies, University of London, by publishing high-quality critical studies in the field. Studies in Contemporary Women’s Writing provides a forum for innovative research exploring new trends and issues in the work of new, hitherto neglected or established authors who write primarily, but not exclusively, in the languages covered by the Centre: French, German, Italian, Portuguese and the Hispanic languages. The series has redefined its remit in light of current scholarship. ‘Contemporary’ is still defined as ‘after 1968’, with a preference for studies of post-1990 texts in any genre. While the series initially focused on writing, it now welcomes research that crosses disciplinary boundaries and defines creativity in the broadest sense, including intersections between literature and the arts, cinema and music. Scholarship that embraces gender and sexuality more broadly, including the work of non-binary and queer authors, is also welcome. We encourage studies that connect texts with the social, cultural, linguistic and political contexts in which they are created, taking into account the transnational and postcolonial configuration of the contemporary world and its impact on lives and experiences. Proposals are invited for monographs and edited collections. The series welcomes single-author studies, thematic analyses across languages and cross-cultural discussions that rely on a variety of approaches and theoretical frameworks, as well as studies that showcase the application of new methodologies to primary texts. Manuscripts should be written in English. Editorial Board: Claudia Bernardi (Victoria University of Wellington), Francesca Calamita (University of Virginia), Emily Jeremiah (Royal Holloway, University of London), Shirley Jordan (Newcastle University), Catriona MacLeod (University of London Institute in Paris), Lorraine Ryan (University of Birmingham), Godela Weiss-Sussex (School of Advanced Study, University of London), Caragh Wells (University of Bristol), Claire Williams (St Peter’s College, University of Oxford)
15 publications