Studies in Romantic and Modern Literature

ISSN: 0743-7889

0 publications

Studies in Modern German Literature

This series is continued as Studies in Modern German and Austrian Literature, edited by Robert Vilain. This series is continued as Studies in Modern German and Austrian Literature, edited by Robert Vilain. This series is continued as Studies in Modern German and Austrian Literature, edited by Robert Vilain.

91 publications

Studies in Modern German and Austrian Literature

ISSN: 2235-3488

Studies in Modern German and Austrian Literature is a broadly conceived series that aims to publish significant research and scholarship devoted to German and Austrian literature of all forms and genres from the eighteenth century to the present day. The series promotes the analysis of intersections of literature with thought, society and other art forms, such as film, theatre, autobiography, music, painting, sculpture and performance art. It includes monographs on single authors or works, focused historical periods, and studies of experimentation with form and genre. Wider ranging explorations of literary, cultural or socio-political phenomena in the German-speaking lands or among writers in exile and analyses of national, ethnic and cultural identities in literature are also welcome topics. Proposals are invited for monographs, high-quality doctoral dissertations revised for book publication, focused collections of essays (including selectively edited conference proceedings), annotated editions and bibliographies. Senior figures in the academic profession as well as early career or independent scholars are encouraged to submit proposals. All proposals and manuscripts will be peer reviewed. We publish in both German and English. This series is a successor to Studies in Modern German Literature, edited by Peter D.G. Brown.

16 publications

North American Studies in Nineteenth-Century German Literature and Culture

ISSN: 2235-3496

"This series of scholarly works focuses on literature and other cultural artifacts produced during the long nineteenth century in German-speaking lands. The series includes studies in criticism and literary history, as well as analyses of the social and political dimensions of literature and culture. The aim of the series is to offer contributions by North American scholars who have rediscovered once significant authors, genres or modes of production and consumption; reevaluated canonical or other texts and their contexts; or explored other forms of expression, such as journalism, letters or diaries. This scholarship serves to renew our understanding and appreciation of a body of work that was acknowledged as internationally important in the nineteenth century and that still speaks to us today." "This series of scholarly works focuses on literature and other cultural artifacts produced during the long nineteenth century in German-speaking lands. The series includes studies in criticism and literary history, as well as analyses of the social and political dimensions of literature and culture. The aim of the series is to offer contributions by North American scholars who have rediscovered once significant authors, genres or modes of production and consumption; reevaluated canonical or other texts and their contexts; or explored other forms of expression, such as journalism, letters or diaries. This scholarship serves to renew our understanding and appreciation of a body of work that was acknowledged as internationally important in the nineteenth century and that still speaks to us today." "This series of scholarly works focuses on literature and other cultural artifacts produced during the long nineteenth century in German-speaking lands. The series includes studies in criticism and literary history, as well as analyses of the social and political dimensions of literature and culture. The aim of the series is to offer contributions by North American scholars who have rediscovered once significant authors, genres or modes of production and consumption; reevaluated canonical or other texts and their contexts; or explored other forms of expression, such as journalism, letters or diaries. This scholarship serves to renew our understanding and appreciation of a body of work that was acknowledged as internationally important in the nineteenth century and that still speaks to us today."

40 publications

The Modernist Revolution in World Literature

ISSN: 1528-9672

In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series

3 publications

Modern French Identities

ISSN: 1422-9005

This series aims to publish monographs, editions or collections of papers based on recent research into modern French literature. It welcomes contributions from academics, researchers and writers worldwide and in British and Irish universities in particular. Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide, Apollinaire and Césaire to Barthes, Duras, Kristeva, Glissant, Germain and Roubaud. This series explores the turmoil in ideas and values expressed in the works of theorists like Lacan, Irigaray, Foucault, Fanon, Deleuze and Bourdieu and traces the impact of current theoretical approaches – such as gender and sexuality studies, de/coloniality, intersectionality, and ecocriticism – on the literary and cultural interpretation of the self. The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects and welcomes research on autobiography, cinema, fiction, poetry and performance art and/or the intersections between them. Editorial Board Contemporary Literature and Thought: Martin Crowley (University of Cambridge) Francophone Studies: Louise Hardwick (University of Birmingham) and Jean Khalfa (University of Cambridge) Gender and Sexuality Studies: Florian Grandena (University of Ottawa) and Cristina Johnston (University of Stirling) Language and Linguistics: Michaël Abecassis (University of Oxford) Literature and Art: Peter Collier and Jean Khalfa (University of Cambridge) Literature and Non-fiction: Muriel Pic (University of Bern) Poetry: Nina Parish (University of Stirling) and Emma Wagstaff (University of Birmingham) Zoopoetics and Ecocriticism: Anne Simon (CNRS/Ecole normale supérieure, Paris)

155 publications

Wor(l)ds of Change: Latin American and Iberian Literature

"This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects." "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects." "This series deals with the relationship between literary creation and the social, political, and historical contexts in which it is produced. The types of volumes may include critical analyses of one or more works by one or several authors; critical editions of important works that may have been out of print for a long time, but which represent a major contribution to literature of the Iberian Peninsula or Latin America, English translations of important works, with critical introduction. Topics for Latin America include: studies of representative works of nineteenth- and twentieth-century thought, poetic portrayals of history, subgenres (fictionalization of the rural and urban social structures); historical novels; literature of exile; re-readings of colonial texts; new approaches to the figure of the Indian and other representatives of transculturation; women writers and other less studied authors. Topics for Spain and Portugal include: writing and nationalism in the Spanish State; bilingualism and the literary texts; censorship and exile; new and renewed genres such as autobiography and testimony; the formation of the avant-garde. Formal studies are expected to bear out the general contextual focus of the series. The use of recent developments in literary criticism is especially appropriate. The series also seeks to contribute to the understanding and accuracy of interpretation of the writing which has combined European elements with indigenous and African ones as well as to the understanding of the dynamics behind such major cultural issues as the formation of literary trends or subgenres, national identities, the effects of postcolonial status on literary imagination, the appearance and experience of women writers, and the relationships between post-modernism and Ibero-American writing. The series title is inclusive of literatures which are geographically, historically, or politically related and whose comparison is relevant to Spanish and Spanish American writing. This means those written in the other three languages of Spain, in Portugal, and Brazil. Comparative studies in which colonial or post colonial themes are prevalent may also be appropriate, if one of the literatures is in either Spanish or Portuguese. The breadth of the geographical area is intended to provide a forum for revealing and interpreting its multicultural aspects."

50 publications

Modern American Literature

The books in the Modern American Literature: New Approaches series deal with many of the major writers known as American realists, modernists, and post-modernists from 1880 to the present. This category of writers will also include less known ethnic and minority writers, a majority of whom are African American, some are Native American, Mexican American, Japanese American, Chinese American, and others. The series might also include studies on well-known contemporary writers, such as James Dickey, Allen Ginsberg, Gary Snyder, John Barth, John Updike, and Joyce Carol Oates. In general, the series will reflect new critical approaches such as deconstructionism, new historicism, psychoanalytical criticism, gender criticism/feminism, and cultural criticism.

63 publications

Leeds-Swansea Colloquia on Contemporary German Literature

The Leeds Colloquia on Contemporary German Literature series is the successor to the Bradford Series of Colloquia on Contemporary German Literature. Like its precursor, the Leeds Series has as its focal point of departure a three-day, biennial colloquium devoted to a particular theme. The colloquia have been supported by a range of cultural institutions over the years including the Goethe Institut, Austrian Cultural Forum and Modern Humanities Research Association, enabling them to act as a forum for dialogue between Germanisten in the German-speaking world and established and aspiring scholars based in the UK, Ireland, the USA and Australia. It is of equal importance that a broad understanding of what constitutes literary writing is fostered. Thus while ‘canonical’ literary figures have always featured, there has been a commitment to new writing which has given rise to the first academic discussions in English of several significant contemporary writers. The organising editors are Professor Julian Preece (University of Wales, Swansea) and Professor Frank Finlay (University of Leeds) who work in tandem with an international Advisory Board. The Leeds Colloquia on Contemporary German Literature series is the successor to the Bradford Series of Colloquia on Contemporary German Literature. Like its precursor, the Leeds Series has as its focal point of departure a three-day, biennial colloquium devoted to a particular theme. The colloquia have been supported by a range of cultural institutions over the years including the Goethe Institut, Austrian Cultural Forum and Modern Humanities Research Association, enabling them to act as a forum for dialogue between Germanisten in the German-speaking world and established and aspiring scholars based in the UK, Ireland, the USA and Australia. It is of equal importance that a broad understanding of what constitutes literary writing is fostered. Thus while ‘canonical’ literary figures have always featured, there has been a commitment to new writing which has given rise to the first academic discussions in English of several significant contemporary writers. The organising editors are Professor Julian Preece (University of Wales, Swansea) and Professor Frank Finlay (University of Leeds) who work in tandem with an international Advisory Board. The Leeds Colloquia on Contemporary German Literature series is the successor to the Bradford Series of Colloquia on Contemporary German Literature. Like its precursor, the Leeds Series has as its focal point of departure a three-day, biennial colloquium devoted to a particular theme. The colloquia have been supported by a range of cultural institutions over the years including the Goethe Institut, Austrian Cultural Forum and Modern Humanities Research Association, enabling them to act as a forum for dialogue between Germanisten in the German-speaking world and established and aspiring scholars based in the UK, Ireland, the USA and Australia. It is of equal importance that a broad understanding of what constitutes literary writing is fostered. Thus while ‘canonical’ literary figures have always featured, there has been a commitment to new writing which has given rise to the first academic discussions in English of several significant contemporary writers. The organising editors are Professor Julian Preece (University of Wales, Swansea) and Professor Frank Finlay (University of Leeds) who work in tandem with an international Advisory Board.

3 publications

Studies of World Literature in English

This series encompasses criticism of modern English-language literature from outside the United States, Great Britain, and Ireland, concentrating on literature by writers from Canada, Africa, Asia, the Pacific, and the Caribbean. Submissions are invited concerning fiction, poetry, drama, and literary theory. This series encompasses criticism of modern English-language literature from outside the United States, Great Britain, and Ireland, concentrating on literature by writers from Canada, Africa, Asia, the Pacific, and the Caribbean. Submissions are invited concerning fiction, poetry, drama, and literary theory. This series encompasses criticism of modern English-language literature from outside the United States, Great Britain, and Ireland, concentrating on literature by writers from Canada, Africa, Asia, the Pacific, and the Caribbean. Submissions are invited concerning fiction, poetry, drama, and literary theory.

10 publications

Studies in Modern Polish Literature and Culture

The main aim of these series of publications is to elucidate the best achievements of Polish literature and culture in 20th century as well as to bring closer to the Western readers the most prestigious works in Polish human sciences. Among others the series will present such major literary figures as Stanis?aw Ignacy Witkiewicz, Czes?aw Mi?osz, Wis?awa Szymborska, Bruno Schulz, Zbigniew Herbert. The vision of the historical meanders of literature will be paralleled by transformations of methodological concepts. The main aim of these series of publications is to elucidate the best achievements of Polish literature and culture in 20th century as well as to bring closer to the Western readers the most prestigious works in Polish human sciences. Among others the series will present such major literary figures as Stanis?aw Ignacy Witkiewicz, Czes?aw Mi?osz, Wis?awa Szymborska, Bruno Schulz, Zbigniew Herbert. The vision of the historical meanders of literature will be paralleled by transformations of methodological concepts. The main aim of these series of publications is to elucidate the best achievements of Polish literature and culture in 20th century as well as to bring closer to the Western readers the most prestigious works in Polish human sciences. Among others the series will present such major literary figures as Stanis?aw Ignacy Witkiewicz, Czes?aw Mi?osz, Wis?awa Szymborska, Bruno Schulz, Zbigniew Herbert. The vision of the historical meanders of literature will be paralleled by transformations of methodological concepts.

1 publications

Global Literary Modernisms

ISSN: 2504-1533

The Global Literary Modernisms series provides a platform for literary scholarship on modernism across genres and geographies. The concept of the global today carries with it new ideas about time and historical development, as well as new theories about national literary traditions and new models of social belonging that extend beyond national borders. Without sacrificing our interest in national traditions, we invite studies that link those traditions to more extensive global and transnational contexts. The series also invites studies that reconsider the temporalities and formal and aesthetic praxes of modernism—not only its historical development, but the peculiar rhythms and pacing of its narratives, its dramatic literatures, its poetry, its song. While respecting the contemporary elasticity of the term, this series understands modernism not simply as a synonym for the ‘modern’ but as a movement that responds to the modern wherever it finds it. We invite English-language submissions on all aspects of literary modernism. Proposals are invited for monographs and edited volumes that engage transnational and postcolonial, canonical and marginal modernisms, and the legacies of modernism. We welcome single- and multiple-author studies from a variety of approaches and frameworks, literary-historical and/or theoretical.

1 publications

Modern Poetry

ISSN: 1661-2744

The Modern Poetry series brings together scholarly work on modern and contemporary poetry. As well as examining the sometimes neglected art of recent poetry, this series also sets modern poetry in the context of poetic history and in the context of other literary and artistic disciplines. Poetry has traditionally been considered the highest of the arts, but in our own time the scholarly tendency to treat literature as discourse or document sometimes threatens to obscure its specific vitalities. The Modern Poetry series aims to provide a platform for the full range of scholarly work on modern poetry, including work with an intercultural or interdisciplinary methodology. We invite submissions on all aspects of modern and contemporary poetry in English, and will also consider work on poetry in other language traditions. The series is non-dogmatic in its approach, and includes both mainstream and marginal topics. We are especially interested in work which brings new intellectual impetus to recognised areas (such as feminist poetry and linguistically innovative poetry) and also in work that makes a stimulating case for areas which are neglected.

12 publications

Italian Modernities

ISSN: 1662-9108

The series aims to publish innovative research on the written, material and visual cultures and intellectual history of modern Italy, from the 19th century to the present day. It is open to a wide variety of different approaches and methodologies, disciplines and interdisciplinary fields: from literary criticism and comparative literature to archival history, from cultural studies to material culture, from film and media studies to art history. It is especially interested in work which articulates aspects of Italy's particular, and in many respects, peculiar, interactions with notions of modernity and postmodernity, broadly understood. It also aims to encourage critical dialogue between new developments in scholarship in Italy and in the English-speaking world. The Italian Modernities series also includes the Panoramas sub-series. These volumes provide accessible, wide-ranging, research-led accounts of significant new trends, emerging fields of study and new methodologies within work on modern Italian culture, history and related disciplines.

46 publications

From Antiquity to Modernity

ISSN: 2328-9236

"From Antiquity to Modernity: Studies on Middle Eastern and Asian Societies is a series focusing on aspects central to Middle Eastern, Central Asian, and South Asian societies in the past and the present. It is designed to contribute toward better understandings of those important regions’ peoples. Original research within the disciplines of anthropology, archeology, art history, cultural studies, economics, history, history of science, international relations, languages, literatures, politics, religions, and sociology will be published. Interdisciplinary, cross-disciplinary, and multidisciplinary studies are welcome as well. So are ones that advance methodologies relating to complexities of the Middle East, Central Asia, and South Asia. Manuscripts can be single- authored or co-authored; edited volumes that form a cohesive body of knowledge will be considered, too. Each book-length manuscript will undergo editorial and peer review prior to acceptance for publication. Individual volumes in From Antiquity to Modernity are of particular value to individuals studying and investigating the Middle East and Asia at universities, think tanks, and governmental and nongovernmental agencies while also being of interest to the general educated reader. "

2 publications

Russian Transformations: Literature, Culture and Ideas

ISSN: 1662-2545

Russian Transformations publishes studies across the entire extent of Russian literature, thought and culture from the medieval period to the present. The series gives special emphasis to the kinds of transformation that characterise Russian, Soviet and post-Soviet writing. Transformation has often been under the stimulus of (and resistance to) foreign traditions. Acts of cross-cultural and cross-literary reception mark Russia's sense of creative development and national identity. Transformation has often been the result of the on-going dialogues between writers working within the Russian literary tradition through polemic and subtle use of intertextuality. Similarly, the stunning political and social changes that have been characteristic of Russian history generated radical transformation in the institutions of literature and in forms of literature from Modernism to post-Perestroika as writers react to official policy on freedom of expression.

7 publications

Contemporary Critical Concepts and Pre-Enlightenment Literature

ISSN: 1074-6781

"Writers who worked before the beginning of rationalist universalism's triumphal period which may be ending now-explored issues of consciousness, ideology, and culture that recent criticism and critical theory, using various specialized vocabularies of concepts, have returned to the center of literäry and social criticism. These early modern figures often anticipated some of our clilemmas; How to manipulate an apparently quite mutable world and, at the same time, preserve belief in an immutable "centered" self? How to reconcile rationalist universalism with personal and cultural stability? Rene Descartes's postulate of man as the master and proprietor of an increasingly built world is fundamentally incompatible with his effort to underwrite man as a stable philosophical subject. Man's technical and linguistic mastery devours his "transcendent subjectivity." Students of literature are now using the ideas of what Larry Riggs calls "post-enlightenment thinkers"-Max Horkheimer, Jacques Lacan, Michael Foucault, Rene Girard, and others-to elucidate the implicit and explicit debates about rationalism that are embedded in literary works. This trend is most usefully seen as a renewal of contact with preoccupations that were quite current in medieval, Renaissance, and seventeenth-century European literature. To date, however, innovative criticism has focused an more recent literature. Some post-structuralists-most notably Jacques Lacan-have tried their hand at interpreting early works. Their ideas are interesting, but their knowledge of the periods in question is often weak. Manuscripts on Elizabethan and Restoration theater, French, Italian, and German writers of the medieval and Renaissance periods, and die seventeenth-century French dramatists and moralists are welcome. "

3 publications

Studies in East Asian Literatures and Cultures

Until the publication of volume 6, the series was edited by prof. Barbara Michalak-Pikulska, and the title of the series was "Studies in Oriental Culture and Literature". The series aims to present contemporary research in the fields of Literary and Culture Studies encompassing the Chinese, Korean, Japanese cultural spheres, and the geographic area of Mainland China and Taiwan, Korean Peninsula, and Japan. Topics of interest include classical and contemporary literature, languages and writing systems, research on historical and modern East Asian cultures, as well as cross-cultural and comparative studies of the region. Of special interest are topics transgressing the traditional boundaries of Sinology, Korean, and Japanese Studies, presenting original, interdisciplinary perspectives. The series welcomes monographs and thematic collective volumes by scholars from around the world. The language of the series is English.

8 publications

Hybris: Literatura y Cultura Latinoamericanas

ISSN: 2736-5298

Since Ancient Greece and the classical era, philosophers, artists and critics have delved into the relationships between literature and other arts. First it was painting and plastic arts –ut pictura poesis, by Simónides de Ceos and Horacio–, later on music, architecture, theatrical representation, sculpture and already, in modern and contemporary times, photography, cinema, television, the mass media. At present this vast and stimulating field of cultural and artistic hybridizations has been completed with new technologies and all "transmedia narratives", generating concepts and transversal actions attached to digital creation and new communicative realities: touch-media, cross-media, intermediality, transmediality, hypertextuality, multimodality, etc. This collection, Hybris: Latin American Literature and Culture, intends, on the one hand, to investigate in the diachronic sense that these relationships have been emerging in the literary and cultural field, understood as aesthetic, practical, leveling and technical borrowing parameters between arts and, therefore the other, is to reflect from a philosophical, social, cultural and theoretical perspective on the possibilities offered by such hybridizations, always within a Latin American context. In classical mythology, Hybris was the goddess of excess, insolence, the absolute absence of moderation, and evoked the need to go beyond limits. This new concept of Hybris intends to insist on the mythological marks of transgression, erasing borders between the arts, shaking the tendency to subdivision and containment and, at the same time, it also demandings identification with the Latin term hybrida, which alludes to the racial or cultural mixing. Hybridization and symbiosis between arts will therefore be the outlines and contexts in which these studies will be invested. Desde la Antigua Grecia y la época clásica, filósofos, artistas y críticos han profundizado en las relaciones entre la literatura y otras artes. Primero fue la pintura y artes plásticas –ut pictura poesis, de Simónides de Ceos y Horacio–, más adelante la música, la arquitectura, la representación teatral, la escultura y ya, en la época moderna y contemporánea, la fotografía, el cine, la televisión, los mass media. En la actualidad este vasto y estimulante campo de hibridaciones culturales y artísticas se ha completado con las nuevas tecnologías y todas las "narrativas transmedia", generando conceptos y actuaciones transversales anejas a la creación digital y a las nuevas realidades comunicativas: touch-media, cross-media, intermedialidad, transmedialidad, hipertextualidad, multimodalidad, etc. Esta colección, Hybris: Literatura y Cultura Latinoamericanas, pretende, por un lado, indagar en el sentido diacrónico que estas relaciones han ido perfilando en el campo literario y cultural entendidos como parámetros estéticos, prácticos, de nivelación y préstamos técnicos entre artes y, por otro, reflexionar desde una perspectiva filosófica, social, cultural y teórica sobre las posibilidades que ofrecen tales hibridaciones, siempre dentro de un contexto latinoamericano. En la mitología clásica, Hybris era la diosa de la desmesura, la insolencia, la ausencia absoluta de moderación, y evocaba la necesidad de traspasar límites. Este nuevo concepto de Hybris pretende insistir en las marcas mitológicas de la transgresión, borrando fronteras entre las artes, sacudiendo la tendencia a la parcelación y a la contención y, a la vez, reclama también la identificación con el término latino hybrida, que alude a la mezcla de sangre. Hibridación y simbiosis entre artes serán, por tanto, los contornos y contextos en los que se imbricarán estos estudios.

17 publications

Studies in Classical Literature and Culture

ISSN: 2196-9779

The series explores a wide range of topics within classical studies concentrating on Greek and Latin language, ancient literature and culture as well as its reception. It includes monographs, collections of articles and critical editions presented by scholars from around the world and aims to bring together modern approaches like literary theory and cultural studies with traditional philology represented by textual criticism. Encouraging an interdisciplinary point of view it aims at giving a comprehensive picture of new trends and recent achievements in classics.

21 publications

MUSE: Munich Studies in English

ISSN: 2364-088X

Combining traditional strengths with an openness to innovation, this series offers monographs and essay collections ranging from studies in historical linguistics to analyses of Early Modern literature and beyond, as well as scholarly editions of medieval English and relevant Latin texts. Reflecting LMU Munich's strong track record in sound philological research, it is also open to literary and cultural studies – and to submissions from outside Munich. Its languages are English and German. The series was formerly known as Münchener Universitätsschriften. Die Reihe kombiniert traditionelle Stärken mit innovativer Öffnung: Sie bietet Monographien und Sammelbände, die thematisch von historischer Linguistik bis zur Literatur der frühen Neuzeit und darüberhinaus reichen, aber auch Editionen englischer mediävistischer oder einschlägiger lateinischer Texte. Der eingeführte Reihentitel stellt auf die anerkannte Stärke der Münchener anglistischen Philologie ab, doch ausdrücklich sind auch literatur- und kulturwissenschaftliche Untersuchungen willkommen – ebenso wie Arbeiten von außerhalb Münchens. Die Reihe erscheint in deutscher und englischer Sprache. Die Reihe wurde bisher unter dem Titel Münchener Universitätsschriften geführt.

10 publications

Eurosinica

ISSN: 2235-6258

"EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

12 publications

Lang Classical Studies

Lang Classical Studies includes topics in the history, literature, and culture of the ancient Greek and Roman world. Monographs that challenge currently accepted views or mark out new areas of investigation are especially welcome. Comparative studies that combine various aspects of religion, intellectual history, reception studies, political theory, archaeology, ancient medicine, and the history of science fall within the scope of this series whenever they address the larger concerns of modern Classical scholarship. Contributors to this series, however, need not feel they are confined to currently fashionable topics or approaches. Lang Classical Studies includes topics in the history, literature, and culture of the ancient Greek and Roman world. Monographs that challenge currently accepted views or mark out new areas of investigation are especially welcome. Comparative studies that combine various aspects of religion, intellectual history, reception studies, political theory, archaeology, ancient medicine, and the history of science fall within the scope of this series whenever they address the larger concerns of modern Classical scholarship. Contributors to this series, however, need not feel they are confined to currently fashionable topics or approaches. Lang Classical Studies includes topics in the history, literature, and culture of the ancient Greek and Roman world. Monographs that challenge currently accepted views or mark out new areas of investigation are especially welcome. Comparative studies that combine various aspects of religion, intellectual history, reception studies, political theory, archaeology, ancient medicine, and the history of science fall within the scope of this series whenever they address the larger concerns of modern Classical scholarship. Contributors to this series, however, need not feel they are confined to currently fashionable topics or approaches.

13 publications

Imagining Black Europe

ISSN: 2633-108X

This series seeks to publish critical and nuanced scholarship in the field of Black European Studies. Moving beyond and building on the Black Atlantic approach, books in this series will underscore the existence, diversity and evolution of Black Europe. They will provide historical, intersectional and interdisciplinary perspectives on how Black diasporic peoples have reconfigured the boundaries of Black identity making, claim making and politics; created counterdiscourses and counterpublics on race, colonialism, postcolonialism and racism; and forged transnational connections and solidarities across Europe and the globe. The series will also illustrate the ways that Black European diasporic peoples have employed intellectual, socio-political, artistic/cultural, affective, digital and pedagogical work to aid their communities and causes, challenge their exclusion and cultivate ties with their allies, thus gaining recognition in their societies and beyond. Representing the field’s dynamic growth methodologically, geographically and culturally, the series will also collectively interrogate notions of Blackness, Black diasporic culture and Europeanness while also challenging the boundaries of Europe. Books in the series will critically examine how race and ethnicity intersect with the themes of gender, nationality, class, religion, politics, kinship, sexuality, affect and the transnational, offering comparative and international perspectives. One of the main goals of the series is to introduce and produce rigorous academic research that connects not only with individuals in academia but also with a broader public. Areas of interest: Social movements Racial discourses and politics Empire, slavery and colonialism Decolonialization and postcolonialism Gender, sexuality and intersectionality Black activism (in all its forms) Racial and political violence and surveillance Racial constructions Diasporic practices Race and racialization in the ancient, medieval, modern and contemporary eras Identity, representation and cultural productions (music, art, literature, etc.) Memory Migration and immigration Citizenship State building and diplomacy Nations and nationalisms All proposals and manuscripts will be rigorously peer reviewed. The language of publication is English. We welcome new proposals for monographs and edited collections. Advisory Board: Hakim Adi (Chichester), Robbie Aitken (Sheffield Hallam), Catherine Baker (Hull), Eddie Bruce-Jones (Birkbeck), Alessandra Di Maio (Palermo), Akwugo Emejulu (Warwick), Philomena Essed (Antioch), Crystal Fleming (Stony-Brook), David Theo Goldberg (UC Irvine), Silke Hackenesch (Cologne), Elahe Haschemi Yekani (Humboldt), Nicholas R. Jones (Yale), Silyane Larcher (CNRS), Olivette Otele (SOAS, London), Sue Peabody (Washington State), Kennetta Hammond Perry (Northwestern), Cassander L. Smith (Alabama), S. A. Smythe (Toronto)

7 publications

New Directions in German-American Studies

It is the purpose of this series to subject the large topic of German-America to new critical scrutiny. It does so as an international collaborative effort among scholars in disciplines ranging from modern languages to political history, from American Studies to anthropology, who present independently conceived publications as part of the larger project. Reimagined as part of multilingual America, the new examinations of the German-American tradition in this series offer not only new approaches to German-American studies, but they also force new thinking about what constitutes “German literature” and what have been the defining, though too little recognized, multilingual features of “American literature." It is the purpose of this series to subject the large topic of German-America to new critical scrutiny. It does so as an international collaborative effort among scholars in disciplines ranging from modern languages to political history, from American Studies to anthropology, who present independently conceived publications as part of the larger project. Reimagined as part of multilingual America, the new examinations of the German-American tradition in this series offer not only new approaches to German-American studies, but they also force new thinking about what constitutes “German literature” and what have been the defining, though too little recognized, multilingual features of “American literature." It is the purpose of this series to subject the large topic of German-America to new critical scrutiny. It does so as an international collaborative effort among scholars in disciplines ranging from modern languages to political history, from American Studies to anthropology, who present independently conceived publications as part of the larger project. Reimagined as part of multilingual America, the new examinations of the German-American tradition in this series offer not only new approaches to German-American studies, but they also force new thinking about what constitutes “German literature” and what have been the defining, though too little recognized, multilingual features of “American literature."

7 publications