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Edgar Wind

Art and Embodiment

by Jaynie Anderson (Volume editor) Bernardino Branca (Volume editor) Fabio Tononi (Volume editor) 2024

©2024 Edited Collection
Performing Nature

Explorations in Ecology and the Arts

by Gabriella Giannachi (Volume editor) Nigel Stewart (Volume editor) 2006

©2005 Edited Collection
What is a Woman to Do?

A Reader on Women, Work and Art, c. 1830-1890

by Kyriaki Hadjiafxendi (Volume editor) Patricia Zakreski (Volume editor) 2011

©2011 Edited Collection
Music Theory and its Methods

Structures, Challenges, Directions

by Denis Collins (Volume editor) 2013

©2013 Edited Collection
The Embodiment of Authority

Perspectives on Performances

by Taina Riikonen (Volume editor) Marjaana Virtanen (Volume editor) 2015

©2015 Edited Collection
Émile Verhaeren: Essays on the Northern Renaissance

Rembrandt, Rubens, Grünewald and Others- Translated with an Introduction and Notes by Albert Alhadeff

by Albert Alhadeff (Volume editor) 2012

©2012 Monographs
A History of Installation Art and the Development of New Art Forms

Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation

by Faye Ran (Author) 2012

©2009 Monographs
Making Sense

Beauty, Creativity, and Healing

by Bandy Lee (Volume editor) Nancy Olson (Volume editor) Thomas Duffy (Volume editor) 2015

©2015 Monographs
Claude Monet, Free Thinker

Radical Republicanism, Darwin's Science, and the Evolution of Impressionist Aesthetics

by Michael J. Call (Author) 2015

©2015 Monographs
Modernity and Early Cultures

Reconsidering non western references for modern architecture in a cross-cultural perspective

by Anna Minta (Volume editor) Bernd Nicolai (Volume editor) 2011

©2011 Conference proceedings
What Makes a Film Tick?

Cinematic Affect, Materiality and Mimetic Innervation

by Anne Rutherford (Author) 2011

©2011 Thesis
Introduction to Kalophony, the Byzantine «Ars Nova»

The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant

by Gregorios Th. Stathis (Author) Konstantinos Terzopoulos (Author) 2014

©2015 Monographs
Performativity in the Gallery

Staging Interactive Encounters

by Outi Remes (Volume editor) Laura MacCulloch (Volume editor) Marika Leino (Volume editor) 2013

©2014 Edited Collection
Embodied Fantasies: From Awe to Artifice

by Suzanne Anker (Volume editor) Sabine Flach (Volume editor) 2013

©2013 Conference proceedings
Views of Albion

The Reception of British Art and Design in Central Europe, 1890–1918

by Andrzej Szczerski (Author) 2015

©2015 Monographs
The Paris Fine Art Salon/Le Salon, 1791–1881

by James Kearns (Volume editor) Alister Mill (Volume editor) 2015

©2015 Edited Collection
The Paradigm Case

The Cinema of Hitchcock and the Contemporary Visual Arts

by Bernard McCarron (Author) 2015

©2015 Monographs
The Myth of the Orient

Architecture and Ornament in the Age of Orientalism

by Francine Giese (Volume editor) Ariane Varela Braga (Volume editor) 2017

©2016 Edited Collection

Edgar Wind

Performing Nature

What is a Woman to Do?

Musical Semantics

Aesthetic Rivalries

Arturo Benedetti Michelangeli as I Knew Him

Music Theory and its Methods

The Embodiment of Authority

Émile Verhaeren: Essays on the Northern Renaissance

A History of Installation Art and the Development of New Art Forms

Making Sense

Claude Monet, Free Thinker

Arte Povera and the Baroque

Modernity and Early Cultures

What Makes a Film Tick?

Francis Bacon

Introduction to Kalophony, the Byzantine «Ars Nova»

Performativity in the Gallery

Embodied Fantasies: From Awe to Artifice

The Glass Veil: Seven Adventures in Wonderland

Views of Albion

The Paris Fine Art Salon/Le Salon, 1791–1881

The Paradigm Case

The Myth of the Orient

Contemporary Irish Theatre

Key Subject Areas