European Semiotics / Sémiotiques Européennes

ISSN: 2235-6266

European Semiotics originated from an initiative launched by a group of researchers in Semiotics from Denmark, Germany, Spain, France and Italy and was inspired by innovative impulses given by René Thom and his «semiophysics». The goal of the series is to provide a broad European forum for those interested in semiotic research focusing on semiotic dynamics and combining cultural, linguistic and cognitive perspectives. This approach, which has its origins in Phenomenology, Gestalt Theory, Philosophy of Culture and Structuralism, views semiosis primarily as a cognitive process, which underlies and structures human culture. Semiotics is therefore considered to be the discipline suited par excellence to bridge the gap between the realms of the Cognitive Sciences and the Sciences of Culture. The series publishes monographs, collected papers and conference proceedings of a high scholarly standard. Languages of publication are mainly English and French. Sémiotiques européennes est le résultat d'une initiative prise par un groupe de chercheurs en sémiotique, originaires du Danemark, d'Allemagne, d'Espagne, de France et d'Italie, inspirée par l'impulsion innovatrice apportée par René Thom et sa «sémiophysique». Le but de cette collection est de fournir une large tribune européenne à tous ceux qui s'intéressent à la recherche sémiotique portant sur les dynamiques sémiotiques, et réunissant des perspectives culturelles, linguistiques et cognitives. Cette approche, qui se nourrit de différentes sources, telle que la phénoménologie, le gestaltisme, la philosophie de la culture et le structuralisme, part du principe que la sémiosis est essentiellement un procès cognitif, qui sous-tend et structure toute culture humaine. La sémiotique est donc considérée comme la discipline par excellence capable de créer un pont entre les domaines des Sciences cognitives et ceux des Sciences de la culture. Sémiotiques européennes accueille tant des monographies que des anthologies et des actes de colloques d'un haut niveau de recherche, rédigé de préférence en anglais et en français.

14 publications

Repenser le cinéma / Rethinking Cinema

The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages. La collection « Repenser le cinéma » privilégie les approches novatrices, les analyses de concepts, de genres, de courants, d’auteurs et de films rarement étudiés, qu’il s’agisse d’actes de colloque, d’essais, de versions remaniées de thèses de doctorat ou encore de monographies. Elle se propose d’offrir aux chercheurs, aux enseignants de l’audiovisuel ainsi qu’aux professionnels du cinéma des pistes de réflexion inédites sur la théorie, l’histoire et l’esthétique d’un art qui recèle de multiples chantiers peu balisés au cours du siècle qui l’a vu naître. La démarche méthodologique adoptée au sein des travaux publiés doit faire preuve d’originalité, d’audace et de rigueur scientifique, tout en visant les corrélations transdisciplinaires et transculturelles avec d’autres domaines des sciences humaines (histoire de l’art, philosophie, linguistique, etc.). La collection accueille des ouvrages en français ou en anglais, des publications bilingues, ainsi que des traductions d’ouvrages étrangers difficilement accessibles. The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages.

13 publications