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Screening and Depicting Cultural Diversity in the English-speaking World and Beyond
©2013 Edited Collection -
Suffrage and the Silver Screen
©2014 Monographs -
New Perspectives on Irish TV Series
Identity and Nostalgia on the Small Screen©2016 Edited Collection -
D. H. Lawrence on Screen
Re-Visioning Prose Style in the Films of «The Rocking-Horse Winner», "Sons and Lovers</I>, and "Women in Love</I>©1999 Monographs -
Shakespeare on the Screen: Kenneth Branagh’s Adaptations of «Henry V, Much Ado About Nothing» and «Hamlet»
2nd revised edition©2000 Thesis -
Hollywood Through Private Eyes
The Screen Adaptation of the ‘Hard-Boiled’ Private Detective Novel in the Studio Era©2006 Monographs -
Methodological Advances in the Economic Evaluation of Infectious Disease Prevention
The Case of Chlamydial Screening and Meningococcal C Vaccination©2007 Thesis -
The Place of the Classroom and the Space of the Screen
Relational Pedagogy and Internet Technology©2011 Textbook -
Stage and Screen Studies
ISSN: 1660-2560
This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays. This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays. This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays.
10 publications