Higher Education and Civic Democratic Engagement

How might we interrogate and reimagine the impact of civic, democratic engagement across higher education? This series invites narratives and new studies that critically and creatively explore the possibilities and limitations of civic, democratic engagement within higher education. The editors seek to gather inclusive, imaginary, transdisciplinary scholarship exploring the impact of next generation civic, democratic engagement from a diverse range of voices. Among others, we hope these voices will include international and indigenous perspectives, members from a diverse array of communities, researchers from across disciplines, teacher-scholars, practitioners and activists, undergraduate and graduate students, politicians, businesses, and different forms of administration. The editors invite proposals that critically examine historical, cultural, and structural dimensions of impact while exploring innovative strategies for disrupting and recreating more inclusive, liberatory, and plural forms of civic democratic engagement. The editors welcome and encourage a wide-range of formats including, but not limited to, narrative studies, ethnographies, mixed method studies, case studies, socio-cultural and/or historical analyses, theoretical treatises from multiple theoretical lens as well as reports and toolkits that support efforts to examine the impact of civic democratic engagement. For inquiries on submitting a proposal should contact the Series Editors Barry Kanpol (Kanpolb@gvsu.edu) & Danielle Lake (lakeda@gvsu.edu) with a brief overview of their project, and explanation of how it fits the series, and a current CV.

6 publications

Democratia experimentalis

1 publications

Nationalisms across the Globe

ISSN: 1662-9116

Although in the 1980s the widely shared belief was that nationalism had become a spent force, the fragmentation of the studiously non-national Soviet Union, Yugoslavia, and Czechoslovakia in the 1990s into a multitude of successor nation-states reaffirmed its continuing significance. Today all extant polities (with the exception of the Vatican) are construed as nationstates, and hence nationalism is the sole universally accepted criterion of statehood legitimization. Similarly, human groups wishing to be recognized as fully fledged participants in international relations must define themselves as nations. This concept of world politics underscores the need for openended, broad-ranging, novel, and interdisciplinary research into nationalism and ethnicity. It promotes better understanding of the phenomena relating to social, political, and economic life, both past and present. This peer-reviewed series publishes monographs, conference proceedings, and collections of articles. It attracts well-researched, often interdisciplinary, studies which open new approaches to nationalism and ethnicity or focus on interesting case studies. The language of the series is usually English. The series is affiliated with the Institute for Transnational and Spatial History at the University of St Andrews, headed by Bernhard Struck and Tomasz Kamusella. The Institute gathers scholars with a strong interest in the comparative, entangled and transnational history of modern Europe and the globalized world. Editorial Board: Balazs Apor (Dublin) – Peter Burke (Cambridge) – Monika Baár (Groningen) – Andrea Graziosi (Naples) – Akihiro Iwashita (Sapporo) – Sławomir Łodziński (Warsaw) – Alexander Markarov (Yerevan) – Elena Marushiakova and Veselin Popov (Sofia) – Alexander Maxwell (Wellington) – Anastasia Mitrofanova (Moscow) – Michael Moser (Vienna) - Frank Lorenz Müller (St Andrews) – Sabelo J. Ndlovu-Gatsheni (Pretoria) – Balázs Trencsényi (Budapest) – Sergei Zhuk (Muncie, Indiana).

21 publications

Internationalism and the Arts

ISSN: 2235-0160

Internationalism and the Arts explores the multiple ways in which the arts have operated internationally, responded to internationalist ideology, and helped shape thinking about world organization. The series challenges the emphasis on nationalism and national schools that has developed over the past 250 years. Instead, it draws attention to internationalist art and ideology; the lives and work of cosmopolitan artists and theorists; international networks, systems and practices; and societies that promote international exchange. The series speaks to the rise of transnationalism as a major approach across a number of research fields. Within this literature, it addresses a relative dearth of publications which focus on international art practice as a crucial element of human experience. Proposals are invited across the performing and visual arts, including art history, music, dance and theatre. Our geographical scope is global and we welcome projects that look beyond the Western world or that examine cross-cultural exchanges. We are open to proposals for monographs and edited collections, anthologies of primary sources and textbooks, and scholarly catalogues that showcase visual material. All proposals and manuscripts will be subject to peer review.

6 publications

Democratia experimentalis

8 publications

Studies in Transnationalism

ISSN: 2578-9317

This series is designed to advance the publication of interdisciplinary research in transnationalism from scholars in history, literature, politics, sociology, geography, and related disciplines in the social sciences and humanities. The series seeks to publish works that trace the ways in which concepts and ideas are expressed across national borders, focusing on imperialism, globalism, cosmopolitanism, diaspora, and other themes of interest in transnational studies. It embraces both established and innovative methodologies and welcomes submissions in various formats, including monographs, textbooks, colloquia, and reference books.

12 publications