The Modernist Revolution in World Literature

ISSN: 1528-9672

In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series

3 publications

Studies in European Archaeology

ISSN: 2754-2440

This series will primarily focus on the publication of excavations which have occurred in Britain over the last twenty years, particularly those that have been developer-funded, which are of equal weight and significance as research excavations. This series is a broad-church archaeological series, primarily focussing on excavation reports of regionally or nationally significant sites (sometimes compiled with other sites sharing a common thread), but also a home for edited collections of academic papers, and individual academic theses. It is not limited to particular periods, as this is not the reality with many archaeological sites. The publication of «commercial» excavations is often inhibited for one reason or another. In some instances, this has primarily arisen through a lack of contact between commercial archaeologist and academic publishers. Local journals and regional publishers are often inundated with submission and are not able to accept new papers or have long waiting list. This series is unique, attractive in its flexibility and diversity, but also appealing in its mission and focus to bring to light nationally and internationally important excavations.

2 publications

Studies in European Thought

15 publications

Studies in European Union

ISSN: 1094-6209

"Competing economic interests; political stalemates, internal disparities, and regional economic commonalties cutting across national boundaries are among some of the developments characterizing the difficult process of integrating of the Old Continent and building a united Europe. The monographs in this series intend to explore the practical and institutional aspects of the ongoing process, as well as to elucidate the anthropological, sociological, and cultural issues that pose a challenge to, or on the contrary, may be helping the process of achieving a continental identity. Among the purposes of this series is to make readers aware of the different options that may be available to the people of Europe, and to their leaders in defining the borders of the unified continent and in designing its role the context of global interdependence. "

2 publications

Studies in Modern European History

The volumes in the Studies in Modern European History series focus upon aspects of the political, social, economic, cultural, and religious history of Europe from the Renaissance to the present, including the political and economic integration of the continent and the resurgence of Europe following the Cold War. Emphasis is placed not only on the states of Western Europe, especially Great Britain, France, Italy, and Germany but also the states of Eastern Europe, following the collapse of Communism. While some of the volumes treat internal developments, others deal with ideological movements such as liberalism, socialism, and communism while still others explore economic and diplomatic activities which transcend the particular countries of the continent. The volumes in the Studies in Modern European History series focus upon aspects of the political, social, economic, cultural, and religious history of Europe from the Renaissance to the present, including the political and economic integration of the continent and the resurgence of Europe following the Cold War. Emphasis is placed not only on the states of Western Europe, especially Great Britain, France, Italy, and Germany but also the states of Eastern Europe, following the collapse of Communism. While some of the volumes treat internal developments, others deal with ideological movements such as liberalism, socialism, and communism while still others explore economic and diplomatic activities which transcend the particular countries of the continent. The volumes in the Studies in Modern European History series focus upon aspects of the political, social, economic, cultural, and religious history of Europe from the Renaissance to the present, including the political and economic integration of the continent and the resurgence of Europe following the Cold War. Emphasis is placed not only on the states of Western Europe, especially Great Britain, France, Italy, and Germany but also the states of Eastern Europe, following the collapse of Communism. While some of the volumes treat internal developments, others deal with ideological movements such as liberalism, socialism, and communism while still others explore economic and diplomatic activities which transcend the particular countries of the continent.

58 publications

The European City in Transition

5 publications

Eastern European Studies in Musicology

This publication series was established with the aim of spreading the leading achievements of Polish, Central and Eastern European musicologists active in various fields of musicology. These fields include music history and musical traditions, ethnomusicology and musical anthropology, as well as music sociology, aesthetics and philosophy. The series will feature different genres: monographic works, collections of essays, articles and dissertations by a single author, as well as collective works and scientific conference proceedings. The editorial team will be working not only with renowned scholars but also young post-doctoral authors. Authors who arrive at music from different fields of the humanities in the context of interdisciplinary studies are also encouraged.

32 publications

New Studies in European Cinema

ISSN: 1661-0261

With its focus on new critical, theoretical, and cultural developments in contemporary film studies, this series encourages lively analytical debate within an innovative, multidisciplinary, and transnational approach to European cinema. It aims to create an expansive sense of where the borders of European cinema may lie and to explore its interactions and exchanges within and between regional and national spaces, taking into account diverse audiences and institutions. The series reflects the range and depth of European cinema, while also attempting to revise and extend its importance within the development of cinema studies in the coming decades. Of particular interest is how European cinema may respond to the challenges of digital distribution and the new intermedial landscape, evolving issues in transnational funding and production, the significance of film festival culture, and questions of multivocality and pluralism at a time of global crisis. The impact of all such developments upon European culture and identity will be of fundamental interest in the coming decades and the New Studies in European Cinema series makes a key contribution to this debate. Proposals for monographs and edited collections are welcome. All proposals and manuscripts undergo a rigorous peer review assessment prior to publication.

30 publications

Studies in Central European Culture

ISSN: 2640-754X

This book series seeks manuscripts that focus on the critical analysis of the arts and cultures as they reflect, comment, or critique the history, political systems, religions, interethnic connections, economies, and historical and current problems of the multiethnic peoples of Central Europe from the Enlightenment era to the present. Books published in Studies in Central European Culture are explorations of the intellectual history and cultural movements, and their relationships to literature and other cultural representations such the theater, the fine arts, architecture, music, and philosophy. "Central Europe" for this book series is identified as the geographic region of Austria, the Balkans, the Czech Republic, Poland, Hungary, Ukraine, Romania, and the regions of the former Galicia and Bukovina during the Habsburg period, and the former East Germany. Studies in Central European Culture accepts original manuscripts of monographs and anthologies, as well as scholarly translations of literary works.

4 publications

European Connections

European Connections: Studies in Comparative Literature, Intermediality and Aesthetics is a peer-reviewed series that publishes innovative research monographs, edited volumes as well as translations of key theoretical works. The series focuses on the literary and artistic relations that have shaped and continue to shape European cultures across national, linguistic and media boundaries, leading to vibrant new forms of artistic creation and aesthetic expression. It also wishes to explore relations with non-European cultures with a view to fostering more equitable models of cultural exchange and transfer. The series promotes comparative, intermedial and interdisciplinary approaches, whether studies of specific writers, filmmakers and artists; critical re-evaluations of historical periods (from the medieval to the ultra-contemporary) and movements; or wider theoretical reflections within the fields of comparative literature, intermediality studies and aesthetics. In light of the urgent need to revitalize the idea of Europe along new lines of thought, the series encourages research that explores the rich connections within European artistic and cultural production as well as the participation of European cultures in what the great philosopher of relation Édouard Glissant has called the Tout-monde. The series publishes in English, French and German. Editorial Board: Vincent Ferré (University Paris-Est Créteil), Robin Kirkpatrick (University of Cambridge), Kim Knowles (Aberystwyth University), Frauke Matthes (University of Edinburgh), Jean-Pascal Pouzet (University of Limoges), Marisa Verna (Università Cattolica, Milan)

54 publications

Studies in European Integration, State and Society

ISSN: 2193-2352

European integration is a profound phenomenon influencing our current understanding of political and social processes in Europe and beyond. The set of European institutions that have now functioned in the continent for over half a century have created new broadened frames of reference for a variety of social actors. The most comprehensive is the European Union, which can be characterised as a multilevel polity. The other organisations, such as the Council of Europe and OSCE, also contribute significantly to the new mode of relations in Europe. This has in turn influenced how social and political actors act and define their roles. European integration has changed the functioning of states, their sovereignty and the meaning and status of borders, as well as the nature of citizenship. It has also allowed social actors to be engaged in the increasingly transnationalised public sphere and therefore changed the analysis of the concept of civil society. In addition, it profoundly impacts the life of individuals, permitting spatial and social mobility along with reconstruction of collective identity and memory. This series welcomes book proposals that look at the political and social aspects of human activities in the broadest terms but analysed from the perspective of how these processes are transformed as a result of European integration. The series is open to work emerging from research cooperation between Polish and foreign scholars. Authors are welcome to submit manuscripts of monographs, collected volumes, and post-conference volumes. Outstanding dissertations will also be considered for publication.

25 publications