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Italy On Screen

National Identity and Italian Imaginary

by Lucy Bolton (Volume editor) Christina Siggers Manson (Volume editor) 2011

©2010 Conference proceedings
The Gun and Irish Politics

Examining National History in Neil Jordan’s 'Michael Collins'

by Raita Merivirta (Author) 2011

©2009 Monographs
Inspiring Views from «a' the airts» on Scottish Literatures, Art and Cinema

The First World Congress of Scottish Literatures in Glasgow 2014

by Klaus Peter Müller (Volume editor) Ilka Schwittlinsky (Volume editor) Ron Walker (Volume editor) 2017

©2017 Conference proceedings
Academia in Fact and Fiction

by Ludmiła Gruszewska-Blaim (Volume editor) Merritt Moseley (Volume editor) 2017

©2016 Edited Collection
Film Criticism as Cultural Fantasy

The Perpetual French Discovery of Australian Cinema

by Andrew McGregor (Author) 2011

©2010 Thesis
New Queer Images

Representations of Homosexualities in Contemporary Francophone Visual Cultures

by Florian Grandena (Volume editor) Cristina Johnston (Volume editor) 2011

©2011 Edited Collection
France and the Mediterranean

International Relations, Culture and Politics

by Emmanuel Godin (Volume editor) Natalya Vince (Volume editor) 2012

©2012 Edited Collection
What Makes a Film Tick?

Cinematic Affect, Materiality and Mimetic Innervation

by Anne Rutherford (Author) 2011

©2011 Thesis
European Projects in University Language Centres

Creativity, Dynamics, Best Practice

by Carmen Argondizzo (Volume editor) 2015

©2016 Edited Collection
The Cinema of the Swimming Pool

by Christopher Brown (Volume editor) Pam Hirsch (Volume editor) 2014

©2014 Edited Collection
Motion Pictures

Travel Ideals in Film

by Gemma Blackwood (Volume editor) Andrew McGregor (Volume editor) 2016

©2016 Edited Collection
Italian Political Cinema

Public Life, Imaginary, and Identity in Contemporary Italian Film

by Giancarlo Lombardi (Volume editor) Christian Uva (Volume editor) 2016

©2016 Monographs
Mapping Cinematic Norths

International Interpretations in Film and Television

by Julia Dobson (Volume editor) Jonathan Rayner (Volume editor) 2017

Edited Collection
The Cinema of Iceland

Between Tradition and Liquid Modernity

by Sebastian Jakub Konefał (Author) 2019

©2019 Monographs
From Self-Portrait to Selfie

Representing the Self in the Moving Image

by Muriel Tinel-Temple (Volume editor) Laura Busetta (Volume editor) Marlène Monteiro (Volume editor) 2019

©2019 Edited Collection
Revisiting Space

Space and Place in European Cinema

by Wendy Everett (Volume editor) Axel Goodbody (Volume editor)

©2005 Conference proceedings
In the Dark Room

Marguerite Duras and Cinema

by Julie Beaulieu (Volume editor) Rosanna Maule (Volume editor)

©2009 Edited Collection
Entering the Frame

Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi

by Robert Lumley (Author)

©2011 Monographs
Contemporary Greek Film Cultures from 1990 to the Present

by Tonia Kazakopoulou (Volume editor) Mikela Fotiou (Volume editor) 2017

Edited Collection

Italy On Screen

The Gun and Irish Politics

Crossing the Wall

Inspiring Views from «a' the airts» on Scottish Literatures, Art and Cinema

Academia in Fact and Fiction

Film Criticism as Cultural Fantasy

New Queer Images

France and the Mediterranean

What Makes a Film Tick?

More than Fifteen Minutes of Fame

European Projects in University Language Centres

The Cinema of the Swimming Pool

Motion Pictures

Italian Political Cinema

Mapping Cinematic Norths

The Cinema of Iceland

From Self-Portrait to Selfie

Anton Walbrook

All About Almodóvar’s Men

Revisiting Space

Hans Magnus Enzensberger

In the Dark Room

Another Rendez-Vous

Entering the Frame

Contemporary Greek Film Cultures from 1990 to the Present

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