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Cinema in China prior to WWI

A Case Study of West-Eastern Culture Transfer

Meimei Xu

This book looks at the earliest history of exhibiting firms in China at the turn of the
century. The spread of cinema in China as a continuation of the lantern tradition is
contextualized and conventionalized in the late Qing sociopolitical milieu, featuring
a strong foreign monopoly and regional imbalance. However, the key element for
cinema’s development in China is Chinese audience per se.

“The book has produced something truly remarkable and tremendous.”
                                                                                                     —Frank Bren

“The work offers a lot of new insights into the history of the cinema in China. Though
the film business was brought from abroad to the mainland, the candidate was never
nationalistic in her approach to the phenomenon of foreign entertainment in China.”
                                                                                                     —Wolfgang Kubin

“The author painstakingly combed through a large number of historical newspapers,
especially English-language newspapers published both in and outside China, and
pieced together a convincing picture of the earliest history of Chinese cinema.”
                                                                                                       —Xuelei Huang 

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Zusammenfassung

Extract



Hinsichtlich des Kinos in China vor Erstem Weltkrieg müssen vielen Themen neu überdacht werden. Nach Filmausstellungstätigkeiten werden fünf geschichtliche Perioden zusammengefasst, um ein überblickendes Bild von diesem Teil der Geschichte zu präsentieren: 1. „laterna magica“ (1843–1897), 2. Die Wanderschauspieler (1897–1899), 3. Kameraleute (1900–1905), 4. Die beginnende Filmindustrie (1906–1911), 5. Die chinesische Filmproduktion (1912–1914). Folglich konstruiert jede Periode ein Kapitel von dieser Arbeit.

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