With its focus on new critical, theoretical, and cultural developments in contemporary film studies, this series intends to develop rigorous analytical debate within an innovative, multidisciplinary, and transnational approach to European cinema.
Through a mixture of edited collections and single-authored volumes, the series aims both to re-evaluate established critical thought and to identify and explore new trends and theories that will inform cinema studies over the coming decades. It provides an international forum for lively and controversial debate embracing all aspects of European cinema from a broad range of theoretical perspectives. The New Studies in European Cinema series thus makes a key contribution to a subject whose
importance to contemporary culture and identity is fundamental.