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Catching Chen Qing Ling

The Untamed and Adaptation, Production, and Reception in Transcultural Contexts

by Yue Wang (Volume editor) Maria Alberto (Volume editor)
Textbook 0 Pages
Series: Cultural Media Studies, Volume 5

Available soon

Summary

The 2019 Chinese drama The Untamed (CQL) quickly became a massive phenomenon, drawing millions of viewers in China and beyond. Its resonant story, rich cast of characters, and striking production captured audience attention globally; its paratexts and fandoms helped keep that attention sustained. What made this particular mix so compelling, and what can The Untamed show us about increasingly transcultural media flows?

Catching Chen Qing Ling explores how The Untamed has been translated, produced, distributed, watched, and remixed. Contributors offer multifaceted insights on the path from subcultural writing tradition to highly profitable entertainment media, as well as some of the challenges such change engenders.

From fan translations and digital labor, to the 227 Incident and issues of censorship, this collection explores some of the questions raised by The Untamed’s enduring resonance and considers what it might mean for the future of transcultural media.

Details

Pages
ISBN (PDF)
9781433197598
ISBN (ePUB)
9781433197604
DOI
10.3726/b21449
Language
English
Keywords
transcultural fandom fans Adaptation BL The Untamed Chinese Drama fantasy webnovel web drama queer media danmei internet translation censorship
Published
New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 20xx. xxx pp., num. ill.

Biographical notes

Yue Wang (Volume editor) Maria Alberto (Volume editor)

Dr. Yue (Cathy) Wang is a Lecturer in the School of Humanities at Shanghai Normal University. yuewang@shnu.edu.cn Maria Alberto is a PhD candidate in literature and cultural studies at the University of Utah. maria.alberto@utah.edu and m.l.e.alberto@gmail.com

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Title: Catching Chen Qing Ling