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Between Horror and Hope

The Refugee Camp in Contemporary Anglophone Novels

by Paula Brauer (Author)
©2026 Thesis VIII, 182 Pages

Summary

This book addresses one of the most urgent issues of our current time: forced migration and its spatial realities. While public and media discourses frequently focus on refugee camps, literary research has so far neglected their crucial role. Responding to this gap, this book looks at how the refugee camp as a space is represented, characterised and discursively negotiated in contemporary literary writing.
Through the analysis of selected literary texts set in refugee camps, this book explores how narrative constructions of camp life shape our understanding of the refugee camp as a space of displacement. To approach the literary representation of refugee camps, it discusses the most influential critical concepts and paradigms surrounding the camp space. Drawing on Henri Lefebvre’s concept of social space, it conceptualises the refugee camp as both a space where people live their day-to-day lives and as a structural entity embedded in modern-day global politics.

Table Of Contents

  • Cover
  • Title Page
  • Copyright Page
  • Contents
  • Chapter 1 Introduction: The 21st Century Refugee Camp, Social Space and the Literatures on Forced Migration
  • The refugee camp in the 21st century
  • Conceptualizing forced migration and the refugee camp
  • The refugee camp as postcolonial space
  • The refugee camp as social space
  • The role of space in the literatures on forced migration
  • Plan of this study
  • Chapter 2 Just Passing Through: The Refugee Camp as a Non-Place in Atia Abawi’s A Land of Permanent Goodbyes
  • War tourism?
  • Home for the night
  • The refugee camp as non-place
  • A privileged perspective
  • The non-place as stereotype
  • Outlook
  • Chapter 3 Between Journalism and Satire: Tracing the Impact of War in Ben Rawlence’s City of Thorns and Mohammed Hanif’s Red Birds
  • The war machine
  • The rocky hard place
  • Permanent temporariness
  • Agency-in-waiting
  • The role of the UNHCR
  • The City of Thorns and war
  • Rawlence’s journalistic approach
  • Red Birds and its open prison
  • Lady Flowerbody and the “nice-smelling-do-gooders”
  • War for war’s sake
  • Red Birds as satire
  • Conclusion
  • Chapter 4 Can the Subaltern Speak about the Refugee Camp?: Gender, Space and Language in Sulaiman Addonia’s Silence Is My Mother Tongue
  • The camp as halt
  • “Traditions go with us, where we go”
  • (No) place for women
  • (Self-)imposed silence
  • Leaving the camp
  • Narrative framing
  • Conclusion
  • Chapter 5 Fleeing Europe’s Racism: The Refugee Camp as Heterotopia in Helon Habila’s Travellers
  • “Not a prison”
  • Getting out
  • Other camp experiences
  • Outside perspectives
  • The refugee camp as a heterotopia of deviation
  • The Europe of refugee camps
  • Self-reflexivity in the narration of forced migration
  • Chapter 6 (Re)imagining the Refugee Camp: In between Exception and Revolt in Juan Tomás Avila Laurel’s The Gurugu Pledge
  • Life in constant fear
  • Agamben’s state of exception
  • The state of exception materialized?
  • Bios in the camp
  • Beyond the state of exception
  • Female subalternity in the camp
  • Seeking strength in numbers
  • No end to the non-alternative?
  • A space between exception and revolt
  • Chapter 7 Alternative Futures: The Refugee Camp as Hybrid Space in Mohsin Hamid’s Exit West
  • The power of “The Thousands”
  • Exit West’s magical realism
  • Entryway Mykonos
  • From squatting to labouring in London
  • Developing a new kind of space in Marin
  • Signs of hybridity
  • Trivialization or critical paradigm?
  • Conclusion
  • Chapter 8 Outlook: Narrating the Refugee Camp in Life Writing
  • Passarlay’s escape
  • Writing about ‘the Jungle’
  • Anywhere but a camp
  • A different point of view: The Ungrateful Refugee as memoir
  • Life writing as testimony
  • Stories as commodities
  • Conclusion: The geocritical study of life writing and novels
  • Chapter 9 Conclusion: Between Hope and Horror in the Literary Space of the Refugee Camp
  • Bibliography

Chapter 1 Introduction The 21st Century Refugee Camp, Social Space and the Literatures on Forced Migration

To flee for ever is beyond the capacity of most: at some point even a hunted animal will stop, exhausted, and await its fate, if only for a while.

—Hamid, 163

There is no question that forced migration is one of the most pressing issues of our current time. It is ever-present in the media and in public discourse and also one of the most hotly debated themes in literary and, in particular, postcolonial studies. But while media coverage on forced migration has long included reporting on the devastating conditions of the refugee camp, the literary research conducted up to this date does not adequately reflect its crucial role for the discourse on forced migration. Most forced migrants cross through at least one camp on their journeys, some in passing, but others spend years, sometimes even decades in them. Some camps have existed for long periods, over the course of which they have reached enormous sizes, both in terms of inhabitants and area. Refugee camps are the sites of humanitarian catastrophes but at the same time places where people live their day-to-day lives. They may offer a momentary refuge from what people are fleeing from and from the challenges they are still to meet, yet they themselves are full of hardships and dangers. They play central roles in the lives of millions. As a consequence, most literature narrating refugee journeys also sets foot in a camp at some point. But despite all of this and although other disciplines, such as sociology, anthropology and psychology, have researched them extensively, anglophone literary scholars have thus far neglected them. This study aims to change that.

It looks at how the refugee camp as a space is represented, characterized and discursively negotiated in literary writing and analyses a number of contemporary literary texts that are set in refugee camps aiming to find out how they impact our understanding of the refugee camp as a space. In order to do so, it views the refugee camp as both a space where people live their day-to-day lives and as a structural entity embedded in modern-day global politics with the help of Henri Lefebvre’s notion of ‘social space’. The study looks at how the camp’s atmosphere and structure are characterized, how its inhabitants relate to it and to one another and how it manifests itself in the individual life. Which effect does it have on their daily routines and their health, both mental and physical, for instance? How much room is left for the individual, for their personal stories, their habits and mannerisms and how much agency do they possess to shape the camp? What role, on the other hand, do external and political agents, such as the UNHCR (the United Nations High Commissioner for Refugees) or non-governmental aid agencies play in shaping the spatial imaginary?

The refugee camp in the 21st century

Refugee camps have existed in various shapes all over the globe at various points in time and thus present far too broad as an object of study. The current situation however is unparalleled in history in terms of its extent.1 Moreover, what is singular is how long people remain in camps for. So-called ‘protracted refugee situations’, i.e. cases of forced migrants that remain in limbo for more than five years, are on the rise.2 In the majority of these cases, it means that people are stuck in a camp. The central role of the camp means that today forced migration, perhaps contrary to what one might believe, is to a large degree characterized by immobility and waiting.

These circumstances are reflected in the contemporary literary production dealing with forced migration. Since 2010, a small but conclusive corpus of works has emerged that situates camps in or near the SWANA region and along Europe’s borders. These include Atia Abawi’s A Land of Permanent Goodbyes (2018), Sulaiman Addonia’s Silence Is My Mother Tongue (2018), Juan Tomás Ávila Laurel’s The Gurugu Pledge (2017), Helon Habila’s Travelers (2019), Mohsin Hamid’s Exit West (2017), Mohammed Hanif’s Red Birds (2018) and Ben Rawlence’s City of Thorns (2016). The selection of novels in this study is guided by both thematic coherence and representational diversity. What connects these texts is, first and foremost, their setting in and around refugee camps. Some take place in camps entirely, others in large and decisive parts. Beyond this shared focus, their modes of representation, genre affiliations, and narrative voices diverge radically. The corpus was chosen to cover a broad spectrum of literary and formal approaches – from realist documentation to allegorical and speculative writing – so as to open up a wide range of perspectives that yield particularly rich insights for analysis. This allows for a multidimensional exploration of how the camp is imagined, narrated and politicized in anglophone literature.

Conceptualizing forced migration and the refugee camp

Throughout this study, camp inhabitants will be referred to as forced migrants instead of as refugees. That is because many people who would not be officially recognized as refugees still live in so-called ‘refugee camps’, which, for lack of a more suitable term, will still be referred to as that. Per its official UNHCR definition, the term ‘refugee’ is reserved for those fleeing from targeted personal persecution. This rules out a large percentage of those on the move today. The term ‘forced migrant’, on the other hand, is more inclusive, although – like any definitory category (s. Zetter, “More”; Crawley and Skleparis; Haddad) – it also has its pitfalls. In my usage of the term, however, I do not mean to establish a distinction between forced and voluntary migration as two different categories which qualify the legitimacy of a person’s flight. Empirical research has repeatedly shown that in practice there are no clear-cut distinctions between different groups of people on the move and that any existing attempts at categorization and definition merely follow policy-based objectives (s. Scalettaris 37; Crawley and Skleparis 50 f.). What is more, only those who have left their original countries count as ‘refugees’ according to the official definition. But refugee camps often also accommodate large groups of people displaced within their original countries. This is why, internally displaced people (IDPs) are also included in this study’s use of the term ‘forced migrancy’. Some of the material cited is referring to ‘refugees’, but, unless stated otherwise, those usages, as is often the case with everyday usages of the term, can also be seen as more inclusive that the official definition of the term (Zolberg et al. 4).

Like its residents, the refugee camp is also not easily defined. Any gathering of people who have fled or are fleeing could be called a camp. This could either be informal or, as it is mostly the case, initiated and run by the UNHCR. There are a few uniting characteristics, however, although self-organized camps might deviate from the following in interesting ways, more of which will be discussed in Chapters 6 and 7. Most importantly, refugee camps are always intended to provide only temporal accommodation, even if this can look very different in practice. Kirsten McConnachie conceptualizes the camp as a

site that is spatially bounded (i.e. it is an identifiable site); temporally limited (i.e., it exists pending an end to conflict or an alternative durable solution); is biopolitical (i.e. is designed and administered for a category of population rather than for individuals); and segregates residents from a surrounding population by formal or informal restrictions. (399)

As we will see, each of these characteristics is intrinsically disadvantageous to the camps’ inhabitants.

Officially, there are three solutions to issues regarding forced migration in the UNHCR’s repertoire: repatriation, integration in the land of asylum and resettlement in a third country. The camp is not one of them. It becomes the default response to forced migration, however, as, with conflicts stretching out over years, repatriation ceases to be an option and those fleeing are denied the option of integration or resettlement. However, unlike repatriation and resettlement, encampment, due to its temporal outset, is never a sustainable solution. While camp life may hold certain advantages, like the provision of shelter or the guaranteed fulfilment of basic needs, it is mainly marked by precarity. Another characteristic feature is the dependency on external aid, and thus, a significant degree of external control. Moreover, camps are mostly set in remote locations so that their inhabitants are isolated from surrounding populations and only have access to the poorest quality of land (R. Black 5). What this means is that there is no possibility for agriculture or any other economic activities that might enable one to build a life. The rationale behind this is clear: the settling down of forced migrants is not welcome, instead they are left to idle indefinitely. However, it is likely that both camp inhabitants and the surrounding populations could instead benefit from a closer integration. Their lack of integration into their surroundings and their contexts also becomes visible in the uniformity of many camps’ designs and layouts, as Elizabeth Cullen Dunn and Martin Demant Frederiksen report:

Details

Pages
VIII, 182
Publication Year
2026
ISBN (PDF)
9783631949023
ISBN (ePUB)
9783631949030
ISBN (Hardcover)
9783631949016
DOI
10.3726/b23761
Language
English
Publication date
2026 (September)
Keywords
Refugee camp migration literature and migration postcolonial theory space literature and space spatial theory Henri lefebvre geocriticsm contemporary literature
Published
Berlin, Bruxelles, Chennai, Lausanne, New York, Oxford, 2026. viii, 182 pp.
Product Safety
Peter Lang Group AG

Biographical notes

Paula Brauer (Author)

Paula Brauer holds a PhD in English Literature from the University of Münster. After studying English and Philosophy at the University of Münster, University College London and the University of Amsterdam, she joined Münster’s Graduate School Practices of Literature. Her main areas of interest are postcolonial studies and the depiction of migration in contemporary literatures.

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