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Language, Identity and Migration
Voices from Transnational Speakers and Communities©2016 Edited Collection -
Paths to Transnational Solidarity
Identity-Building Processes in European Works Councils©2014 Monographs -
Negotiating Linguistic, Cultural and Social Identities in the Post-Soviet World
©2013 Edited Collection -
Theorizing Ambivalence in Ang Lee's Transnational Cinema
©2012 Monographs -
Memory and Identity in Contemporary Chinese-Australian Novels
©2023 Monographs -
Building the Radical Identity
The Diffusion of the Ideological Framework of the New Left©2022 Edited Collection -
Negotiating Identity and Transnationalism
Middle Eastern and North African Communication and Critical Cultural Studies©2020 Monographs -
National and Transnational Challenges to the American Imaginary
©2018 Conference proceedings -
Citizenship in a Transnational Canada
©2018 Monographs -
Approaching Transnational America in Performance
©2016 Edited Collection -
Unbridling the Western Film Auteur
Contemporary, Transnational and Intertextual ExplorationsEdited Collection -
Lost in Transnation
Alternative Narrative, National, and Historical Visions of the Korean-American Subject in Select 20th-Century Korean American Novels©2017 Monographs -
Conflicts in a Transnational World
Lessons from Nations and States in Transformation©2006 Edited Collection -
Art, Identity and Cosmopolitanism
William Rothenstein and the British Art World, c.1880–1935©2024 Monographs -
Transnational Cultures
ISSN: 2297-2854
Transnational Cultures promotes enquiry into the literary and cultural productions of transnational experiences characterized by the vertical and lateral exchanges of ideas, objects and linguistic practices across the globe. With the growth of diasporic communities, migratory crossings and virtual exchange, literary and cultural productions beyond, across and traversing borders have become a growing focus of scholarship within historical, contemporary and comparative contexts. Concepts of nationhood are increasingly understood as a limiting and limited way of understanding culture. While we question the binary relations of center versus periphery, global versus local, we also recognize the importance of scholarship examining relationships that escape these binaries, such as those focusing on South–South exchanges, minor transnational relations and Indigenous experiences. The series encourages new work that investigates how a transnational lens might transform existing understandings of cultural exchange and identity formation in any period or location. We are particularly interested in research that shines a light on transnational cultural experiences that are underrepresented and explores how writers and artists from underrepresented groups position themselves vis-à-vis national and global forces. What broader flows of knowledge, capital and power mark pre-modern, modern and contemporary cultural productions and identity formations? How do marginal experiences trouble existing narratives of the nation-state and global–local paradigms? What kinds of creolization of cultures and experiences evolve in the processes of transnationalism? How do transnational flows in the Global South, and among marginal or minority communities, facilitate sites of articulation outside normative discourses? The series strives to offer a renewed understanding of minor and minority expressions and articulations of transnational experiences that often escape national and global discourses. Proposals for monographs and edited collections from international scholars are welcome. The series is interdisciplinary in scope and welcomes research on literature, film, new media, visual culture and beyond. All proposals and manuscripts will be subjected to rigorous peer review. The main language of publication is English. Editorial Board: Rhian Atkin (Lisbon), Shakuntala Banaji (London School of Economics), Simone Brioni (Stony Brook), Helena Buescu (Lisbon), Deborah Cherry (London), Anne Garland Mahler (Virginia), Weihsin Gui (Riverside), Maria Koundoura (Emerson), Su Lin Lewis (Bristol), Churnjeet Mahn (Strathclyde), Jacqueline Maingard (Bristol), Stephen Morton (Southampton), Nasser Mufti (Chicago), Christopher Ouma (Cape Town), Dorothy Price (Courtauld Institute of Art), Oana Popescu-Sandu (Southern Indiana), James Procter (Newcastle), Sara Pugach (Los Angeles), Giulia Riccò (Michigan), Mark Sabine (Nottingham), Shuang Shen (Penn State), Lisa Shaw (Liverpool), Siobhán Shilton (Bristol), Catherine Speck (Adelaide), Emily Celeste Vázquez Enríquez (UC Davis), Toshio Watanabe (East Anglia), Adam Watt (Exeter)
5 publications
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Cultural Identity Studies
This series publishes new research into relationships and interactions between culture and identity, broadly conceived. Studies relating to intercultural or transcultural identities are particularly welcome, as the series is the publishing project of the Intercultural Studies research group at Dalarna University, Sweden. The series embraces research into the roles of linguistic, social, political, psychological, literary, audiovisual, religious and/or cultural aspects in the processes of individual and collective identity formation. Given the nature of the field, interdisciplinary and theoretically diverse approaches are encouraged. Work on the theorizing of cultural aspects of identity formation and case studies of individual writers, thinkers and/or cultural products will be included. The series welcomes intercultural, transcultural and transnational links and comparisons worldwide.
36 publications
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The Irish Against the War
Postcolonial Identity & Political Activism in Contemporary Ireland©2024 Monographs -
Indigenous Cosmopolitans
Transnational and Transcultural Indigeneity in the Twenty-First Century©2010 Textbook