Transatlantic Aesthetics and Culture

ISSN: 1661-805X

This series hosts works coming from both sides of the Atlantic that offer multicultural and interdisciplinary perspectives on modern literary, aesthetic, and cultural issues. It embraces studies of literature, theatre, cinema, visual arts, or dance. Defamiliarizing subjects by adopting an outsider’s view or bringing to bear different aesthetic or theoretical discourses on particular cultural spheres are among the privileged approaches of Transatlantic Aesthetics and Culture. The series aims to foster dialogue and encourage different cultural and critical discourses. It welcomes monographs and collections of essays. Contributors are invited to submit projects to the editors.

9 publications

German Visual Culture

German Visual Culture invites research on German art across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual artists, movements, systems of art education, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German art on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which art has been perceived and defined as well as the ways in which modern and contemporary German artists have undertaken visual dialogues with their predecessors or contemporaries. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, especially the art market, pioneering publishing houses, and the ‘little magazines’ of the avant-garde. All proposals for monographs and edited collections in the history of German visual culture will be considered, although English will be the language of all contributions. Submissions are subject to rigorous peer review. The series will be promoted through the series editor’s Research Forum for German Visual Culture (https://www.eca.ed.ac.uk/research/research-forum-german-visual-culture), which he founded at the University of Edinburgh in 2011, and which has involved various symposia and related publications, all connected to an international network of Germanist scholars.

20 publications

Court Cultures of the Middle Ages and Renaissance

ISSN: 2296-4118

Court Cultures of the Middle Ages and Renaissance is a peer-reviewed series focused on the inter- and multi-disciplinary cultural output of medieval and Renaissance court culture on an international scale. The series invites proposals for single- and multi-authored monographs, edited collections and editions of early works relating to the court. Prospective authors are encouraged to submit proposals which highlight the central importance of the court to medieval and Renaissance culture, including projects that explore the life and/or works of writers, artists, historiographers, soldiers, composers, diplomats and courtiers, in the East as well as the West. Other areas of particular interest are courtly ritual (e.g. chivalric code, ceremonies, spectacle) and literary and artistic representations of the court. The series will also explore the role of the court in shaping national, religious and political identities, as well as its function as an interface between different cultures. The series is affiliated with the Trinity Centre for Medieval and Renaissance Studies, Trinity College Dublin. Each proposal is vetted by the Editorial Board and Chief Editor and undergoes a comprehensive peer-review process.

15 publications

Regensburger Arbeiten zur Anglistik und Amerikanistik / Regensburg Studies in British and American Languages and Cultures

The series Regensburg Studies in British and American Languages and Cultures was established in 1971 and publishes studies on the languages, literatures and cultures of North America, the British Isles, as well as the English-speaking regions of Africa, Asia, Oceania and the Caribbean. Within a transhistorical, transnational and interdisciplinary conceptual framework, the monographs in this series have stressed different areas of focus in their engagement with textual, performative, visual, material and virtual forms of representation. Recent subjects of investigation have been, for instance, language variation and varieties of English as well as the representation and enactment of regional, (trans)national and global identities. Die Buchreihe Regensburger Arbeiten zur Anglistik und Amerikanistik besteht seit 1971 und publiziert Studien zu den Sprachen, Literaturen und Kulturen Nordamerikas, der britischen Inseln sowie der englischsprachigen Regionen Afrikas, Asiens, Ozeaniens und der Karibik. Transhistorisch, transnational und interdisziplinär ausgerichtet, wählen die Monographien der Reihe je unterschiedliche Schwerpunkte in ihrer Auseinandersetzung mit textuellen, performativen, visuellen, materiellen oder virtuellen Repräsentationsformen. Untersuchungsgegenstände der letzten Jahre waren beispielsweise die sprachlichen Varietäten des Englischen sowie Darstellungen und Inszenierungen von regionalen, (trans)nationalen und globalen Identitäten.

48 publications

Studies in Literature, Culture, and the Environment / Studien zu Literatur, Kultur und Umwelt

ISSN: 2365-645X

This interdisciplinary and international book series aims to bring together current approaches in the environmental humanities (particularly in the fields of ecocriticism, environmental history, and environmental justice), with a focus on European contexts. It comprises thematic and theoretical studies which engage ecological issues, climate change, and the discourse of the Anthropocene, seeking to understand the forms of their representation across different media, cultures, and historical periods. „Studies in Literature, Culture, and the Environment" aim to connect the environmental humanities to the social and natural sciences and thus to contribute to the remediation of ecological problems. The series comprises monographs and edited volumes in both German and English. All publications will be peer reviewed. Book proposals are welcome and may be submitted to the editors. Editorial Board: Stefania Barca (University of Coimbra, Portugal) Axel Goodbody (University of Bath, UK) Isabel Hoving (Leiden University, The Netherlands) Dolly Jørgensen (Luleå University of Technology, Sweden) Peggy Karpouzou (National and Kapodistrian University of Athens, Greece) Timo Maran (University of Tartu, Estonia) Serpil Oppermann (Cappadocia University, Ürgüp/Nevşehir, Turkey) Dana Phillips (Towson University, Baltimore, USA) Stephanie Posthumus (McGill University, Montreal, Canada) Christiane Solte-Gresser (Saarland University, Saarbrücken, Germany) Keijiro Suga (Meiji University, Tokyo, Japan) Pasquale Verdicchio (University of California, San Diego, USA) Berbeli Wanning (University of Siegen, Germany) Sabine Wilke (University of Washington, Seattle, USA) Hubert Zapf (University of Augsburg, Germany) Nikoleta Zampaki (National and Kapodistrian University of Athens, Greece) Evi Zemanek (University of Freiburg, Germany) Die interdisziplinär und international ausgerichtete Reihe hat das Ziel, aktuelle Forschungsansätze zu Ecocriticism, Umweltgeschichte und Umweltgerechtigkeit mit einem deutlichen Fokus auf Europa zu bündeln. Sie umfasst theoretische und gegenstandsbezogene Studien, die sich mit dem Umwelt- und Klimawandel wie auch dem Anthropozän-Diskurs aus geistes- und kulturwissenschaftlicher Perspektive auseinandersetzen und die Formen ihrer narrativen und bildlichen Darstellung epochen- und kulturraumübergreifend ausloten. Zudem schlägt sie eine Brücke zu den umweltbezogenen Sozial- und Naturwissenschaften und will so zum besseren Verständnis ökologischer Probleme beitragen. Die Reihe enthält Monographien, Forschungsberichte sowie Sammel- und Tagungsbände in deutscher und englischer Sprache. Alle Bände werden peer reviewed. Manuskriptvorschläge an die Herausgeber sind willkommen. Wissenschaftlicher Beirat: Stefania Barca (Universität Coimbra, Portugal) Axel Goodbody (Universität Bath, Großbritannien) Isabel Hoving (Universität Leiden, Niederlande) Dolly Jørgensen (Luleå University of Technology, Schweden) Peggy Karpouzou (Nationale und Kapodistrias-Universität Athen, Griechenland) Timo Maran (Universität Tartu, Estland) Serpil Oppermann (Kapadokya Universität, Ürgüp/Nevşehir, Türkei) Dana Phillips (Towson University, Baltimore, USA) Stephanie Posthumus (McGill University, Montreal, Kanada) Christiane Solte-Gresser (Universität des Saarlandes, Saarbrücken) Keijiro Suga (Meiji University, Tokyo, Japan) Pasquale Verdicchio (University of California, San Diego, USA) Berbeli Wanning (Universität Siegen) Sabine Wilke (University of Washington, Seattle, USA) Hubert Zapf (Universität Augsburg) Nikoleta Zampaki (Nationale und Kapodistrias-Universität Athen, Griechenland) Evi Zemanek (Universität Freiburg)

17 publications

Critical Studies of Latinxs in the Americas

ISSN: 2372-6830

The Latinx presence continues to grow and intersect with every aspect of life in the 21st century. This is evident when one considers the appointment of Sonia Sotomayor as Associate Justice to the United States Supreme Court. As well as the prominence of distinct Latinx individuals in various spheres of social, cultural, and political life such as Mario J. Molina, Nobel Prize winner and recipient of the Medal of the Presidential Medal of Freedom in 2013; and Jorge Maria Bergoglio (Pope Francis) who has revolutionized the Catholic church since he became the highest ecclesiastical authority of the Catholic world in 2013. Latino Studies, as an academic field of inquiry, began to emerge during the early 1990s surfacing from the more recognized field of Chicano Studies. As such, the major contributions to the field first emerged from Mexican/Chicano scholarship—publications such as Aztlán, the most important journal in the field of Chicano Studies since 1970; Gloria Anzaldúa’’s groundbreaking memoir/essay, Borderlands/La Frontera: The New Mestiza (1987); George J. Sanchez’s historical account, Becoming Mexican American: Ethnicity, Culture, and Identity in Chicano Los Angeles, 1900-1945 (1995); and the two volumes of The Chicano Studies Reader: An Anthology of Aztlan, 1970-2010. These are a few examples of the consolidation and the continuing development of Chicano Studies in the United States. In the past two decades, Latino Studies have grown and expanded significantly. There have been a large number of publications about Latinxs in the Midwest and North East; in addition, due to the fast-growing population of Latinxs in the area, new scholarship has emerged about the Latinxs in the New South. Some examples of the emerging field of Latino Studies are the Latinos on the East Coast (2015) edited by Yolanda Medina and Ángeles Donoso Macaya, Global Cities and Immigrants (2015) by Francisco Velasco Caballero and María de los Angeles Torres; the Handbook of Latinos and Education (2010) edited by Enrique Murillo, et al.; Angela Anselmo’s and Alma Rubal-Lopez’s 2004 On Becoming Nuyoricans; David Carey Jr. and Robert Atkinson (2009) Latino Voices in New England; Yolanda Prieto’s case study entitled, The Cubans of Union City: Immigrants and Exiles in a New Jersey Community (2009); and Lawrence La Fontaine-Stokes’ Queer Ricans Cultures and Sexualities in the Diaspora (2009). Critical Studies of Latinxs in the Americas will become the counterpart of the aforementioned research about the Latinx diaspora that deserve equal scholarly attention and will add to the academic field of inquiry that highlights the lived experience, consequential progress and contributions, as well as the issues and concerns that all Latinxs face in present times. This provocative series will offer a critical space for reflection and questioning of what it means to be Latinx living in the Americas, extending the dialogue to include the North and South hemispheric relations that are prevalent in other fields of global studies such as Post-Colonial Theory, Post-Colonial Feminism, Latin American and Caribbean Studies, Critical Race Theory, and others. This broader scope can contribute to prolific interdisciplinary research and can also promote changes in policies and practices that will enable today’s leaders to deal with the overall issues that affect us all. Topics that explore contemporary inequalities and social exclusions associated with processes of racialization, economic exploitation, health, education, transnationalism, immigration, identity politics, and abilities that are not commonly highlighted in the current literature as well as the multitude of socio-economic, and cultural commonalities and differences among the Latinxs in the Americas will be at the center of the series. As the Latinx population continues to grow and change, and universities enhance their Latino Studies programs to be inclusive of all types of Latinx identities, a series dedicated to the lived experience of Latinxs in the Americas and a consideration of their progress and concerns in the social, cultural, political, economic, and artistic arenas is of incredible value in the quest for pedagogical practices and understandings that apply a critical perspective to the issues facing scholars in this area of study. Scholars, faculties, and students alike will benefit from this series. Expressions of interest for authored or edited books will be considered on a first come basis. A Book Proposal Guideline is available on request. For individual or group inquiries please contact the Series Editors at ymedina@bmcc.cuny.edu & Margarita.MachadoCasas@UTSA.edu.

50 publications

Eurosinica

ISSN: 2235-6258

"EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

12 publications

Reconfiguring Identities in the Portuguese-Speaking World

The series publishes studies across the entire spectrum of Lusophone literature, culture and intellectual history, from the Middle Ages to the present day, with particular emphasis on figurations and reconfigurations of identity, broadly understood. It is especially interested in work which interrogates national identity and cultural memory, or which offers fresh insights into Portuguese-speaking cultural and literary traditions, in diverse historical contexts and geographical locations. It is open to a wide variety of approaches and methodologies as well as to interdisciplinary fields: from literary criticism and comparative literature to cultural and gender studies, to film and media studies. It also seeks to encourage critical dialogue among scholarship originating from different continents. Proposals are welcome for either single-author monographs or edited collections (in English and/or Portuguese). Those interested in contributing to the series should send a detailed project outline to oxford@peterlang.com. The series publishes studies across the entire spectrum of Lusophone literature, culture and intellectual history, from the Middle Ages to the present day, with particular emphasis on figurations and reconfigurations of identity, broadly understood. It is especially interested in work which interrogates national identity and cultural memory, or which offers fresh insights into Portuguese-speaking cultural and literary traditions, in diverse historical contexts and geographical locations. It is open to a wide variety of approaches and methodologies as well as to interdisciplinary fields: from literary criticism and comparative literature to cultural and gender studies, to film and media studies. It also seeks to encourage critical dialogue among scholarship originating from different continents. Proposals are welcome for either single-author monographs or edited collections (in English and/or Portuguese). Those interested in contributing to the series should send a detailed project outline to oxford@peterlang.com. The series publishes studies across the entire spectrum of Lusophone literature, culture and intellectual history, from the Middle Ages to the present day, with particular emphasis on figurations and reconfigurations of identity, broadly understood. It is especially interested in work which interrogates national identity and cultural memory, or which offers fresh insights into Portuguese-speaking cultural and literary traditions, in diverse historical contexts and geographical locations. It is open to a wide variety of approaches and methodologies as well as to interdisciplinary fields: from literary criticism and comparative literature to cultural and gender studies, to film and media studies. It also seeks to encourage critical dialogue among scholarship originating from different continents. Proposals are welcome for either single-author monographs or edited collections (in English and/or Portuguese). Those interested in contributing to the series should send a detailed project outline to oxford@peterlang.com.

21 publications

Islamic Psychology and Biopsychological Basics of Life in Education and Health

ISSN: 2750-3968

This book series can be seen as a bridge that brings different worlds and directions of psychology together. The essence of the work proposed in this book series concerns mainly the biopsychological foundations of life in educational and health related fields. The world of the psychology of the Islamic cultural area, for example, is largely unknown for the western readers up to now. Therefore, concepts and research methods from „western" psychology, which are taught and researched around the world, are transferred and applied to questions, to contexts of the Islamic cultural area and to the related Islamic Psychology. Through the contributions in this book series, the content-related concepts, the research approaches and the ways of thinking of the Islamic psychology in educational and health related psychological fields become visible and known for all the western psychologists and researchers. In this way it is possible to create a substantial exchange in which all directions of psychology can contribute to the further development of the discipline of psychology as a whole. This creation of connections is the basic idea of the biocentric approach on which the series is based. This approach promotes and aims to give space to various fundamental orientations in all cultural areas in all directions and allows them to be expressed in order to be described scientifically. The psychology of the 4 directions is described in this biocentric approach: the Islamic psychology is called the psychology of the „east", then the psychology of the „west", the „south" and the „north".This book series is open to welcome similar works, monographies and collective volumes. This book series can be seen as a bridge that brings different worlds and directions of psychology together. The essence of the work proposed in this book series concerns mainly the biopsychological foundations of life in educational and health related fields. The world of the psychology of the Islamic cultural area, for example, is largely unknown for the western readers up to now. Therefore, concepts and research methods from „western" psychology, which are taught and researched around the world, are transferred and applied to questions, to contexts of the Islamic cultural area and to the related Islamic Psychology. Through the contributions in this book series, the content-related concepts, the research approaches and the ways of thinking of the Islamic psychology in educational and health related psychological fields become visible and known for all the western psychologists and researchers. In this way it is possible to create a substantial exchange in which all directions of psychology can contribute to the further development of the discipline of psychology as a whole. This creation of connections is the basic idea of the biocentric approach on which the series is based. This approach promotes and aims to give space to various fundamental orientations in all cultural areas in all directions and allows them to be expressed in order to be described scientifically. The psychology of the 4 directions is described in this biocentric approach: the Islamic psychology is called the psychology of the „east", then the psychology of the „west", the „south" and the „north".This book series is open to welcome similar works, monographies and collective volumes. This book series can be seen as a bridge that brings different worlds and directions of psychology together. The essence of the work proposed in this book series concerns mainly the biopsychological foundations of life in educational and health related fields. The world of the psychology of the Islamic cultural area, for example, is largely unknown for the western readers up to now. Therefore, concepts and research methods from „western" psychology, which are taught and researched around the world, are transferred and applied to questions, to contexts of the Islamic cultural area and to the related Islamic Psychology. Through the contributions in this book series, the content-related concepts, the research approaches and the ways of thinking of the Islamic psychology in educational and health related psychological fields become visible and known for all the western psychologists and researchers. In this way it is possible to create a substantial exchange in which all directions of psychology can contribute to the further development of the discipline of psychology as a whole. This creation of connections is the basic idea of the biocentric approach on which the series is based. This approach promotes and aims to give space to various fundamental orientations in all cultural areas in all directions and allows them to be expressed in order to be described scientifically. The psychology of the 4 directions is described in this biocentric approach: the Islamic psychology is called the psychology of the „east", then the psychology of the „west", the „south" and the „north".This book series is open to welcome similar works, monographies and collective volumes.

4 publications

Institutionelle und Sozial-Ökonomie / Institutional and Socio-Economics

"In the "Institutional and Socio-Economics" book series, the economy is studied as a genuinely social system of heterogeneous agents in an institutional context. The series includes a broad range of different methodological approaches, theoretical perspectives and subjects of study. Interdependencies among agents in complex social systems can be studied using evolutionary economic models, as well as institutional economic and simulation studies. Hence, the focus is being laid on approaches that are more explorative than the standard equilibrium analysis; on approaches that allow for complexity; on approaches that consider development, history, institutions, and values. Thus, we may conclude that institutions are more than just devices for the reduction of transaction costs. From an institutionalist perspective, institutions are the common and collective solutions to social decision problems, particularly social dilemma problems, coordination problems, and collective-good problems. Such solutions require ‘recognized interdependence’ and learned coordination and cooperation, thus a learned culture of a long-run perspective – emerging as the result of a process of interactions. Institutions often are transitory only, part of the ongoing dynamics, adequately modeled possibly as an evolutionary process. Also, they may be instrumental solutions to a social decision problem at first and may degenerate into ceremonial power-and-status-based phenomena later, thus limiting the possibility of further innovation and development. In a genealogy of economics, the thematic and methodological spectrum of this book series would embrace the history of thought beginning with the classics including great names such as Adam Smith and Karl Marx but also the late classics who already have struggled with issues like complexity, process, historical time, and evolution. In newer times, the spectrum continues with Veblenian, Keynesian, and Post-Keynesian thinking; it would also include works in the traditions of original institutionalist economics, ecological economics, Neo-Schumpeterian thinking, evolutionary economics, and game theory. Social economics and social policy analysis, behavioral economics, complex modeling, system dynamics, and agent-based computational economics would be embraced as well. Such lists, however, can never be exhaustive. Last not least, institutional and socio-economics deals with the epistemology and substance of values, norms and ethics, value warrants of economic behavior as well as the normative foundations of economics. This series, thus, stands in the best traditions of plural economic research areas and pluralistic theoretical perspectives. It may be called ’heterodox’, but it shall always be cutting-edge and of high quality. Enjoy exploring the works of this book series. The Editors: Wolfram Elsner Editor-in-Chief University of Bremen Torsten Heinrich Managing Editor University of Bremen Wilfred Dolfsma Co-Editor University of Groningen Arne Heise Co-Editor University of Hamburg Helge Peukert Co-Editor University of Erfurt Werner Schönig Co-Editor Catholic University of Applied Sciences Cologne Homepage der Herausgeber: Prof. Dr. Wolfram Elsner (Editor-in-Chief) Dr. rer. pol. Torsten Heinrich (Managing Editor) " "In the "Institutional and Socio-Economics" book series, the economy is studied as a genuinely social system of heterogeneous agents in an institutional context. The series includes a broad range of different methodological approaches, theoretical perspectives and subjects of study. Interdependencies among agents in complex social systems can be studied using evolutionary economic models, as well as institutional economic and simulation studies. Hence, the focus is being laid on approaches that are more explorative than the standard equilibrium analysis; on approaches that allow for complexity; on approaches that consider development, history, institutions, and values. Thus, we may conclude that institutions are more than just devices for the reduction of transaction costs. From an institutionalist perspective, institutions are the common and collective solutions to social decision problems, particularly social dilemma problems, coordination problems, and collective-good problems. Such solutions require ‘recognized interdependence’ and learned coordination and cooperation, thus a learned culture of a long-run perspective – emerging as the result of a process of interactions. Institutions often are transitory only, part of the ongoing dynamics, adequately modeled possibly as an evolutionary process. Also, they may be instrumental solutions to a social decision problem at first and may degenerate into ceremonial power-and-status-based phenomena later, thus limiting the possibility of further innovation and development. In a genealogy of economics, the thematic and methodological spectrum of this book series would embrace the history of thought beginning with the classics including great names such as Adam Smith and Karl Marx but also the late classics who already have struggled with issues like complexity, process, historical time, and evolution. In newer times, the spectrum continues with Veblenian, Keynesian, and Post-Keynesian thinking; it would also include works in the traditions of original institutionalist economics, ecological economics, Neo-Schumpeterian thinking, evolutionary economics, and game theory. Social economics and social policy analysis, behavioral economics, complex modeling, system dynamics, and agent-based computational economics would be embraced as well. Such lists, however, can never be exhaustive. Last not least, institutional and socio-economics deals with the epistemology and substance of values, norms and ethics, value warrants of economic behavior as well as the normative foundations of economics. This series, thus, stands in the best traditions of plural economic research areas and pluralistic theoretical perspectives. It may be called ’heterodox’, but it shall always be cutting-edge and of high quality. Enjoy exploring the works of this book series. May 2012 The Editors: Wolfram Elsner Editor-in-Chief University of Bremen Torsten Heinrich Managing Editor University of Bremen Wilfred Dolfsma Co-Editor University of Groningen Arne Heise Co-Editor University of Hamburg Helge Peukert Co-Editor University of Erfurt Werner Schönig Co-Editor Catholic University of Applied Sciences Cologne Homepage der Herausgeber: Prof. Dr. Wolfram Elsner (Editor-in-Chief) Dr. rer. pol. Torsten Heinrich (Managing Editor) " "In the "Institutional and Socio-Economics" book series, the economy is studied as a genuinely social system of heterogeneous agents in an institutional context. The series includes a broad range of different methodological approaches, theoretical perspectives and subjects of study. Interdependencies among agents in complex social systems can be studied using evolutionary economic models, as well as institutional economic and simulation studies. Hence, the focus is being laid on approaches that are more explorative than the standard equilibrium analysis; on approaches that allow for complexity; on approaches that consider development, history, institutions, and values. Thus, we may conclude that institutions are more than just devices for the reduction of transaction costs. From an institutionalist perspective, institutions are the common and collective solutions to social decision problems, particularly social dilemma problems, coordination problems, and collective-good problems. Such solutions require ‘recognized interdependence’ and learned coordination and cooperation, thus a learned culture of a long-run perspective – emerging as the result of a process of interactions. Institutions often are transitory only, part of the ongoing dynamics, adequately modeled possibly as an evolutionary process. Also, they may be instrumental solutions to a social decision problem at first and may degenerate into ceremonial power-and-status-based phenomena later, thus limiting the possibility of further innovation and development. In a genealogy of economics, the thematic and methodological spectrum of this book series would embrace the history of thought beginning with the classics including great names such as Adam Smith and Karl Marx but also the late classics who already have struggled with issues like complexity, process, historical time, and evolution. In newer times, the spectrum continues with Veblenian, Keynesian, and Post-Keynesian thinking; it would also include works in the traditions of original institutionalist economics, ecological economics, Neo-Schumpeterian thinking, evolutionary economics, and game theory. Social economics and social policy analysis, behavioral economics, complex modeling, system dynamics, and agent-based computational economics would be embraced as well. Such lists, however, can never be exhaustive. Last not least, institutional and socio-economics deals with the epistemology and substance of values, norms and ethics, value warrants of economic behavior as well as the normative foundations of economics. This series, thus, stands in the best traditions of plural economic research areas and pluralistic theoretical perspectives. It may be called ’heterodox’, but it shall always be cutting-edge and of high quality. Enjoy exploring the works of this book series. The Editors: Wolfram Elsner Editor-in-Chief University of Bremen Torsten Heinrich Managing Editor University of Bremen Wilfred Dolfsma Co-Editor University of Groningen Arne Heise Co-Editor University of Hamburg Helge Peukert Co-Editor University of Erfurt Werner Schönig Co-Editor Catholic University of Applied Sciences Cologne Homepage der Herausgeber: Prof. Dr. Wolfram Elsner (Editor-in-Chief) Dr. rer. pol. Torsten Heinrich (Managing Editor) "

11 publications

Religion, Education and Values

ISSN: 2235-4638

Debates about religion, education and values are more central to contemporary society than ever before. The challenges posed by the interaction between these different spheres will continue to increase as the effects of globalization and cultural pluralization impact on educational settings. Our radically changed and rapidly changing environment poses critical questions about how we should educate individuals to live in increasingly diverse societies. Books in this series offer the most recent research, from a variety of disciplinary perspectives, on the interface between religion, education and values around the world. The series covers such themes as the history of religious education, the philosophies and psychologies of religious and values education, and the application of social science research methods to the study of young peoples values and world-views. Books within the series are subject to peer review and include single and co-authored monographs and edited collections. Debates about religion, education and values are more central to contemporary society than ever before. The challenges posed by the interaction between these different spheres will continue to increase as the effects of globalization and cultural pluralization impact on educational settings. Our radically changed and rapidly changing environment poses critical questions about how we should educate individuals to live in increasingly diverse societies. Books in this series offer the most recent research, from a variety of disciplinary perspectives, on the interface between religion, education and values around the world. The series covers such themes as the history of religious education, the philosophies and psychologies of religious and values education, and the application of social science research methods to the study of young peoples values and world-views. Books within the series are subject to peer review and include single and co-authored monographs and edited collections. Debates about religion, education and values are more central to contemporary society than ever before. The challenges posed by the interaction between these different spheres will continue to increase as the effects of globalization and cultural pluralization impact on educational settings. Our radically changed and rapidly changing environment poses critical questions about how we should educate individuals to live in increasingly diverse societies. Books in this series offer the most recent research, from a variety of disciplinary perspectives, on the interface between religion, education and values around the world. The series covers such themes as the history of religious education, the philosophies and psychologies of religious and values education, and the application of social science research methods to the study of young peoples values and world-views. Books within the series are subject to peer review and include single and co-authored monographs and edited collections.

18 publications

Leeds Studies on Dante

The book series Leeds Studies on Dante is a collaboration between Peter Lang Oxford and the Leeds Centre for Dante Studies. Based at the University of Leeds, the Centre promotes the study of Dante from a variety of disciplinary and methodological perspectives, through support for individual and collaborative research and through work with students at all levels and with a broader public. In support of this remit, the series will publish innovative new research of the highest quality on any aspect of Dante studies. It is open to a wide range of different methodologies, including comparative and interdisciplinary approaches, studies of Dante's reception from the Middle Ages to the present, and research which engages with the poet's broader cultural context, as well as analysis of Dante's works. Proposals are welcomed for monographs or collections of essays in either English or Italian. Editions, commentaries and translations of exceptional scholarly value will also be considered. Potential contributors should send a detailed outline of their proposed volume, including a statement of the aims and remit of the volume and the critical methodology adopted, a chapter breakdown, and a sample chapter. In the case of edited volumes, editors are asked to send a paragraph outlining the cohesiveness of the volume and the rationale for the collection of essays. Complete manuscripts should not be sent unless invited. The series is supported by an international advisory board, including Zygmunt G. Barański (University of Notre Dame), Simon Gilson (University of Warwick), Sona Haroutyunian (Ca' Foscari University of Venice), Kristina Landa (University of Bologna), Ronald Martinez (Brown University), Christine Ott (Goethe University), Sangjin Park (Busan University of Foreign Studies), and Lucia Battaglia Ricci (University of Pisa). For further information, please contact the series editors, Matthew Treherne (m.treherne@leeds.ac.uk) or Jacob Blakesley (j.blakesley@leeds.ac.uk). The book series Leeds Studies on Dante is a collaboration between Peter Lang Oxford and the Leeds Centre for Dante Studies. Based at the University of Leeds, the Centre promotes the study of Dante from a variety of disciplinary and methodological perspectives, through support for individual and collaborative research and through work with students at all levels and with a broader public. In support of this remit, the series will publish innovative new research of the highest quality on any aspect of Dante studies. It is open to a wide range of different methodologies, including comparative and interdisciplinary approaches, studies of Dante's reception from the Middle Ages to the present, and research which engages with the poet's broader cultural context, as well as analysis of Dante's works. Proposals are welcomed for monographs or collections of essays in either English or Italian. Editions, commentaries and translations of exceptional scholarly value will also be considered. Potential contributors should send a detailed outline of their proposed volume, including a statement of the aims and remit of the volume and the critical methodology adopted, a chapter breakdown, and a sample chapter. In the case of edited volumes, editors are asked to send a paragraph outlining the cohesiveness of the volume and the rationale for the collection of essays. Complete manuscripts should not be sent unless invited. The series is supported by an international advisory board, including Zygmunt G. Barański (University of Notre Dame), Simon Gilson (University of Warwick), Sona Haroutyunian (Ca' Foscari University of Venice), Kristina Landa (University of Bologna), Ronald Martinez (Brown University), Christine Ott (Goethe University), Sangjin Park (Busan University of Foreign Studies), and Lucia Battaglia Ricci (University of Pisa). For further information, please contact the series editors, Matthew Treherne (m.treherne@leeds.ac.uk) or Jacob Blakesley (j.blakesley@leeds.ac.uk). The book series Leeds Studies on Dante is a collaboration between Peter Lang Oxford and the Leeds Centre for Dante Studies. Based at the University of Leeds, the Centre promotes the study of Dante from a variety of disciplinary and methodological perspectives, through support for individual and collaborative research and through work with students at all levels and with a broader public. In support of this remit, the series will publish innovative new research of the highest quality on any aspect of Dante studies. It is open to a wide range of different methodologies, including comparative and interdisciplinary approaches, studies of Dante's reception from the Middle Ages to the present, and research which engages with the poet's broader cultural context, as well as analysis of Dante's works. Proposals are welcomed for monographs or collections of essays in either English or Italian. Editions, commentaries and translations of exceptional scholarly value will also be considered. Potential contributors should send a detailed outline of their proposed volume, including a statement of the aims and remit of the volume and the critical methodology adopted, a chapter breakdown, and a sample chapter. In the case of edited volumes, editors are asked to send a paragraph outlining the cohesiveness of the volume and the rationale for the collection of essays. Complete manuscripts should not be sent unless invited. The series is supported by an international advisory board, including Zygmunt G. Barański (University of Notre Dame), Simon Gilson (University of Warwick), Sona Haroutyunian (Ca' Foscari University of Venice), Kristina Landa (University of Bologna), Ronald Martinez (Brown University), Christine Ott (Goethe University), Sangjin Park (Busan University of Foreign Studies), and Lucia Battaglia Ricci (University of Pisa). For further information, please contact the series editors, Matthew Treherne (m.treherne@leeds.ac.uk) or Jacob Blakesley (j.blakesley@leeds.ac.uk).

5 publications

Moving Texts / Testi mobili

Moving Texts/Testi mobili questions Italian memory and identity from the perspective of literary and media studies, providing a forum for discussions on major research topics, including migration and mobility studies, cultural studies, cultural memory studies, film studies, translation studies and studies on linguistic attitudes and sociolinguistic changes. Moving Texts/Testi mobili is open to research conducted within established and emerging fields of investigation. It specifically promotes multi-perspective, multi-disciplinary and inter-medial approaches. The series uses double-blind peer review and is supported by an international advisory board. Proposals in Italian, French or English are welcome both for the main series (monographs and edited volumes), and for Moving Texts/Testi Mobili – Tandem, the sub-series for conjoined essays by two different authors. Potential contributors are invited to submit a book proposal consisting of an outline, a sample chapter and a CV. Only complete manuscripts following the series guidelines are accepted for peer review. *** Moving Texts/Testi mobili　indaga la memoria e l’identità italiana offrendo uno spazio aperto a ricerche su migrazione e mobilità, a studi culturali e sulla memoria culturale, nonché a saggi nei seguenti ambiti: letteratura, media, traduzioni, attitudini linguistiche e cambiamenti sociolinguistici. Moving Texts/Testi mobili promuove approcci multiprospettici, multidisciplinari e intermediali provenienti da aree disciplinari e metodologiche di consolidata tradizione così come di recente affermazione. La serie sottopone le pubblicazioni a procedure di peer review e si avvale di un comitato di redazione internazionale. Possono essere inoltrate proposte per la serie madre, che accoglie monografie e opere collettanee, o per la serie Moving Texts/Testi Mobili – Tandem, ciascun volume della quale ospita una coppia di saggi congiunti ma di due autori diversi. Proposte in italiano, francese o inglese possono essere inviate al comitato di direzione dagli autori o curatori interessati. Ogni proposta deve includere una sintesi del volume, un capitolo di esempio e il CV dell’autore o del curatore. Solo testi completi e adattati alle norme redazionali della collana verranno sottoposti a revisione. *** Moving Texts/Testi mobili interroge la mémoire et l’identité italiennes sous la perspective de la littérature et de l’étude des médias. La collection offre un espace de discussion sur les principaux sujets de recherche, proposant des études sur les migrations et la mobilité, la culture, la mémoire culturelle, les films, les traductions ainsi que les attitudes linguistiques et les changements sociolinguistiques. Moving Texts/Testi mobili accueille des travaux consacrés aussi bien à des champs traditionnels qu'émergents. Elle soutient particulièrement les perspectives multiples, la pluridisciplinarité et les approches croisées entre différents médias. La collection pratique un peer-review en double aveugle et est soutenue par un conseil scientifique international. Les propositions en italien, français et anglais sont les bienvenues aussi bien pour la collection principale (monographies et volumes collectifs) que pour Moving Texts/Testi Mobili – Tandem, la nouvelle sous-collection accueillant des essais conjoints de deux auteurs. Nous invitons les auteurs potentiels à soumettre leur proposition en envoyant une synthèse, un chapitre d’exemple ainsi qu’un CV aux directeurs de collection. Seuls les manuscrits complets qui respectent les normes de la collection seront acceptés pour la révision en double aveugle. *** Series editors / Membri del comitato di direzione / Membres du comité éditorial Natalie Dupré (KU Leuven, Natalie.Dupre@kuleuven.be), Monica Jansen (Universiteit Utrecht, m.m.jansen@uu.nl), Inge Lanslots (KU Leuven, Inge.Lanslots@kuleuven.be), Ugo Perolino (Università degli studi G.D’Annunzio Chieti-Pescara, ugo.perolino@unich.it), Mara Santi (Universiteit Gent, Mara.Santi@UGent.be), Dieter Vermandere (Universiteit Antwerpen, dieter.vermandere@uantwerpen.be). Editorial Board / Comitato scientifico / Comité scientifique Jennifer Burns (University of Warwick), Alberto Casadei (Università di Pisa), Andrea Catellani (Université catholique de Louvain), Claudia Crocco (Universiteit Gent), Pietro De Marchi (Universität Zürich), Nicola Dusi (Università degli Studi di Modena e Reggio Emilia), Margherita Ganeri (Università della Calabria), Gian Paolo Giudicetti (UCLouvain), Harald Hendrix (Universiteit Utrecht), William Hope (University of Salford), Isabelle Lavergne (Université Paris-Sorbonne), Christina Ljungberg (Universität Zürich), Stefania Marzo (KU Leuven), Bruno Moretti (Universität Bern), Raffaella Petrilli (Università della Tuscia), Viva Paci (Université du Québec), Alessandro Perissinotto (Università di Torino), Isabella Pezzini (La Sapienza Università di Roma), Massimo Privitera (Università di Palermo), Paolo Rosato (Conservatorio di Fermo), Oreste Sacchelli (Université de Nancy, em.), Pia Schwarz Lausten (Københavns Universitet), Luca Somigli (University of Toronto), Thomas Stauder (Universität Augsburg), Bart Van den Bossche (KU Leuven), Mary Wood (Birkbeck, University of London, em.), Walter Zidaric (Université de Nantes) Moving Texts/Testi mobili　indaga la memoria e l’identità italiana offrendo uno spazio aperto a ricerche su migrazione e mobilità, a studi culturali e sulla memoria culturale, nonché a saggi nei seguenti ambiti: letteratura, media, traduzioni, attitudini linguistiche e cambiamenti sociolinguistici. Moving Texts/Testi mobili promuove approcci multiprospettici, multidisciplinari e intermediali provenienti da aree disciplinari e metodologiche di consolidata tradizione così come di recente affermazione. La serie sottopone le pubblicazioni a procedure di peer review e si avvale di un comitato di redazione internazionale. Possono essere inoltrate proposte per la serie madre, che accoglie monografie e opere collettanee, o per la serie Moving Texts/Testi Mobili – Tandem, ciascun volume della quale ospita una coppia di saggi congiunti ma di due autori diversi. Proposte in italiano, francese o inglese possono essere inviate al comitato di direzione dagli autori o curatori interessati. Ogni proposta deve includere una sintesi del volume, un capitolo di esempio e il CV dell’autore o del curatore. Solo testi completi e adattati alle norme redazionali della collana verranno sottoposti a revisione. *** Moving Texts/Testi mobili interroge la mémoire et l’identité italiennes sous la perspective de la littérature et de l’étude des médias. La collection offre un espace de discussion sur les principaux sujets de recherche, proposant des études sur les migrations et la mobilité, la culture, la mémoire culturelle, les films, les traductions ainsi que les attitudes linguistiques et les changements sociolinguistiques. Moving Texts/Testi mobili accueille des travaux consacrés aussi bien à des champs traditionnels qu'émergents. Elle soutient particulièrement les perspectives multiples, la pluridisciplinarité et les approches croisées entre différents médias. La collection pratique un peer-review en double aveugle et est soutenue par un conseil scientifique international. Les propositions en italien, français et anglais sont les bienvenues aussi bien pour la collection principale (monographies et volumes collectifs) que pour Moving Texts/Testi Mobili – Tandem, la nouvelle sous-collection accueillant des essais conjoints de deux auteurs. Nous invitons les auteurs potentiels à soumettre leur proposition en envoyant une synthèse, un chapitre d’exemple ainsi qu’un CV aux directeurs de collection. Seuls les manuscrits complets qui respectent les normes de la collection seront acceptés pour la révision en double aveugle. *** Series editors / Membri del comitato di direzione / Membres du comité éditorial Natalie Dupré (KU Leuven, Natalie.Dupre@kuleuven.be), Monica Jansen (Universiteit Utrecht, m.m.jansen@uu.nl), Inge Lanslots (KU Leuven, Inge.Lanslots@kuleuven.be), Ugo Perolino (Università degli studi G.D’Annunzio Chieti-Pescara, ugo.perolino@unich.it), Mara Santi (Universiteit Gent, Mara.Santi@UGent.be), Dieter Vermandere (Universiteit Antwerpen, dieter.vermandere@uantwerpen.be). Editorial Board / Comitato scientifico / Comité scientifique Jennifer Burns (University of Warwick), Alberto Casadei (Università di Pisa), Andrea Catellani (Université catholique de Louvain), Claudia Crocco (Universiteit Gent), Pietro De Marchi (Universität Zürich), Nicola Dusi (Università degli Studi di Modena e Reggio Emilia), Margherita Ganeri (Università della Calabria), Gian Paolo Giudicetti (UCLouvain), Harald Hendrix (Universiteit Utrecht), William Hope (University of Salford), Isabelle Lavergne (Université Paris-Sorbonne), Christina Ljungberg (Universität Zürich), Stefania Marzo (KU Leuven), Bruno Moretti (Universität Bern), Raffaella Petrilli (Università della Tuscia), Viva Paci (Université du Québec), Alessandro Perissinotto (Università di Torino), Isabella Pezzini (La Sapienza Università di Roma), Massimo Privitera (Università di Palermo), Paolo Rosato (Conservatorio di Fermo), Oreste Sacchelli (Université de Nancy, em.), Pia Schwarz Lausten (Københavns Universitet), Luca Somigli (University of Toronto), Thomas Stauder (Universität Augsburg), Bart Van den Bossche (KU Leuven), Mary Wood (Birkbeck, University of London, em.), Walter Zidaric (Université de Nantes)

10 publications

Nouvelle poétique comparatiste / New Comparative Poetics

ISSN: 1376-3202

This series publishes contributions which explore new territory in the ever-evolving field of comparative literature. Its monographs, written in English or in French, typically deal with the interaction between various authors, literary genres and societies or cultures, if necessary drawing on literary theory. The term «comparative» is not restricted to the study of different national literatures. It also refers to comparative studies within a single linguistic culture, e.g. in a multicultural society or a postcolonial country. The series seeks to re-assess the complex relationship between margin and center, emphasizing, whenever possible, a non-Eurocentric perspective. Cette collection publie des travaux ouvrant de nouveaux horizons dans le domaine sans cesse en évolution de la littérature comparée. Ses monographies, rédigées en anglais ou en français, traitent de préférence de l’interaction entre différents auteurs, genres littéraires et sociétés ou cultures, en faisant appel, le cas échéant, à la théorie de la littérature. Le terme « comparatiste » n’est pas limité à l’étude de différentes littératures nationales. Il s’applique également aux études comparatistes effectuées dans les limites d’une seule culture linguistique, par exemple dans une société multiculturelle ou postcoloniale. La collection tente donc de redéfinir la relation complexe entre centre et périphérie, en adoptant, dans la mesure du possible, une perspective non-eurocentrique.

47 publications

Contextualising Literature and Media

ISSN: 2627-0684

The series was founded and edited by prof. Dorota Filipczak (1963–2021) until the publication of volume 2. The aim of the series is to introduce new, incisive analyses of literature and media in different cultural contexts. The series will focus on the phenomena that are inderdisciplinary and dissolve the boundary between literature and media such as film, music video, computer games etc. The idea behind the series is to show how our traditional understanding of literature can be transformed by the cultural, social and technological contexts. The successive studies will be informed by the scholarly background of contemporary literary theory and media studies, while seeking to relate literature and media to the challenges of contemporary world. The books published in the series will bridge the gap between diverse discourses and involve different fields of study, e.g. philosophy, gender studies, cultural studies etc.

4 publications

Freiberger Beiträge zur interkulturellen und Wirtschaftskommunikation

The Freiberger Beiträge zur interkulturellen und Wirtschaftskommunikation series establishes a forum for Economics and Media and Communication. Scholars examine for example the relationship of business and communication by analyzing different business cultures. Approaches to Business and Management are also relevant. The series is published in English. The editor Michael B. Hinner is professor of Economics with a focus on Business Linguistics. Professorship for Intercultural Communication at the TU Bergakademie Freiberg. From volume 9 this series will be continued as Business and Intercultural Communication. The Freiberger Beiträge zur interkulturellen und Wirtschaftskommunikation series establishes a forum for Economics and Media and Communication. Scholars examine for example the relationship of business and communication by analyzing different business cultures. Approaches to Business and Management are also relevant. The series is published in English. The editor Michael B. Hinner is professor of Economics with a focus on Business Linguistics. Professorship for Intercultural Communication at the TU Bergakademie Freiberg. From volume 9 this series will be continued as Business and Intercultural Communication.

10 publications

Studia Educationis Historica

ISSN: 2195-5158

Social and cultural processes are eminently historical. Historical research and historical studies, themselves embedded in historical contexts, meet this fact by reconstructing historical processes and by making offers for their analysis and interpretation. A series of new phenomena and transformations are currently challenging the exploration of education and formation and their different institutionalized forms. Among them, the process of dense globalization, increasing cultural transfers and entanglements, the scarcity of natural resources, the accelerated pace of the transformation of media environments and novel forms of individualization are some of the most pressing. These phenomena and transformations pose new questions for historical research in education. The book series "Studia Educationis Historica" offers historical studies that address these challenges with traditional and innovative historical research methods. The series offers analyses on the history of education in different countries as well as comparative and international studies. German, English, and Spanish are the languages of the book series. Historicidad es una dimensión fundamental de los procesos sociales y culturales. La historiografía, una práctica integrada en tramas históricas determinadas, responde a este fenómeno en tanto reconstruye procesos históricos y genera ofertas de análisis e interpretación de los mismos. La investigación sobre educación, formación y sus diversas formas de institucionalización está siendo desafiada actualmente por fenómenos y procesos vinculados a la globalización densa, a las crecientes transferencias y conexiones culturales, a la escasez de recursos naturales, al cambio vertiginoso de los medios de comunicación y a nuevos procesos de individualización. Estos fenómenos y procesos plantean nuevas preguntas para la investigación en historia de la educación. La serie "Studia Educationis Historica" presenta indagaciones que lidian con estos desafíos tanto con herramientas historiográficas tradicionales como innovadoras. La serie incluye estudios sobre la historia de la educación de diversos países y trabajos comparados que pueden ser publicados en alemán, inglés o español. Historizität ist eine grundlegende Dimension sozialer und kultureller Prozesse. Historiographie trägt dieser Tatsache Rechnung, indem sie selbst in bestimmte historische Kontexte eingebettet historische Prozesse rekonstruiert und verschiedene Analyse- und Deutungsangebote macht. Die Erforschung von Erziehung und Bildung und der verschiedenen Formen ihrer Institutionalisierung ist heute zugleich von Phänomenen und Prozessen einer dichten Globalisierung, verstärkter kultureller Verschränkungen und Transfers, von Ressourcenknappheit, einem beschleunigten Medienwandel und neuartigen Prozessen der Individualisierung geprägt. Sie werfen immer wieder auch neue Fragen für die bildungshistorische Forschung auf. Die Reihe "Studia Educationis Historica" präsentiert Untersuchungen, die den genannten Herausforderungen sowohl mit herkömmlichen als auch mit neueren historiographischen Mitteln begegnen. Sie umfasst Studien zur Bildungsgeschichte verschiedener Länder und auch international vergleichende Arbeiten, die jeweils in deutscher, englischer oder spanischer Sprache veröffentlicht werden.

10 publications

Trans-Atlántico / Trans-Atlantique

ISSN: 2033-6861

Dans le panorama de la recherche et, plus particulièrement, de l’hispanisme, un nouveau paradigme privilégiant la prise en considération des échanges et de la circulation de modèles s’affirme. Cette nouvelle perspective permet l’émergence d’un nouveau champ d’études centré sur les relations transatlantiques, transnationales et intercontinentales ; elle met l’accent sur les échanges, les migrations et les passages qui se déclinent de différentes façons entre les cultures des deux côtés de l’Atlantique, depuis plus de cinq siècles. Plus que le paquebot de ligne destiné à la traversée régulière entre l’Europe et l’Amérique, le titre de cette Collection « Trans-Atlántico / Trans-Atlantique » évoque le roman homonyme de Witold Gombrowicz – où apparait justement le trait d’union –, les déambulations du protagoniste entre deux mondes, ainsi que les rapprochements entre des lieux bien différents d’une même réalité (la Pologne, où Gombrowicz est né, et l’Argentine, lieu de son séjour prolongé). La Collection « Trans-Atlántico / Trans-Atlantique » se veut un espace d’édition ouvert aux travaux qui privilégient cette approche de la littérature comme lieu transculturel par excellence, lieu de dialogue et de controverse entre différents types de discours, lieu, enfin, de tous les possibles, où s’élaborent de nouvelles pratiques de pensée et de création pour donner du sens à l’en-dehors qui l’entoure. En el panorama actual de la investigación, especialmente en el campo del hispanismo, se afirma la presencia de un nuevo paradigma que toma en cuenta, privilegiándolos, los intercambios y la circulación de modelos. Esta nueva perspectiva ha permitido la emergencia de un nuevo campo de estudios, centrado en las relaciones trasatlánticas, transnacionales e inter-continentales, que subraya la importancia de los intercambios, migraciones y pasajes que se declinan de diferentes modos entre las culturas de los dos lados del Atlántico, desde hace más de cinco siglos. El título de esta Colección «Trans-Atlántico / Trans-Atlantique» se propone evocar, más allá del vapor de línea que hace la travesía regular entre Europa y América, la novela homónima de Witold Gombrowicz – donde aparece justamente el guión –, y las deambulaciones del protagonista entre dos mundos así como los acercamientos posibles entre dos lugares diferentes de una misma realidad (Polonia, donde Gombrowicz nació y Argentina, lugar donde reside de manera prolongada). La Collection «Trans-Atlántico / Trans-Atlantique» es un espacio de publicación de obras que se centren en este tipo de abordaje de la literatura como lugar transcultural por excelencia, lugar de diálogo y de controversia entre diferentes tipos de discurso, lugar de todos los posibles donde se elaboran nuevas prácticas de conocimiento y de creación para dar sentido a lo que está afuera y que, sin embargo, la literatura comprende. Dans le panorama de la recherche et, plus particulièrement, de l’hispanisme, un nouveau paradigme privilégiant la prise en considération des échanges et de la circulation de modèles s’affirme. Cette nouvelle perspective permet l’émergence d’un nouveau champ d’études centré sur les relations transatlantiques, transnationales et intercontinentales ; elle met l’accent sur les échanges, les migrations et les passages qui se déclinent de différentes façons entre les cultures des deux côtés de l’Atlantique, depuis plus de cinq siècles. Plus que le paquebot de ligne destiné à la traversée régulière entre l’Europe et l’Amérique, le titre de cette Collection « Trans-Atlántico / Trans-Atlantique » évoque le roman homonyme de Witold Gombrowicz – où apparait justement le trait d’union –, les déambulations du protagoniste entre deux mondes, ainsi que les rapprochements entre des lieux bien différents d’une même réalité (la Pologne, où Gombrowicz est né, et l’Argentine, lieu de son séjour prolongé). La Collection « Trans-Atlántico / Trans-Atlantique » se veut un espace d’édition ouvert aux travaux qui privilégient cette approche de la littérature comme lieu transculturel par excellence, lieu de dialogue et de controverse entre différents types de discours, lieu, enfin, de tous les possibles, où s’élaborent de nouvelles pratiques de pensée et de création pour donner du sens à l’en-dehors qui l’entoure. En el panorama actual de la investigación, especialmente en el campo del hispanismo, se afirma la presencia de un nuevo paradigma que toma en cuenta, privilegiándolos, los intercambios y la circulación de modelos. Esta nueva perspectiva ha permitido la emergencia de un nuevo campo de estudios, centrado en las relaciones trasatlánticas, transnacionales e inter-continentales, que subraya la importancia de los intercambios, migraciones y pasajes que se declinan de diferentes modos entre las culturas de los dos lados del Atlántico, desde hace más de cinco siglos. El título de esta Colección «Trans-Atlántico / Trans-Atlantique» se propone evocar, más allá del vapor de línea que hace la travesía regular entre Europa y América, la novela homónima de Witold Gombrowicz – donde aparece justamente el guión –, y las deambulaciones del protagonista entre dos mundos así como los acercamientos posibles entre dos lugares diferentes de una misma realidad (Polonia, donde Gombrowicz nació y Argentina, lugar donde reside de manera prolongada). La Collection «Trans-Atlántico / Trans-Atlantique» es un espacio de publicación de obras que se centren en este tipo de abordaje de la literatura como lugar transcultural por excelencia, lugar de diálogo y de controversia entre diferentes tipos de discurso, lugar de todos los posibles donde se elaboran nuevas prácticas de conocimiento y de creación para dar sentido a lo que está afuera y que, sin embargo, la literatura comprende.

21 publications

Identities / Identités / Identidades

ISSN: 2296-3537

Individual or collective, assumed or imposed, accepted or disputed, identities mark out the basic framework that root the human being in society. Language, literature, the creation of a shared memory, social formulas and the range of cultural expressions have contributed to articulating human life as a mixture of identities. Accordingly, no less than a sum of interdisciplinary perspectives, from different areas of research into the Humanities and Social Sciences, will supply us with the keys to understand the historical process and current reality of the human being in society. From this diversity, researchers using the prism of identity in any field of the Social Sciences and Humanities are invited to submit their works to the editorial board of the serie Identities. An interdisciplinary approach to the roots of the present. Individuelles ou collectives, assumées ou imposées, acceptées ou combattues, les identités configurent le premier cadre d’’enracinement de l’’être humain en société. La langue, la littérature, la création d’’une mémoire commune déterminée, les formules sociales et toutes les expressions culturelles ont contribué à articuler la vie humaine comme un treillis d’’identités. Seule une somme de perspectives interdisciplinaires contribuera donc à ce que, depuis les différents domaines de recherche des humanités et des sciences sociales, nous puissions trouver les clefs pour comprendre le parcours historique et la réalité présente de l’’être humain en société. À partir de cette diversité, les chercheurs adoptant le prisme de l’identité dans n’importe quel domaine des sciences humaines et sociales sont invités à soumettre leurs œœuvres au comité de rédaction de la collection Identités. Une approche interdisciplinaire des racines du présent.

13 publications

Mondes de langue portugaise

ISSN: 2795-6105

The "Worlds of Portuguese Language" series encompasses different cultural domains related to the Portuguese language without restrictions of thematic, historical or geographical kind. The underlining notion of language is that of a space of deconstruction, conducive to a broader reflection on spatial and temporal correlations, forms of porosity, mobility and exchange within a broad thematic and disciplinary horizon. To promote interdisciplinarity for a global understanding of cultural phenomena is one of our main concerns. From intercultural and plurilingual heritage, and their embodiment of a certain idea of ​​translation, to visual and performing arts, the series welcomes reflections on the text in its different literary modes (whether lyrical, narrative or dramatic) and on inter-artistic approaches which bring together different semiotic systems. Questions arising from postcolonial and postdictatorial memory will put in perspective major research topics related to the representation of the physical and social body, migration and new approaches to pedagogy and teaching. -------------------------------------------------------------------------------- Mundos de língua portuguesa é uma coleção que tem por vocação abordar os diversos domínios culturais em ligação com a língua portuguesa sem restrição temática, temporal ou geográfica. A língua é aqui concebida como um espaço de desconstrução, propício a uma reflexão alargada sobre as mobilidades espácio-temporais, as porosidades, os intercâmbios e as comunicações num largo horizonte temático e disciplinar. O objetivo é o de valorizar a interdisciplinaridade visando uma compreensão global dos fenómenos culturais. As heranças interculturais e plurilingues, as suas relações com uma ideia da tradução são abordadas assim como as artes visuais e de cena, o texto nos seus diferentes modos (lírico, narrativo, dramático), abrindo para uma abordagem interartística que engloba vários sistemas semióticos. A partir das questões da memória pós-colonial e pós-ditatorial são postas em perspetiva temáticas que desenvolvem as representações do corpo físico e social, as migrações assim como as novas abordagens de pedagogia e de ensino. Mondes de langue portugaise est une collection qui a pour vocation d’aborder les divers domaines culturels en lien avec la langue portugaise sans restriction thématique, temporelle ou géographique. La langue est ici conçue comme espace de déconstruction, propice à une réflexion élargie sur les mobilités spatio-temporelles, les porosités, les échanges et les communications dans un large horizon thématique et disciplinaire. L’objectif est de valoriser l’interdisciplinarité pour une compréhension globale des phénomènes culturels. Les héritages interculturels et plurilingues, leurs rapports avec une idée de traduction sont abordés ainsi que les arts visuels et de la scène, le texte dans ses différents modes (lyrique, narratif, dramatique), en ouvrant sur une approche inter artistique qui comprend plusieurs systèmes sémiotiques. A partir des questions de la mémoire post postcoloniale et post-dictatoriale, sont mises en perspective des thématiques abordant les représentations du corps physique et social, la migration ainsi que les nouvelles approches de pédagogie et d’enseignement. --------------------------------- Mundos de língua portuguesa é uma coleção que tem por vocação abordar os diversos domínios culturais em ligação com a língua portuguesa sem restrição temática, temporal ou geográfica. A língua é aqui concebida como um espaço de desconstrução, propício a uma reflexão alargada sobre as mobilidades espácio-temporais, as porosidades, os intercâmbios e as comunicações num largo horizonte temático e disciplinar. O objetivo é o de valorizar a interdisciplinaridade visando uma compreensão global dos fenómenos culturais. As heranças interculturais e plurilingues, as suas relações com uma ideia da tradução são abordadas assim como as artes visuais e de cena, o texto nos seus diferentes modos (lírico, narrativo, dramático), abrindo para uma abordagem interartística que engloba vários sistemas semióticos. A partir das questões da memória pós-colonial e pós-ditatorial são postas em perspetiva temáticas que desenvolvem as representações do corpo físico e social, as migrações assim como as novas abordagens de pedagogia e de ensino.

5 publications

Vampire Studies: New Perspectives on the Undead

ISSN: 2977-0718

Vampires are everywhere. Appearing on streaming services, in book series and on multimedia platforms, vampires and the undead are an integral part of popular culture in the twenty-first century. But vampires have a long and varied history across cultures from at least the early eighteenth century onwards. Nina Auerbach once commented on their cultural ubiquity: ‘Every age embraces the vampire it needs, and gets the vampire it deserves’. The inherently transformative properties of vampires have made them uniquely able to reflect the age in which they appear. As a result, they provide original and multiple perspectives, not just on culture, but on established and emerging areas of study. Vampires and the undead serve as a useful lens for exploring Indigeneity, environmental studies and the ecogothic; identity, ethnicity and gender politics; material culture, spectatorship and fan cultures; hybridity, post-humanism and futurities; disability, mental health and ageing studies; and theology, philosophy and politics. These new territories and methodologies of vampire studies also retroactively shift the ways we view and understand earlier iterations of the undead and the different cultures they materialized from. In this first book series dedicated to vampire studies, authors will explore the ongoing evolution of vampires and the undead in the broadest sense – including the supernatural, super-human and non-human, and across cultures, histories and media – and will use new theoretical frameworks to offer original and innovative readings of established and more recent texts. This original series aims to provide a focused hub for the diverse and often dispersed body of study that sees the vampire and the undead not as a subgenre of other categories such as the Gothic or horror, but as a genre in its own right that intersects with others. An important dimension of the series is diversity and the inclusion of multiple cultural and minority perspectives, including LGBTQ+, disability, Indigeneity, and any approaches that encourage new ways of viewing the cultural impact of vampires and the undead and widen our understanding of an ever-expanding genre. Proposals for monographs and edited collections are warmly invited. All projects undergo rigorous peer review. Please contact the series editor, Simon Bacon (baconetti@googlemail.com), or editorial@peterlang.com for more information. Editorial Board: Stacey Abbott (Birkbeck, University of London), Katarzyna Ancuta (Chulalongkorn University, Thailand), Uzoamaka Melissa Anyiwo (University of Scranton, USA), John Edgar Browning (Savannah College of Art and Design, USA), S. Brooke Cameron (Queen's University, Canada), Sir Christopher Frayling, Tabish Khair (University of Aarhus, Denmark), Lorna Piatti-Farnell (Auckland University of Technology, New Zealand), Xavier Aldana Reyes (Manchester Metropolitan University, UK), Cristina Santos (Brock University, Canada), Jeffrey Andrew Weinstock (Central Michigan University, USA), Laura Westengard (City University of New York).

0 publications

Europe des cultures / Europe of cultures

ISSN: 2031-3519

"Europe of Cultures" is a series of studies, monographs, stories, research projects, reports on conferences and debates devoted to the complexities and changing realities in European societies. It bridges the past with the future at the cross road of challenges and opportunities of the transformation of European societies. The management of changes in societies refers to the interconnection of various dimensions and levels of policy-making impacting on economic, social, political, democratic, communication, philosophical, artistic, religious as well as ethical traditions and behaviour. As an editorial project the series is structured along two interconnected and complementary sub-series: i.e. the "(Europe of) Dialogues" series and the "(Europe of) Living Stories". The sub-series "(Europe of) Dialogues" mainly deals with (cultural) diversities, identity and citizenship building in Europe as well as with the relevant multi-level governance and communication structures in the transformation of European societies. Europe is a laboratory for understanding this multi- and intercultural reality. The purpose is to contribute to a better understanding and communication of the changes taking place by looking at the European societies in general, and the specificities of different national, regional and local cultures and communities in a framework of dialogues. The series presents interdisciplinary and critical views of value-driven and policy-oriented reflections. Moreover, it offers new insights into understanding how to manage, value and communicate cultural diversity, identity and citizenship. It also wants to contribute to the development of new ways of "living together", in which cultures and communities are perceived as binding forces in creative society building. The sub-series "(Europe of) Living Stories" (the former "Mémoires de l’Europe en devenir", Director Gabriel Fragnière) is devoted to inspiring narratives for a broad public with a view to contribute to a better understanding, communication and contextualisation of the newly emerging Europe. It mainly focusses on stories, memories and testimonies of persons, events, institutions and issues that have transformed mentalities, fostered European awareness and finally shaped Europe’s future. These stories serve as important references and communication tools for future developments of Europe in the world. This collection wants to be open and diverse, original and dynamic in its content, method and pedagogy faithful to Europe’s role and reference in the globalising world. "Europe des cultures" est une collection d'études, de monographies, d’essais, de récits, de recherches et de compte-rendu de conférences et de débats consacrés à la complexité et l'évolution des réalités dans les sociétés européennes. Elle relie passé et futur au carrefour des défis et opportunités de la transformation des sociétés européennes. L’étude des changements dans les sociétés se réfère à l'interconnexion des différentes dimensions et niveaux de l'élaboration des politiques, incluant les traditions et comportements économiques, sociaux, politiques, démocratiques, communication, philosophiques, artistiques, religieuses ainsi qu’éthiques. Comme projet éditorial, la collection est structurée en deux sous-séries complémentaires: la série "(l'Europe des) Dialogues" et la série «　(l'Europe des) Histoires Vivantes». La série "(L’Europe des) Dialogues" se concentre principalement sur les diversités (culturelles), l'identité et la citoyenneté en Europe ainsi que sur les structures de gouvernance et de communication multi-niveaux pertinentes dans la transformation des sociétés européennes. L'Europe est un laboratoire pour comprendre cette réalité multiculturelle et interculturelle. Le but est de contribuer à une meilleure compréhension et communication des changements qui ont lieu en observant les sociétés européennes en général, et les spécificités des différentes cultures et communautés nationales, régionales et locales dans un cadre de dialogues. La collection présente des vues interdisciplinaires et critiques axées sur des réflexions des valeurs et politiques. En outre, elle offre de nouvelles perspectives dans la compréhension de la façon de gérer, valoriser et communiquer la diversité culturelle, l'identité et la citoyenneté. Elle veut aussi contribuer au développement de nouvelles façons de «　vivre ensemble　», dans lequel les cultures et les communautés sont perçues comme des forces de liaison à l’égard de la société créative. La série "(l’Europe des) Histoires Vivantes" (anciennement «　Mémoires de l'Europe en devenir　», Directeur Gabriel Fragnière) est consacrée à des récits destinés à un large public en vue de contribuer à une meilleure compréhension, communication et contextualisation de la nouvelle Europe émergente. Elle se concentre principalement sur des histoires, des souvenirs et des témoignages de personnes, d'événements, des institutions et des questions qui ont transformé les mentalités, la conscience européenne et enfin façonné l'avenir de l'Europe. Ces histoires servent de références et d’outils de communication pour des développements futurs de l'Europe dans le monde. Cette collection se veut ouverte et diversifiée, originale et dynamique dans son contenu, méthode et pédagogie fidèle au rôle et référence de l'Europe dans un monde globalisé.

31 publications

Italian Modernities

ISSN: 1662-9108

The series aims to publish innovative research on the written, material and visual cultures and intellectual history of modern Italy, from the 19th century to the present day. It is open to a wide variety of different approaches and methodologies, disciplines and interdisciplinary fields: from literary criticism and comparative literature to archival history, from cultural studies to material culture, from film and media studies to art history. It is especially interested in work which articulates aspects of Italy's particular, and in many respects, peculiar, interactions with notions of modernity and postmodernity, broadly understood. It also aims to encourage critical dialogue between new developments in scholarship in Italy and in the English-speaking world. The Italian Modernities series also includes the Panoramas sub-series. These volumes provide accessible, wide-ranging, research-led accounts of significant new trends, emerging fields of study and new methodologies within work on modern Italian culture, history and related disciplines.

46 publications

International Studies in Folklore and Ethnology

ISSN: 1662-0615

This series seeks to contribute to the current vibrant multidisciplinary academic debate regarding folklore and ethnology. The definition of both folklore and ethnology is a constant challenge, and the history of the development of the disciplines differs from one country to another. Folklore is at once dynamic process, shared communication and performance, and ethnology embraces context and folklife. So while these research areas continue to experience dramatic transformation, in terms of methodology, theoretical approaches as well as practical engagement with people and cultures, this series focuses on the evolving study of traditional and popular cultures, in all contexts and across all geographies of time and space. As folklore and ethnology reach across boundaries and become manifest in (new) cultural contexts through the enabling power of global communications and re-imaginings, this series therefore provides an international forum for continuing debate. Through a mixture of edited collections and single-author monographs, this series aims to re-evaluate contemporary critical thought as well as exploring new directions and theories, thus making a significant contribution to these disciplines which are fundamental to our understanding of contemporary culture and identity.

1 publications

Pensée et perspectives africaines / African Thought and Perspectives

La collection « Pensée et perspectives africaines » a pour but de révéler, de manière critique, les différents aspects de la pensée africaine. Elle s’efforce, d’une part, de mieux faire comprendre celle-ci et, d’autre part, de dégager les voies à travers lesquelles l’Afrique peut se construire et contribuer à la construction du monde. La collection se préoccupe de stimuler et de faire connaître l’expérience noétique africaine dans ce qu’elle a de spécifique et d’universel. Elle promeut la recherche et la réflexion au sens le plus large. En créant les conditions d’une connaissance à la fois intime et critique des langues, cultures et arts d’Afrique, elle favorise la production d'oeuvres nouvelles. Elle accueille donc toute étude de littérature, anthropologie, histoire, philosophie, art, linguistique, etc., quelle que soit sa provenance, qui contribue à faire connaître la pensée africaine ou d’inspiration africaine. The series «African Thought and Perspectives» aims at a critical analysis of the various aspects of African thought. On the one hand, it focuses on a better understanding of African thought and, on the other, it endeavours to find out ways through which Africa can develop itself while contributing to the development of the world as a whole. The series presents the African intellectual experience in its specificity as well as in its universality. It will also promote research and reflection on African matters in the widest sense. By creating the conditions in which African languages, cultures and arts can be intimately and critically examined, it encourages the production of new works. It, therefore, particularly welcomes studies on literature, anthropology, history, philosophy, art or linguistics that contribute to a better knowledge of African – or African-inspired –thought.

9 publications