-
-
Representations of Women in Theocritus’s Idylls
Authenticity of the Female Voice in the Erotic and Non-Erotic Portrayals©2018 Monographs -
Amongst Women
Literary Representations of Female Homosociality in Belle Epoque France, 1880–1914©2021 Monographs -
Eighteenth-Century Geography and Representations of Space
in English Fiction and Poetry©2013 Monographs -
The Power of Love and Guilt
Representations of the Mother and Woman in the Literature of Ivan Cankar©2013 Monographs -
Making the Best of a Bad Job
Representations of Disability, Gender and Old Age in the Novels of Samuel Beckett©2021 Monographs -
-
The Representations of the Spanish Civil War in European Children’s Literature (1975-2008)
©2014 Edited Collection -
-
-
Meanings of Modern Work in Nineteenth- and Twenty-First-Century German Literature and Film
©2020 Edited Collection -
-
The Sentiment of Spending
Intimate Relationships and the Consumerist Environment in the Works of Zola, Rachilde, Maupassant, and Huysmans©2008 Monographs -
Childness and the Writing of the German Past
Tropes of Childhood in Contemporary German Literature©2014 Monographs -
Grands courants d’échanges intellectuels : Georg Brandes et la France, l’Allemagne, l’Angleterre- Main currents of Intellectual Exchanges: Georg Brandes and France, Germany, Great Britain
Actes de la Deuxième Conférence Internationale Georg Brandes, Nancy, 13-15 Novembre 2008- Proceedings of the Second International Georg Brandes Conference, Nancy, 13-15 November 2008©2010 Conference proceedings -
Kaliningrad and Cultural Memory
Cold War and Post-Soviet Representations of a Resettled City©2019 Monographs -
New Voices, Inherited Lines
Literary and Cultural Representations of the Irish Family©2013 Edited Collection -
-
Power, Place and Representation
Contested Sites of Dependence and Independence in Latin America©2012 Edited Collection -
-
Narrating Ancient Egypt
The Representation of Ancient Egypt in Nineteenth-Century and Early-Twentieth-Century Fantastic Fiction©2015 Thesis -
-
The Dutch Revolt through Spanish Eyes
Self and Other in historical and literary texts of Golden Age Spain (c. 1548-1673)©2008 Monographs -
Court Cultures of the Middle Ages and Renaissance
ISSN: 2296-4118
Court Cultures of the Middle Ages and Renaissance is a peer-reviewed series focused on the inter- and multi-disciplinary cultural output of medieval and Renaissance court culture on an international scale. The series invites proposals for single- and multi-authored monographs, edited collections and editions of early works relating to the court. Prospective authors are encouraged to submit proposals which highlight the central importance of the court to medieval and Renaissance culture, including projects that explore the life and/or works of writers, artists, historiographers, soldiers, composers, diplomats and courtiers, in the East as well as the West. Other areas of particular interest are courtly ritual (e.g. chivalric code, ceremonies, spectacle) and literary and artistic representations of the court. The series will also explore the role of the court in shaping national, religious and political identities, as well as its function as an interface between different cultures. The series is affiliated with the Trinity Centre for Medieval and Renaissance Studies, Trinity College Dublin. Each proposal is vetted by the Editorial Board and Chief Editor and undergoes a comprehensive peer-review process. Court Cultures of the Middle Ages and Renaissance is a peer-reviewed series focused on the inter- and multi-disciplinary cultural output of medieval and Renaissance court culture on an international scale. The series invites proposals for single- and multi-authored monographs, edited collections and editions of early works relating to the court. Prospective authors are encouraged to submit proposals which highlight the central importance of the court to medieval and Renaissance culture, including projects that explore the life and/or works of writers, artists, historiographers, soldiers, composers, diplomats and courtiers, in the East as well as the West. Other areas of particular interest are courtly ritual (e.g. chivalric code, ceremonies, spectacle) and literary and artistic representations of the court. The series will also explore the role of the court in shaping national, religious and political identities, as well as its function as an interface between different cultures. The series is affiliated with the Trinity Centre for Medieval and Renaissance Studies, Trinity College Dublin. Each proposal is vetted by the Editorial Board and Chief Editor and undergoes a comprehensive peer-review process. Court Cultures of the Middle Ages and Renaissance is a peer-reviewed series focused on the inter- and multi-disciplinary cultural output of medieval and Renaissance court culture on an international scale. The series invites proposals for single- and multi-authored monographs, edited collections and editions of early works relating to the court. Prospective authors are encouraged to submit proposals which highlight the central importance of the court to medieval and Renaissance culture, including projects that explore the life and/or works of writers, artists, historiographers, soldiers, composers, diplomats and courtiers, in the East as well as the West. Other areas of particular interest are courtly ritual (e.g. chivalric code, ceremonies, spectacle) and literary and artistic representations of the court. The series will also explore the role of the court in shaping national, religious and political identities, as well as its function as an interface between different cultures. The series is affiliated with the Trinity Centre for Medieval and Renaissance Studies, Trinity College Dublin. Each proposal is vetted by the Editorial Board and Chief Editor and undergoes a comprehensive peer-review process.
15 publications
-
Legacies of War and Dictatorship in Contemporary Portugal and Spain
©2011 Edited Collection