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  • Title: Intellectual Property Law and Interactive Media

    Intellectual Property Law and Interactive Media

    Free for a Fee
    by Edward Lee Lamoureux (Author) Steven L. Baron (Author) Claire Stewart (Author) 2009
    ©2016 Textbook
  • Title: Plastic Intellectual Breeze

    Plastic Intellectual Breeze

    The Contribution of Ralph Cudworth to S. T. Coleridge’s Early Poetics of the Symbol
    by Cristina Flores Moreno (Author)
    ©2008 Thesis
  • Title: Nuyorganics

    Nuyorganics

    Organic Intellectualism, the Search for Racial Identity, and Nuyorican Thought
    by Regina Bernard-Carreño (Author) 2010
    ©2010 Textbook
  • Title: Against Cheap Grace in a World Come of Age

    Against Cheap Grace in a World Come of Age

    An Intellectual Biography of Clayton Powell, 1865–1953
    by Ralph Garlin Clingan (Author)
    ©2002 Monographs
  • Title: Harmonizing Sentiments

    Harmonizing Sentiments

    The Declaration of Independence and the Jeffersonian Idea of Self-Government
    by Hans L. Eicholz (Author)
    ©2001 Textbook
  • Title: The Nihilist Imagination

    The Nihilist Imagination

    Dmitrii Pisarev and the Cultural Origins of Russian Radicalism (1860-1868)
    by Peter C. Pozefsky (Author)
    ©2003 Monographs
  • Eurosinica

    ISSN: 2235-6258

    "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

    12 publications

  • Title: Flannery O’Connor and Teilhard de Chardin

    Flannery O’Connor and Teilhard de Chardin

    A Journey Together Towards Hope and Understanding About Life
    by Steven R. Watkins (Author)
    ©2009 Monographs
  • Title: Voices in Black Political Thought

    Voices in Black Political Thought

    by Ricky K. Green (Author)
    ©2005 Textbook
  • Title: Persisting in Folly

    Persisting in Folly

    Russian Writers in Search of Wisdom, 1963–2013
    by Oliver Ready (Author) 2017
    Monographs
  • Title: The English Utopia

    The English Utopia

    by A.L. Morton (Author) Antonis Balasopoulos (Editor) 2023
    ©2023 Monographs
  • Title: Rise of the Early Roman Republic

    Rise of the Early Roman Republic

    Reflections on Becoming Roman
    by Thomas L. Dynneson (Author) 2018
    ©2018 Monographs
  • Title: Three Prehistoric Inventions That Shaped Us

    Three Prehistoric Inventions That Shaped Us

    by David M. Johnson (Author) 2011
    ©2011 Monographs
  • Title: The Sublime

    The Sublime

    Precursors and British Eighteenth-Century Conceptions
    by Karl Axelsson (Author)
    ©2007 Monographs
  • Title: Antiquarianism in the Augustan Age

    Antiquarianism in the Augustan Age

    Thomas Hearne 1678-1735
    by Theodor Harmsen (Author)
    ©2000 Monographs
  • Title: Gesture in French Post-New Wave Cinema

    Gesture in French Post-New Wave Cinema

    by François Giraud (Author) 2023
    ©2023 Monographs
  • Title: The Streets Echoed with Chants

    The Streets Echoed with Chants

    The Urban Experience of Post-War West Berlin
    by Laura Bowie (Author) 2021
    ©2022 Monographs
  • Title: The Yearbook on History and Interpretation of Phenomenology 2017

    The Yearbook on History and Interpretation of Phenomenology 2017

    EPIMELEIA TĒS PSYCHĒS: The Idea of the University and the Phenomenology of Education
    by Jana Trajtelová (Volume editor) 2019
    ©2018 Thesis
  • Title: Demonic Possession, Vulnerability, and Performance in Medieval French Drama

    Demonic Possession, Vulnerability, and Performance in Medieval French Drama

    by Andreea Marculescu (Author) 2018
    ©2018 Monographs
  • Title: «Sailing towards Poland» with Joseph Conrad

    «Sailing towards Poland» with Joseph Conrad

    by Jean M. Szczypien (Author) 2017
    ©2017 Monographs
  • Title: From the Parade Child to the King of Chaos

    From the Parade Child to the King of Chaos

    The Complex Journey of William Doll, Teacher Educator
    by Hongyu Wang (Author) 2016
    ©2016 Textbook
  • Title: The Making of a Gentleman Nazi

    The Making of a Gentleman Nazi

    Albert Speer’s Politics of History in the Federal Republic of Germany
    by Baijayanti Roy (Author) 2016
    ©2016 Monographs
  • Title: The Ecological Heart of Teaching

    The Ecological Heart of Teaching

    Radical Tales of Refuge and Renewal for Classrooms and Communities
    by Jackie Seidel (Volume editor) David W. Jardine (Volume editor) 2016
    ©2016 Textbook
  • Title: The Democratic Gulag

    The Democratic Gulag

    Patriarchy, Leadership and Education
    by Robert Bahlieda (Author) 2016
    ©2015 Textbook
  • Title: The Maidan Uprising, Separatism and Foreign Intervention

    The Maidan Uprising, Separatism and Foreign Intervention

    Ukraine’s complex transition
    by Klaus Bachmann (Volume editor) Igor Lyubashenko (Volume editor) 2014
    ©2015 Edited Collection
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