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Italian Political Cinema

Public Life, Imaginary, and Identity in Contemporary Italian Film

by Giancarlo Lombardi (Volume editor) Christian Uva (Volume editor) 2016

©2016 Monographs
Adonis, his representations in South Italian Vase-painting

by Jacques Chamay (Volume editor) Jean-Paul Descoeudres (Volume editor) 2020

©2018 Monographs
Readings in Italian Mannerism

with a Foreword by Craig Hugh Smyth- Second Printing

by Liana De Girolami Cheney (Volume editor) 1997

©2004 Monographs
Queer Ventennio

Italian Fascism, Homoerotic Art, and the Nonmodern in the Modern

by John Champagne (Author) 2019

©2019 Monographs
Italy On Screen

National Identity and Italian Imaginary

by Lucy Bolton (Volume editor) Christina Siggers Manson (Volume editor) 2011

©2010 Conference proceedings
Staging the Post-Avant-Garde

Italian Experimental Performance after 1970

by Gabriella Giannachi (Author) Nick Kaye (Author)

©2003 Monographs
Aiutando l'arte

Les inscriptions dans les décors post-tridentins d’Italie <i>Le iscrizioni nella pittura post-tridentina italiana</i>

by Gwladys Le Cuff (Volume editor) Anne Lepoittevin (Volume editor) 2022

©2022 Edited Collection
Fashion, Devotion and Contemplation

The Status and Functions of Italian Renaissance Plaquettes

by Marika Leino (Author) 2012

©2013 Monographs
Imago Triumphalis

The Function and Significance of Triumphal Imagery for Italian Renaissance Rulers

by Margaret Ann Zaho (Author)

©2004 Monographs
In the Footsteps of Harlequin and Pulcinella

Cultural Mobility and Localness of Theatre

by Ewa Bal (Author) Jan Burzyński (Editor and translator) 2020

©2020 Monographs
Bruno Munari

The Lightness of Art

by Pierpaolo Antonello (Volume editor) Matilde Nardelli (Volume editor) Margherita Zanoletti (Volume editor)

©2017 Edited Collection
Tra Oltralpe e Mediterraneo

Arte in Italia 1860–1915

by Manuel Carrera (Volume editor) Niccolò D'Agati (Volume editor) Sarah Kinzel (Volume editor) 2017

©2016 Conference proceedings
Seeing Renaissance Glass

Art, Optics, and Glass of Early Modern Italy, 1250–1425

by Sarah Dillon (Author) 2019

©2018 Monographs
Film translation from East to West

Dubbing, subtitling and didactic practice

by Claudia Buffagni (Volume editor) Beatrice Garzelli (Volume editor) 2013

©2013 Edited Collection
Studi Pergolesiani- Pergolesi Studies

a cura di / edited by Simone Caputo

by Simone Caputo (Volume editor) 2013

©2012 Conference proceedings
Entering the Frame

Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi

by Robert Lumley (Author)

©2011 Monographs
The World Created in the Image of Man

The Conflict between Pictorial Form and Space in Defiance of the Law of Temporality

by Vladimir Brodsky (Author)

©2010 Monographs
Entering the Frame

Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi

by Robert Lumley (Author) 2023

©2023 Monographs
'Otherness’ in Space and Architecture

Jews, Muslims and Christians in Western European Art (1200-1650)

by Maria Portmann (Author) 2020

©2021 Edited Collection

Italian Political Cinema

Cultural Metamorphoses in Contemporary Italian Cinema

Italian Cinema

Adonis, his representations in South Italian Vase-painting

Readings in Italian Mannerism II

Readings in Italian Mannerism

Tragedia all’italiana

Queer Ventennio

Italy Meets Africa

Italy On Screen

Staging the Post-Avant-Garde

Aiutando l'arte

Fashion, Devotion and Contemplation

Imago Triumphalis

In the Footsteps of Harlequin and Pulcinella

Bruno Munari

Tra Oltralpe e Mediterraneo

Arte Povera and the Baroque

Seeing Renaissance Glass

Film translation from East to West

Studi Pergolesiani- Pergolesi Studies

Entering the Frame

The World Created in the Image of Man

Entering the Frame

'Otherness’ in Space and Architecture

Key Subject Areas