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  • Title: Intellectuals in Between

    Intellectuals in Between

    Koreans in a Changing World, 1850 to 1945
    by Marion Eggert (Author) Eun-Jeung Lee (Author) Vladimir Tikhonov (Author) 2023
    Monographs
  • Title: Tradition and Innovation in an Era of Change – Tradition und Innovation im Übergang zur Frühen Neuzeit

    Tradition and Innovation in an Era of Change – Tradition und Innovation im Übergang zur Frühen Neuzeit

    by Rudolf Suntrup (Volume editor) Jan R. Veenstra (Volume editor)
    ©2001 Edited Collection
  • Title: Intellectual and Cultural Change in Central and Eastern Europe

    Intellectual and Cultural Change in Central and Eastern Europe

    New Challenges in the View of Young Czech, German, Hungarian and Polish Scholars
    by Felix Böllmann (Volume editor) Stefan Jarolimek (Volume editor) Makhabbat Kenzhegaliyeva (Volume editor) Elena Temper (Volume editor)
    ©2007 Edited Collection
  • Title: Literary Intellectuals

    Literary Intellectuals

    East and West
    by Abdulla M. Al-Dabbagh (Author) 2013
    ©2013 Monographs
  • Title: Changing Firm Boundaries in a New Information and Communication Environment

    Changing Firm Boundaries in a New Information and Communication Environment

    Evidence from the Manufacturing and Music Industry
    by Christian J. Bender (Author)
    ©2003 Thesis
  • Title: When Cultural Policies Change

    When Cultural Policies Change

    Comparing Mexico and Argentina
    by Elodie Bordat-Chauvin (Author) 2015
    ©2016 Thesis
  • Title: Whatever Happened to Inclusion?

    Whatever Happened to Inclusion?

    The Place of Students with Intellectual Disabilities in Education
    by Philip Smith (Volume editor)
    ©2010 Textbook
  • Title: Chateaubriand

    Chateaubriand

    The Paradox of Change
    by Malcolm Scott (Author) 2014
    ©2015 Monographs
  • Title: Citizen, Citizenship and Awareness of Citizenship

    Citizen, Citizenship and Awareness of Citizenship

    Intellectual, Political, and Social Debates in the Historical and Theoretical Framework for the Western Citizenship Case
    by Fikret Çelik (Author) 2021
    ©2020 Monographs
  • Title: Quo vadis America?

    Quo vadis America?

    Conceptualizing Change in American Democracy
    by Bohdan Szklarski (Volume editor) 2012
    ©2012 Edited Collection
  • Title: Beyond Adaptation

    Beyond Adaptation

    The Unity of Personal and Social Change in Critical Psychology and Cultural-Historical Theory
    by Till Manderbach (Volume editor) Johanna Ruge (Volume editor) Peter Brook (Volume editor) Eileen Wengemuth (Volume editor) Sigga Waleng (Volume editor)
    ©2024 Textbook
  • Title: Beyond Adaptation

    Beyond Adaptation

    The Unity of Personal and Social Change in Critical Psychology and Cultural-Historical Theory
    by Till Manderbach (Volume editor) Johanna Ruge (Volume editor) Peter Brook (Volume editor) Eileen Wengemuth (Volume editor) Sigga Waleng (Volume editor)
    Textbook
  • Title: Against Cheap Grace in a World Come of Age

    Against Cheap Grace in a World Come of Age

    An Intellectual Biography of Clayton Powell, 1865–1953
    by Ralph Garlin Clingan (Author)
    ©2002 Monographs
  • Title: Say It Loud

    Say It Loud

    Black Studies, Its Students, and Racialized Collegiate Culture
    by Regina Bernard-Carreño (Author)
    ©2014 Textbook
  • Title: Building the Radical Identity

    Building the Radical Identity

    The Diffusion of the Ideological Framework of the New Left
    by Eduardo Rey Tristán (Volume editor) Alberto Martín Álvarez (Volume editor) 2022
    ©2022 Edited Collection
  • Eurosinica

    ISSN: 2235-6258

    "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

    12 publications

  • Title: 3 Academic Activism in Higher Education: A Dialectic of Resistance and Surrender in a Time of Neoliberalism

    3 Academic Activism in Higher Education: A Dialectic of Resistance and Surrender in a Time of Neoliberalism

    by Gary Spolander (Author) Maria Lúcia T. Garcia (Author) Tânia Mara Zanotti Guerra Frizzera Delboni (Author) Rafael V. Teixeira (Author) Mouzayian Khalil-Babatunde (Author) Arinola Adefila (Author)
  • Title: Ein Platz für sich selbst. Schreibende Frauen und ihre Lebenswelten (1450-1700). A Place of Their Own. Women Writers and Their Social Environments (1450-1700)
  • Title: Liu Shipei’s Concept of Class

    Liu Shipei’s Concept of Class

    by Tianna XU (Author)
  • Title: The Space of Crisis

    The Space of Crisis

    Images and Ideas of Europe in the Age of Crisis: 1914–1945
    by Vittorio Dini (Volume editor) Matthew D'Auria (Volume editor) 2013
    ©2013 Edited Collection
  • Title: Challenging Communication Research

    Challenging Communication Research

    by Leah A. Lievrouw (Volume editor) 2014
    ©2014 Monographs
  • Title: Young Hegelians Before and After 1848

    Young Hegelians Before and After 1848

    When Theory Meets Reality
    by Michael Kuur Sorensen (Author)
    ©2012 Thesis
  • Title: After the Fall

    After the Fall

    Rhetoric in the Aftermath of Dissent in Post-Communist Times
    by Noemi Marin (Author)
    ©2007 Monographs
  • Title: Pedagogy of Survival

    Pedagogy of Survival

    The Narratives of Millicent E. Brown and Josephine Boyd Bradley
    by Karen Meadows (Author) 2016
    ©2016 Textbook
  • Title: Dissent! Refracted

    Dissent! Refracted

    Histories, Aesthetics and Cultures of Dissent
    by Ben Dorfman (Volume editor) 2016
    ©2016 Edited Collection
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