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Open Access
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On the Tragic
©2024 Monographs -
St. Ursula and the Eleven Thousand Virgins of Cologne
Relics, Reliquaries and the Visual Culture of Group Sanctity in Late Medieval Europe©2010 Monographs -
Arturo Benedetti Michelangeli as I Knew Him
©2015 Monographs -
Do They Sound Like Bells or Like Howling Wolves?
Interferential Diaphony in Bistritsa- An Investigation into a Multi-Part Singing Tradition in a Middle-Western Bulgarian Village©2013 Monographs -
The Sacred Cause
The Europe that was Lost – Thoughts on Central and Eastern European Modernism©2013 Monographs -
«Seiner Leidenschaften Meister sein» - «In control of the passions»
Zur Reflexion des Gefühls im Musikdenken - Emotion as reflected in musical thinking©2014 Monographs -
Bach and Tuning
©2016 Monographs -
Performance of Identity of Polish Tatars
From Religious Holidays to Everyday Rituals©2018 Monographs -
Modernizing Practice Paradigms for New Music
Periodization Theory and Peak Performance Exemplified Through Extended Techniques©2016 Monographs -
Dancer – Researcher – Performer: A Learning Process
©2016 Monographs -
A History of Installation Art and the Development of New Art Forms
Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation©2009 Monographs -
Gender, Genre, and the Myth of Human Singularity
©2013 Monographs -
A Tear in the Curtain: The Musical Diplomacy of Erzsébet Szőnyi
Musician, Composer, Teacher of Teachers©2014 Monographs -
Lexicon of Common Figurative Units
Widespread Idioms in Europe and Beyond. Volume II©2016 Monographs -
The Problematic Tyler Perry
©2016 Monographs