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Year
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Tobie sur la scène européenne à la Renaissance, suivi de «Tobie», comédie de Catherin Le Doux (1604)
suivi de Tobie, comédie de Catherin Le Doux (1604)©2015 Conference proceedings -
The Story of the Mexican Screenplay
A Study of the Invisible Art Form and Interviews with Women Screenwriters©2014 Textbook -
The Informer
©2008 Monographs -
Studi Pergolesiani- Pergolesi Studies
©2012 Conference proceedings -
Studi Pergolesiani- Pergolesi Studies
©2021 Edited Collection -
Shakespeare on the Screen: Kenneth Branagh’s Adaptations of «Henry V, Much Ado About Nothing» and «Hamlet»
2nd revised edition©2000 Thesis -
Roger Fry’s ‘Difficult and Uncertain Science’
The Interpretation of Aesthetic Perception©2013 Monographs -
Roger Fry, Clive Bell and American Modernism
©2020 Monographs -
Reaching Athens
Community, Democracy and Other Mythologies in Adaptations of Greek Tragedy©2013 Monographs -
(Re)telling Old Stories
Peter Brook’s "Mahabharata</I> and Ariane Mnouchkine’s "Les Atrides</I>©2015 Monographs -
Nordic Design in Translation
The Circulation of Objects, Ideas and Practices©2023 Edited Collection -
Nineteenth-Century Transcriptions of Works by Fryderyk Chopin
©2020 Monographs -
Neo-Disneyism
Inclusivity in the Twenty-First Century of Disney’s Magic Kingdom©2022 Edited Collection -
Marquer la ville, affirmer l’identité
Musique, dévotion et espaces nationaux (Italie et anciens Pays-Bas espagnols xvie-xviie siècles)©2022 Edited Collection -
Mapping Cultural Identity in Contemporary Australian Performance
©2001 Monographs -
Lightness of Being in China
Adaptation and Discursive Figuration in Cinema and Theater©2000 Monographs