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Criminal Humanities & Forensic Semiotics
This series publishes monographs, anthologies, annotated literary editions, and comparative studies that critically engage the humanities as a locus for the study of criminal offending, criminal investigation, deviance, penology, and deterrence, as well as the epistemology of justice. We are especially interested in submissions with a strong interdisciplinary orientation and which lie at the crossroads of theory and practice. In other words, this series is foremost concerned with using artistic, literary, and multimedia texts, situations, and other products of the strictly non-investigative world as vehicles for exploring long-standing social and procedural issues of interest to both academia and the general public. By engaging a wide readership encompassing both scholars and practitioners, it is the intent of this series to breathe new life into the humanities and cultural studies, not to further alienate or obfuscate the scholarship done in these disciplines. For this reason, collaborations between authors representing academic institutions and those working in both private and public knowledge sectors, including government and specialized areas of law enforcement, are encouraged to collaborate with respect to this project. The series will publish studies and anthologies that explore the connection between fictional writing, movies, music, traditional electronic media, the Internet, and other domains of popular culture and how they have influenced the perception of crime and criminality. The synergy that exists between real crime (reality) and imagined criminality as manifesting itself through representations in writing and media is the primary focus of the series. We also welcome submissions that draw on any number of semiotic, linguistic, and comparative literature traditions, particularly those espousing new approaches to these fields and which allow key concepts to be unpacked within the framework of the criminal justice system, the forensic sciences, or other professions or institutions that serve the public interest.
5 publications
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Language − Literature − the Arts: A Cognitive-Semiotic Interface
©2017 Edited Collection -
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Cognitive Morphodynamics
Dynamical Morphological Models of Constituency in Perception and Syntax©2011 Monographs -
Semiotics 1996
©1997 Others -
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Semiotics of Culture and Beyond
©2014 Monographs -
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Vygotsky’s psycho-semiotics
Theories, instrument and interpretive analyses- In collaboration with Frith Luton©2011 Thesis -
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The Semiotics of Consensus
Impact of Network Topology on Communication Strategies in Spanish Language Interaction Networks©2023 Thesis -
Semiotics of Musical Time
©2000 Monographs -
Diversity in Cognition
©2023 Conference proceedings -
Semiotic Evolution and the Dynamics of Culture
©2004 Edited Collection -
Sémantique discursive cognitive
Frames et constructions des discours de vente du vin en Autriche©2022 Thesis -
Rhétorique et cognition - Rhetoric and Cognition
Perspectives théoriques et stratégies persuasives - Theoretical Perspectives and Persuasive Strategies©2014 Edited Collection -
Cognitive Perspectives on Language
©1999 Conference proceedings -
Cognitive Rethinking of Beauty
Uniting the Philosophy and Cognitive Studies of Aesthetic PerceptionEdited Collection -
Video Game Translation and Cognitive Semantics
©2016 Monographs -
