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  • Media and Culture

    This series will be publishing works in media and culture, focusing on research embracing a variety of critical perspectives. The editors are particularly interested in promoting theoretically informed empirical work using both quantitative and qualitative approaches. Although the focus is on scholarly research, works published in the series will appeal to readers beyond a narrow, specialized audience. This series will be publishing works in media and culture, focusing on research embracing a variety of critical perspectives. The editors are particularly interested in promoting theoretically informed empirical work using both quantitative and qualitative approaches. Although the focus is on scholarly research, works published in the series will appeal to readers beyond a narrow, specialized audience. This series will be publishing works in media and culture, focusing on research embracing a variety of critical perspectives. The editors are particularly interested in promoting theoretically informed empirical work using both quantitative and qualitative approaches. Although the focus is on scholarly research, works published in the series will appeal to readers beyond a narrow, specialized audience.

    14 publications

  • Transamerican Film and Literature

    This series publishes scholarly contributions to the growing and ever-changing fields of film and literary studies across the Americas. Written in English or Spanish, the titles in this series include edited volumes, books by single authors, and translations of scholarly monographs. They typically investigate film and literature of the Americas, examining works and trends in relation to form, genre, culture, politics, historiography, and diverse areas of theory. The term "Transamerican" implies transnational perspectives on creative work from all over the Americas, with an emphasis on new assessments of Latin American work, but is not constrained to studies of multiple national cinemas or literatures, and may venture beyond the Americas for comparative purposes. It also encompasses studies of single works or bodies of work from the Americas whose thematics or aesthetics warrant attention from a broad scholarly readership. The mission of the series is to provide a site of dialogue and new collaborations between scholars working on Transamerican film and literary studies throughout the Americas and other continents, emphasizing the region's growing diversity of critical and theoretical perspectives on film and literature. Esta colección estará dedicada a publicar materiales sobre el cine y la literatura que se producen en el continente americano. Los materiales podrán estar escritos en español o en inglés, y podrán ser libros colectivos, trabajos elaborados por un autor individual, traducciones de estudios especializados, así como ediciones o traducciones académicas de textos literarios. En todos los casos serán textos orientados al estudio del cine y/o la literatura en la región continental, en términos de forma, género, cultura, política, historiografía o diversas áreas de la teoría. El término "transamerican" implica una perspectiva transnacional en los estudios sobre trabajos creativos de todo el continente americano, con énfasis en la región latinoamericana, pero no se limita a los estudios sobre los cines o las literaturas nacionales de múltiples países. Por otra parte, admite la exploración, con fines comparativos, de terrenos que rebasan esta región, y puede incorporar estudios sobre las obras individuales o sobre el cúmulo del trabajo de un solo autor cuyas temáticas o características estéticas merecen la atención de una amplia comunidad de lectores especializados. La misión de la serie es ofrecer un espacio para el diálogo entre los investigadores que estudian el cine y la literatura en el continente americano y en otras regiones, así como enfatizar la existencia de una creciente diversidad de perspectivas teóricas y analíticas.

    5 publications

  • Genre Fiction and Film Companions

    ISSN: 2631-8725

    The Genre Fiction and Film Companions provide accessible introductions to key texts within the most popular genres of our time. Written by leading scholars in the field, brief essays on individual texts offer innovative ways of understanding, interpreting and reading the topics in question. Invaluable for students, teachers and fans alike, these surveys offer new insights into the most important literary works, films, music, events and more within genre fiction and film.

    27 publications

  • Contemporary Film, Television, and Video

    ISSN: 1543-0863

    The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited. The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited. The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited.

    2 publications

  • Studien zum Theater, Film und Fernsehen / Studies in Theatre, Film and Television

    ISSN: 0721-4162

    Die 1982 gegründete Schriftenreihe ist gedacht als ein Forum zur Veröffentlichung von Neuerscheinungen, die Anstöße zur Weiterentwicklung dieser Bereiche geben. Sie ist als ein Unternehmen geplant, das den schillernden Gegenstandsbereich von Theater, Film und Fernsehen durch eine Vielzahl unterschiedlicher methodischer Vorgehensweisen und inhaltlicher Akzentsetzungen in seiner ganzen Komplexität deutlich macht. So werden die einzelnen Arbeiten gleichsam als Bausteine fungieren, die in ihrer Gesamtheit den Forschungsgegenstand der Theater-, Film- und Fernsehwissenschaft widerspiegeln sollen.

    40 publications

  • Medienästhetik und Mediennutzung. Media Production and Media Aesthetics

    ISSN: 2365-2993

    Media production and media aesthetics are corresponding aspects of the discussion surrounding media that form a single unit. The series focuses partly on works about the aesthetic-dialectic analysis of media design. Areas of interest include media technology development and the resulting changes in both media design and what is expected of media. At the same time, digital and online media are influencing usage to a large extent. Authors in this series address these impacts and examine the extent to which changed forms of use are encouraging the development of new technologies and applications. By linking these interacting areas, we want this series to encourage and promote discussion between the disciplines. The volumes 1–4 have been published under "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik". Medienästhetik und Mediennutzung bilden als korrespondierende Aspekte des Diskurses über Medien eine Einheit. Im Fokus der Schriftenreihe stehen zum einen Arbeiten, in denen sich Autor_innen der ästhetisch-dialektischen Analyse der Gestaltung medialer Werke zuwenden. Fokussiert werden die Entwicklungen der Medientechnik und die sich daraus ergebenden Veränderungen in der Gestaltung und in den Erwartungen an Medien. Zum anderen nehmen digitale und Online-Medien einen großen Einfluss auf die Nutzung ein. Autor_innen der Reihe widmen sich diesen Auswirkungen sowie der Untersuchung dessen, inwiefern veränderte Gebrauchsformen die Entwicklung neuer Technologien und Anwendungen anstoßen. Mit der Verbindung dieser interagierenden Bereiche möchten wir in der Reihe einen Diskurs zwischen den Disziplinen anregen und befördern. Die Bände 1–4 sind unter dem Reihentitel "Babelsberger Schriften zu Mediendramaturgie und -Ästhetik" erschienen.

    4 publications

  • Framing Film

    The History and Art of Cinema

    Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.

    20 publications

  • Contextualising Literature and Media

    ISSN: 2627-0684

    The series was founded and edited by prof. Dorota Filipczak (1963–2021) until the publication of volume 2. The aim of the series is to introduce new, incisive analyses of literature and media in different cultural contexts. The series will focus on the phenomena that are inderdisciplinary and dissolve the boundary between literature and media such as film, music video, computer games etc. The idea behind the series is to show how our traditional understanding of literature can be transformed by the cultural, social and technological contexts. The successive studies will be informed by the scholarly background of contemporary literary theory and media studies, while seeking to relate literature and media to the challenges of contemporary world. The books published in the series will bridge the gap between diverse discourses and involve different fields of study, e.g. philosophy, gender studies, cultural studies etc.

    4 publications

  • Documentary Film Cultures

    ISSN: 2504-4834

    This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)

    6 publications

  • Textbooks and Educational Media

    ISSN: 2995-8407

    0 publications

  • Global Crises and the Media

    From climate change to biodiversity loss, financial meltdowns to forced migrations, pandemics to world poverty and humanitarian disasters to the denial of human rights, these and other crises represent the dark side of our globalized planet. They are endemic to the contemporary global world and so too are they highly dependent on the world's media. Each of the specially commissioned books in the Global Crises and the Media series examines the media's role, representation and responsibility in covering major global crises. They show how the media can enter into their constitution, enacting them on the public stage and thereby helping to shape their future trajectory around the world. Each book provides a sophisticated and empirically engaged understanding of the topic in order to invigorate the wider academic study and public debate about some of the most pressing and historically unprecedented global crises of our time.

    54 publications

  • Cinema and Media Cultures in the Middle East

    ISSN: 2770-9051

    The purpose of this series is to demarcate and critically examine the shifting terrain of film- and media-making in the Middle East, and of practices of film and media studies regarding it, testing them both against their larger, social enabling conditions at the national, regional, and transnational levels. Titles in the series will engage recent developments in the field of Middle East film and media studies and will help point the field in an intellectually meaningful, pedagogically effective direction in relation to both current and, in some cases, significant, previously ignored older work. The series is conceived at a moment during which Middle Eastern film and film criticism have begun to develop in new directions. Recent years have witnessed a modest increase in scholarly engagement with topics and modes of inquiry often previously considered outside academic discourse. A handful of books and special journal issues published in English over the past half-decade, focusing on specific Middle Eastern countries, such as Tunisia, Morocco, Syria, Iran, Palestine/Israel and Turkey, as well as the long-overdue establishment of cinema studies as an emerging field of academic inquiry within universities located in the Arab world indicate a preponderance of previously unproblematized issues now circulating within the field. These include critical questions from queer and transgendered perspectives about the representation of women, and from indigenous and settler-colonial studies perspectives about the representation of migrant workers and refugees, the growing importance of documentary, digital animation and hybrid shooting, the continuing influence of global cinema imperatives, and the revival of interest in militant, revolutionary and third cinema aesthetics.

    2 publications

  • Literary and Cultural Studies, Theory and the (New) Media

    ISSN: 0935-4093

    Literary and Cultural Studies, Theory and the (New) Media provides a forum for discussions on a variety of topics in literary, cultural, and media studies. Open to comparatist approaches, the series main venue is in anglophone literature and media, with a special emphasis on narratological, postcolonial, film and media studies. Dedicated to promoting innovative and theoretically informed analyses, the series publishes monographs as well as edited volumes versed in media and literary theory. It also encourages explorations within, as well as dialogues between, narratological, postcolonial, feminist and queer approaches. Other theoretical approaches (stylistics, New Historicism, ecocriticism, etc.) are welcome as are works on literary and cultural theory. All volumes in the series are peer-reviewed. Monographs: Only complete manuscripts are accepted for review. Edited volumes: A proposal with two essays is solicited; a final decision will be taken after all the essays have been submitted in their final form. Please address all queries to sekretariat.fludernik@anglistik.uni-freiburg.de or sieglinde.lemke@anglistik.uni-freiburg.de.

    10 publications

  • Film Cultures

    ISSN: 1663-8972

    The Film Cultures series publishes high quality academic research in the field of Film Studies with an emphasis on cinema as a medium for the representation and interpretation of cultural identities throughout the world. The editors seek to encourage diversity in the theoretical backgrounds represented in the series, and invite submissions of monographs, collected papers and conference proceedings covering a broad range of film-related research disciplines.

    19 publications

  • Politics, Media, and Popular Culture

    ISSN: 1094-6225

    "This series is devoted to both scholorly and teach i ng materials that exami ne the ways politics, the media, and popu l ar culture interact and influence social and political behavior. Subject matters to be addressed in this series include, but will not be limited to: media and politics; political communication; telev i sion, politics, and mass culture; mass media and political behavior; and politics and alter-native media and telecommunications such as computers. Sub-mission of single-author and collaborative studies, as well as collections of essays are invited. " "This series is devoted to both scholorly and teach i ng materials that exami ne the ways politics, the media, and popu l ar culture interact and influence social and political behavior. Subject matters to be addressed in this series include, but will not be limited to: media and politics; political communication; telev i sion, politics, and mass culture; mass media and political behavior; and politics and alter-native media and telecommunications such as computers. Sub-mission of single-author and collaborative studies, as well as collections of essays are invited. " "This series is devoted to both scholorly and teach i ng materials that exami ne the ways politics, the media, and popu l ar culture interact and influence social and political behavior. Subject matters to be addressed in this series include, but will not be limited to: media and politics; political communication; telev i sion, politics, and mass culture; mass media and political behavior; and politics and alter-native media and telecommunications such as computers. Sub-mission of single-author and collaborative studies, as well as collections of essays are invited. "

    10 publications

  • Europäische Hochschulschriften / European University Studies / Publications Universitaires Européennes

    Reihe 30: Theater-, Film- und Fernsehwissenschaften / Series 30: Theatre, Film and Television / Série 30: Etudes cinématographiques et théâtrales

    The books within this series include a broad range of topics within the category of Theatre, Film and Television. Cette collection présente une riche palette de travaux scientifiques dans le domaine des Etudes cinématographiques et théâtrales. In dieser Reihe erscheinen wissenschaftliche Arbeiten zu einem breiten Themenspektrum im Fachgebiet Theater-, Film und Fernsehwissenschaften.

    87 publications

  • Media Industries

    The Media Industries series offers comprehensive, reader-friendly textbooks written to meet the needs of classes in newspapers, magazines, radio, and television broadcasting. Each book provides a concise, practical guide to all aspects of each industry. These volumes are also an ideal reference source for libraries. The Media Industries series offers comprehensive, reader-friendly textbooks written to meet the needs of classes in newspapers, magazines, radio, and television broadcasting. Each book provides a concise, practical guide to all aspects of each industry. These volumes are also an ideal reference source for libraries. The Media Industries series offers comprehensive, reader-friendly textbooks written to meet the needs of classes in newspapers, magazines, radio, and television broadcasting. Each book provides a concise, practical guide to all aspects of each industry. These volumes are also an ideal reference source for libraries.

    8 publications

  • New Media in Creativity, Content and Entertainment

    ISSN: 2190-8176

    The “New Media in Creativity, Content and Entertainment“ series aims at providing a forum for discussions of interdisciplinary approaches to Computer Science and Data Processing, Business and Management, and Music. Editor of the series is Professor Christine Strauß who specializes in Electronic Business and Electronic Commerce, Service-Oriented Architectures, Knowledge Management and Accessibility.

    2 publications

  • Cultural Media Studies

    ISSN: 2641-1415

    0 publications

  • A Critical Introduction to Media and Communication Theory

    The study of the media has led scholars to apply a humbling array of theories in their efforts to analyze messages, media systems, audiences and media themselves. One of the strengths of media studies has been its flexibility as it incorporates humanist and social scientific ideas in our work. This series is focused on theories, methods, schools of thought, domains of intellectual struggle, and individual thinkers whose importance to the study of the media can be reconfigured, reinvented, and refocused. Each of the specially commissioned books in the series shares a concern for the heritage of thought in the field of communication. These books provide sophisticated discussions of the relevance of particular theorists or theories, with an emphasis on reinventing communication and media studies, whether by incorporating ideas thought by some to be 'outside' the field, or by providing fresh analyses of ideas that have long been considered central to media studies. Though theoretical in focus, the books are at all times concerned with the applicability of theory to empirical research and experience, and are designed to be accessible, yet critical, for students - undergraduates and postgraduates - and scholars. 

    17 publications

  • Minding the Media

    Critical Issues for Learning and Teaching

    This series is designed for those engaged in pedagogy and pedagogy and media. Using a critical perspective, authors will be invited to contribute volumes of approximately 85,000 words to this series. The editors anticipate acquiring between 5 and 8 volumes per year. Around the world today, there are blatant and insidious uses and effects of media in a hyperreal society. As educators we watch the media curriculum which pervades childhood and youth and understand that it would be impossible for young citizens to escape this curriculum. We recognize that teachers and administrators are often unequipped and/or unwilling to address their students’ embedded media curricula. Students walk into schools with the expectations that they must shirk their knowledge (and often obsessions) of media to drink the weakened Kool-Aid of public school curriculum. Minding the Media is the first book series specifically designed to address the needs of both students and teachers in watching, comprehending, using, and reading the media. We will acquire books from a wide range of authors in theoretical, technical and practitioner media disciplines.

    30 publications

  • Understanding Media Ecology

    ISSN: 2374-7676

    Media Ecology is a field of inquiry defined as ‘the study of media as environments’. Within this field, the term «medium» can be defined broadly to refer to any human technology or technique, code or symbol system, invention or innovation, system or environment. Media ecology scholarship typically focuses on how technology, symbolic form, and media relate to communication, consciousness, and culture – past, present and future. This series publishes research that furthers the formal development of media ecology as a field of study. Works in this series bring a media ecology approach to bear on specific topics of interest, including theoretical or philosophical investigations concerning the nature and effects of media or a specific medium. Further, this series also publishes books that examine new and emerging technologies and the contemporary media environment, as well as historical studies of media, technology, modes, and codes of communication. Scholarship regarding technique and the technological society is particularly welcome, as is scholarship on specific types of media and culture (e.g., oral and literate cultures, image, etc.). Publications may also consider specific aspects of culture (such as religion, politics, education, journalism, etc.); critical analyses of art and popular culture; and studies of how physical and symbolic environments function as media.

    26 publications

  • Title: « It’s so queer ! »

    « It’s so queer ! »

    Les masculinités dans les films de Vincente Minnelli et de Jacques Demy
    by Sabrina Bouarour (Author) 2023
    ©2023 Monographs
  • Title: Broadened Horizons

    Broadened Horizons

    African-Language Literature, Film and Creative Media in South Africa
    by Dumisani Sibiya (Volume editor) Zilibele Mtumane (Volume editor) 2024
    ©2024 Edited Collection
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