Its Effect and Ethos in Classical Authors and Contemporary Music Theory
After systematically assembling and assessing the value-carrying characterizations of music in poetic literature, the author reviews all noteworthy Greek and Latin writings which enlighten musical «ethos» from the theoretical-philosophical perspective. He then carries the intuitions of the ancients into our time by proposing a coherent model to explain the relationship between music, ethos, and emotions based on the results of contemporary research in the disciplines of music psychology and philosophy. The concept of harmony, understood as the appropriate measure or as the balance of opposites and so central to the reflections of the ancient authors, plays a key role in shedding light on the value and impact, both positive and negative, of music in human existence.
This book provides the most comprehensive overview available about the effect and ethos of music in antiquity and discusses many related questions of scholarly interest. It includes numerous references provided in the original language with translation, ample empirical material for further research, and an extensive bibliography.
Index of Names
N.B.: Only loci with a certain significance are listed here, excluding simple footnote references or other cursory mentioning. References to treatments that span over a whole section are marked in bold. For a full chronological list of classical authors and works discussed in this book, see Table 3-1. Authors in bold are treated in a separate section. Names in tables and from the bibliography are not referenced here.
Abert, H. 24, 28f, 56f, 59, 400
Achilles 37f, 52, 107, 112, 163, 196, 294
Aeschylus 73, 131, 133, 159
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