Edited By Elżbieta Chrzanowska-Kluczewska and Olga Vorobyova
The book offers an interdisciplinary discussion of the cognitive-semiotic interface between language, literature, and the arts, with a special focus on creativity and imagination. It brings together international contributors suggesting a wide range of innovative perspectives on the correlation between verbal discourse and creative artefacts. The book reveals the specificity of such phenomena as parallax, transparency, corporeal imagination, and multimodality. Alongside interpreting artistic texts, the contributors search for cognitive and semiotic manifestations of creativity in political and everyday discourse.
Transparency Across Semiotic Modes: An Ecological Stance (Olena Morozova)
| 49 →
V. N. Karazin Kharkiv National University, Ukraine
Transparency Across Semiotic Modes: An Ecological Stance
Abstract: Transparency as a transdisciplinary notion displays a number of its semiotic modes that can be explicated in terms of cognitive processes. Exploring the ways in which we think about transparency, this contribution takes the ecological view of cognition, according to which mental entities related to things and phenomena are viewed as dynamic, embodied, situationally embedded, and distributed. The author of the paper claims that transparency can be regarded as perceived visually, enacted cognitively, reenacted symbolically and instantiated discursively to generate particular effects. Approaching transparency as an affordance offered by things or media to their observers in certain situational environments allows, in the author’s view, to extend its limits not only from the mind into the body but further, into the environment. Unlike physical transparency, manifestations of imaginary transparency in visual arts and everyday communication crystallise new senses that modify interpretation of verbal utterances and works of art.
The word transparency conflates disparate notions, such as a property of a substance, a behavioural characteristic of a person, a quality of a phenomenal state, a feature of an organization, a trait of a work of art, etc. Accordingly, discussions of transparency range through science, engineering, business, and humanities (Art-Azbuka 2005; Brin 1998; Florenskij 1993; Metzinger 2003; Podoroga 1995; Rowe and Slutsky 1982; Vattimo 1992, etc.). Therefore, the notion of transparency...
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.