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The Icon Debate

Religious Images in Russia in the 15th and 16th Centuries

by Aleksandra Sulikowska (Author) 2016

©2016 Monographs
Revisiting Space

Space and Place in European Cinema

by Wendy Everett (Volume editor) Axel Goodbody (Volume editor)

©2005 Conference proceedings
Art, Identity and Cosmopolitanism

William Rothenstein and the British Art World, c.1880–1935

by Samuel Shaw (Author) 2024

©2024 Monographs
Reframing the European Other

Identity and Belonging in Contemporary French and German Cinema

by Kamil Zapaśnik (Author) 2023

©2024 Monographs
Entering the Frame

Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi

by Robert Lumley (Author) 2023

©2023 Monographs
Neo-Disneyism

Inclusivity in the Twenty-First Century of Disney’s Magic Kingdom

by Brenda Ayres (Volume editor) Sarah Maier (Volume editor) 2022

©2022 Edited Collection
Reimagining Kenyan Cinema

by Charles Kebaya (Volume editor) Christopher Joseph Odhiambo (Volume editor) 2022

©2022 Monographs
The Return Beat - Interfacing with Our Interface

A Spiritual Approach to the Golden Triangle

by Olugbenga Taiwo (Author) 2021

©2021 Monographs
Out of History

Essays on the Writings of Sebastian Barry

by Christina Hunt Mahony (Volume editor) 2020

©2006 Edited Collection
The Theatre of Martin McDonagh

A World of Savage Stories

by Lilian Chambers (Volume editor) Eamonn Jordan (Volume editor) 2019

©2006 Textbook
Imagined Cosmopolis

Internationalism and Cultural Exchange, 1870s–1920s

by Charlotte Ashby (Volume editor) Grace Brockington (Volume editor) Daniel Laqua (Volume editor) Sarah Victoria Turner (Volume editor) 2019

©2019 Edited Collection
The Power of Symbols

The Alhambra in a Global Perspective

by Francine Giese (Volume editor) Ariane Varela Braga (Volume editor) 2018

©2018 Edited Collection
Conflict and Controversy in Small Cinemas

by Janina Falkowska (Volume editor) Krzysztof Loska (Volume editor) 2018

©2018 Edited Collection
Intensified Bodies from the Performing Arts in Portugal

by Gustavo Vicente (Volume editor) 2017

Edited Collection
The Physiognomical Discourse and European Theatre

Theory, Performance, Dramatic Text

by Maria-Christina Mur (Author) 2017

©2017 Thesis
Embodied Fantasies: From Awe to Artifice

by Suzanne Anker (Volume editor) Sabine Flach (Volume editor) 2013

©2013 Conference proceedings
The Story of the Mexican Screenplay

A Study of the Invisible Art Form and Interviews with Women Screenwriters

by Maria Teresa DePaoli (Author) 2011

©2014 Textbook

The Icon Debate

Musical Work Analysis

Between the Eye and the World

Thinking Images

Vienna

Revisiting Space

Art, Identity and Cosmopolitanism

Reframing the European Other

Entering the Frame

Neo-Disneyism

The Undead in the 21st Century

Reimagining Kenyan Cinema

The Return Beat - Interfacing with Our Interface

Out of History

The Theatre of Martin McDonagh

Imagined Cosmopolis

Theatre Stuff

The Power of Symbols

Conflict and Controversy in Small Cinemas

Intensified Bodies from the Performing Arts in Portugal

The Physiognomical Discourse and European Theatre

Embodied Fantasies: From Awe to Artifice

Playing it Queer

Aesthetic Rivalries

The Story of the Mexican Screenplay

Key Subject Areas