L’atelier. Travaux d’Histoire de l’art et de Muséologie / Das Atelier. Arbeiten zur Kunstgeschichte und Museumskunde / The Workshop. Art History and Museum Studies

ISSN: 1661-691X

The Workshop. Art History and Museum Studies is devoted to the history of art from the Middle Ages to the present. The series deals especially but not exclusively with the history of collections, of collectors or museums, and more generally with museum studies. Its main objective is to offer to the alleged two Art Histories - the Museum and the Academy - a place open to institutional dialogue and to transdisciplinarity, a place of discussion about experimentation and creation and a place dedicated to the excellence of historical and critical reflection. It welcomes monographs and essays as well as collections of essays in French, German and English. L'Atelier. Travaux d'Histoire de l'art et de Muséologie réunit des études consacrées à l'histoire de l'art du Moyen Age à nos jours. Elle porte entre autres, mais non exclusivement, sur l'histoire des collections, des collectionneurs ou des musées, et plus généralement sur la muséologie. La collection a comme objectif majeur d'offrir aux prétendues deux histoires de l'art, l'académique et la muséale, un lieu ouvert au dialogue institutionnel et à la transdisciplinarité, un lieu de discussion sur l'expérimentation et la création, un lieu dédié à l'excellence d'une réflexion historique et critique. Elle accueille aussi bien des monographies et des essais que des ouvrages collectifs, qu'ils soient rédigés en français, en allemand ou en anglais. Das Atelier. Arbeiten zur Kunstgeschichte und Museumskunde vereint Studien zur Kunstgeschichte vom Mittelalter bis zur Gegenwart. Die Reihe befasst sich unter anderem mit der Geschichte der Sammlungen, der Sammler und der Museen, aber auch generell mit Museologie. Sie trägt der akademischen und musealen Kunstgeschichte Rechnung, bietet ein Forum für einen transdisziplinären Dialog zwischen Institutionen, ist offen für Diskussionen über "Experimente" und Kreationen und ermöglicht den Austausch historischer und kritischer Überlegungen. Die Reihe nimmt Monografien, Essays und Sammelbände in französischer, deutscher und englischer Sprache auf.

8 publications

Internationalism and the Arts

ISSN: 2235-0160

Internationalism and the Arts explores the multiple ways in which the arts have operated internationally, responded to internationalist ideology, and helped shape thinking about world organization. The series challenges the emphasis on nationalism and national schools that has developed over the past 250 years. Instead, it draws attention to internationalist art and ideology; the lives and work of cosmopolitan artists and theorists; international networks, systems and practices; and societies that promote international exchange. The series speaks to the rise of transnationalism as a major approach across a number of research fields. Within this literature, it addresses a relative dearth of publications which focus on international art practice as a crucial element of human experience. Proposals are invited across the performing and visual arts, including art history, music, dance and theatre. Our geographical scope is global and we welcome projects that look beyond the Western world or that examine cross-cultural exchanges. We are open to proposals for monographs and edited collections, anthologies of primary sources and textbooks, and scholarly catalogues that showcase visual material. All proposals and manuscripts will be subject to peer review.

6 publications

Cultural History and Literary Imagination

This series promotes critical inquiry into the relationship between the literary imagination and its cultural, intellectual or political contexts. The series encourages the investigation of the role of the literary imagination in cultural history and the interpretation of cultural history through literature, visual culture and the performing arts. Contributions of a comparative or interdisciplinary nature are particularly welcome. Individual volumes might, for example, be concerned with any of the following: The mediation of cultural and historical memory, The material conditions of particular cultural manifestations, The construction of cultural and political meaning, Intellectual culture and the impact of scientific thought, The methodology of cultural inquiry, Intermediality, Intercultural relations and practices. Acceptance is subject to advice from our editorial board, and all proposals and manuscripts undergo a rigorous peer review assessment prior to publication. The usual language of publication is English, but proposals in French, German, Italian and Spanish may also be considered. Editorial Board: Rodrigo Cacho, University of Cambridge; Sarah Colvin, University of Cambridge; Kenneth Loiselle, Trinity University; Heather Webb, University of Cambridge.

36 publications

American Studies: Culture, Society & the Arts

The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders. The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders. The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders.

7 publications

Natur, Wissenschaft und die Künste / Nature, Science and the Arts / Nature, Science et les Arts

ISSN: 1663-6007

Nature, Science et les Arts est une collection scientifique internationale qui explore l’histoire des interactions entre la culture des sciences humaines et artistiques et celle des sciences naturelles et techniques, au niveau de la réflexion théorique et de l’articulation artistique. Elle s’intéresse pour cela à toutes les époques, formes de sociétés, médias et régions. La collection présente des études sur ces nouveaux domaines de recherche et illustre le lien traditionnel entre deux perceptions du monde qui ont été très largement marginalisées depuis la stricte séparation opérée par Wilhem Diltheys entre les sciences humaines et naturelles. Nature, Science and the Arts is an international scholarly series dealing with the history of cultural interplay between arts, humanities, natural sciences and technology, both on the level of theoretical reflection and in artistic enunciations. It is not restricted to any particular epoch, society, medium or region. By publishing contributions to this new interdisciplinary research area, the series illuminates the traditional connection between two ways of interpreting the world, a connection that has been largely marginalized since Wilhelm Dilthey’s strict dissociation between humanities and natural sciences. Nature, Science et les Arts est une collection scientifique internationale qui explore l’histoire des interactions entre la culture des sciences humaines et artistiques et celle des sciences naturelles et techniques, au niveau de la réflexion théorique et de l’articulation artistique. Elle s’intéresse pour cela à toutes les époques, formes de sociétés, médias et régions. La collection présente des études sur ces nouveaux domaines de recherche et illustre le lien traditionnel entre deux perceptions du monde qui ont été très largement marginalisées depuis la stricte séparation opérée par Wilhem Diltheys entre les sciences humaines et naturelles. Nature, Science and the Arts is an international scholarly series dealing with the history of cultural interplay between arts, humanities, natural sciences and technology, both on the level of theoretical reflection and in artistic enunciations. It is not restricted to any particular epoch, society, medium or region. By publishing contributions to this new interdisciplinary research area, the series illuminates the traditional connection between two ways of interpreting the world, a connection that has been largely marginalized since Wilhelm Dilthey’s strict dissociation between humanities and natural sciences. Natur, Wissenschaft und die Künste ist eine internationale Wissenschaftsreihe, welche die Geschichte des Zusammenwirkens geisteswissenschaftlich-künstlerischer und naturwissenschaftlich-technischer Kultur auf der Ebene theoretischer Reflektion und künstlerischer Artikulation untersucht. Dabei gibt es keine Beschränkungen auf bestimmte Epochen, Gesellschaftsformen, Medien oder Regionen. Die Reihe stellt Untersuchungen aus diesem neuen wissenschaftlichen Forschungsgebiet vor und veranschaulicht den traditionellen Zusammenhang zweier Formen der Weltdeutung, welcher seit Wilhelm Diltheys strenger Trennung von Geistes- und Naturwissenschaften weitestgehend marginalisiert wurde.

20 publications

Cultural Interactions: Studies in the Relationship between the Arts

Interdisciplinary activity is now a major feature of academic work in all fields. The traditional borders between the arts have been eroded to reveal new connections and create new links between art forms. Cultural Interactions is intended to provide a forum for this activity. It will publish monographs, edited collections and volumes of primary material on points of crossover such as those between literature and the visual arts or photography and fiction, music and theatre, sculpture and historiography. It will engage with book illustration, the manipulation of typography as an art form, or the ‘double work’ of poetry and painting and will offer the opportunity to broaden the field into wider and less charted areas. It will deal with modes of representation that cross the physiological boundaries of sight, hearing and touch and examine the placing of these modes within their representative cultures. It will offer an opportunity to publish on the crosscurrents of nationality and the transformations brought about by foreign art forms impinging upon others. The interface between the arts knows no boundaries of time or geography, history or theory.

54 publications

Art and Thought / Art et pensée

If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

6 publications

History and Philosophy of Science

ISSN: 2376-6336

This series invites book proposals that include innovative strategies for pursuing history and philosophy of science. Especially welcome are scholarly works using non-analytic philosophical perspectives to successfully bring to bear on our understanding of how scientific practices are related to the humanities and the social sciences. The series also welcomes exploration of the sciences in relation to gender, culture, society, and the intellectual and social contexts that illuminate the places, the structures of origination, and the patterns of development over generations. Approaches may include focused analyses of thinkers from unorthodox perspectives that can shed new light on the history and philosophy of science, such as Montaigne, Bruno, Galileo, Newton, Pascal, Emerson, Thoreau, Nietzsche, Jung, Freud. Proposals aimed at probing the philosophical intersections between the sciences and other societal practices that can be configured as heretic are also encouraged. These might include the emergence of the psychoanalytic movements in the twentieth century, how the fine arts have impinged on the historical processes that gave rise to the sciences over the last few centuries, how in turn the intellectual frameworks inaugurated by the sciences have been imported into the avant-garde movements that paralleled the advent of industrialized societies, and finally how contemporary scientific domains of knowledge reverberate in ’deviant’ social and artistic practices.

9 publications

Renaissance Intellectual History

ISSN: 1868-0739

The “Renaissance Intellectual History“ series aims at providing a forum for scholars in both Philosophy and History. Monographs and proceedings published within the series cover a wide range of contributions on the foundations of Renaissance thought. The series’ editors hail from universities all over Europe and are scholars in the fields of history, art, and philosophy.

1 publications

Beyond Humanism: Trans- and Posthumanism / Jenseits des Humanismus: Trans- und Posthumanismus

Humanism, which is characterized by the special status of human beings within the world, i.e. human beings do not differ gradually but categorically from other natural beings, is in a crisis. It gets attacked from various directions. Basically, it is possible to distinguish two main movements which try to transcend Humanism: Trans- and Posthumanism. In the book series Beyond Humanism: Trans- and Posthumanism / Jenseits des Humanismus: Trans- und Posthumanismus, monographs and essay collections will be published which discuss aspects of this range of topics historically or systematically. Editor Dr. Stefan Lorenz Sorgner, Institut für Geschichte und Ethik der Medizin, Friedrich-Alexander-Universität Erlangen-Nürnberg. Editor’s Homepage: www.sorgner.de. From 1st January 2016 employed as an associate professor of philosophy at the John Cabot University in Rome. Editorial Board Members: Prof. Dr. H. James Birx, Anthropology, Canisus College, SUNY Geneseo, USA Prof. Dr. Irina Deretic, Philosophy, University of Belgrade, Serbia Dr. James J. Hughes, Sociology, Executive Director, Institute for Ethics and Emerging Technologies Lecturer, Public Policy Studies, Trinity College, Associate Editor, Journal of Evolution and Technology, USA Prof. Dr. Andy Miah, Ethics and Emerging Technologies, University of the West of Scotland, a Fellow of FACT, the Foundation for Art and Creative Technology (Liverpool), and a Fellow of the Institute for Ethics and Emerging Technologies (USA) Prof. Dr. Domna Pastourmatzi, American Literature, University of Thessaloniki, Greece Prof. Dr. Evi Sampanikou, Art History, University of the Aegean, Greece Der Humanismus, der durch die Sonderstellung des Menschen in der Welt gekennzeichnet ist, d.h. der Mensch unterscheidet sich nicht graduell, sondern kategorisch von anderen natürlichen Wesen, befindet sich in einer Krise. Er wird aus verschiedenen Richtungen attackiert. Grundsätzlich kann man zwei Hauptströmungen feststellen, die sich darum bemühen, den Humanismus zu überwinden, den Trans- und den Posthumanismus. Im Rahmen der Buchreihe Beyond Humanism: Trans- and Posthumanism / Jenseits des Humanismus: Trans- und Posthumanismus sollen Monographien und Sammelbände erscheinen, die Aspekte dieses Themenspektrums entweder historisch oder systematisch erörtern. Editor Dr. Stefan Lorenz Sorgner, Institut für Geschichte und Ethik der Medizin, Friedrich-Alexander-Universität Erlangen-Nürnberg. Homepage des Herausgebers: www.sorgner.de. Ab 1. Januar 2016 als Associate Professor für Philosophie an der John Cabot University in Rom angestellt. Editorial Board Mitglieder: Prof. Dr. H. James Birx, Anthropology, Canisus College, SUNY Geneseo, USA Prof. Dr. Irina Deretic, Philosophy, University of Belgrade, Serbia Dr. James J. Hughes, Sociology, Executive Director, Institute for Ethics and Emerging Technologies Lecturer, Public Policy Studies, Trinity College, Associate Editor, Journal of Evolution and Technology, USA Prof. Dr. Andy Miah, Ethics and Emerging Technologies, University of the West of Scotland, a Fellow of FACT, the Foundation for Art and Creative Technology (Liverpool), and a Fellow of the Institute for Ethics and Emerging Technologies (USA) Prof. Dr. Domna Pastourmatzi, American Literature, University of Thessaloniki, Greece Prof. Dr. Evi Sampanikou, Art History, University of the Aegean, Greece

9 publications

Crosscurrents: New Studies on the Middle East

ISSN: 2381-2443

"This series will publish book-length manuscripts pertaining to the peoples of the Middle East. The Middle East is understood in the broadest sense associated with the term, and is reflective of widely shared socio-religious patterns, histories, and heritages. For the purpose of this series, the Middle East will include what is more commonly referred to as the Near East (Lebanon, Syria, Jordan, Israel/Palestine); North Africa (Egypt, Libya, Tunisia, Algeria, Morocco, Mauritania, Mali, Chad, the Sudans, and Somalia); Turkey and Iran; Saudi Arabia, Yemen, and the countries of the Arab Gulf; and, finally, Afghanistan, Pakistan, and the Central Asian Republics. The series will be interdisciplinary and inclusive of diverse topics and methodologies. Representative fields will include art, art history, architecture, language and literature, history, politics, economics, and religion. Reinterpretations, as well as investigations of the hitherto uninvestigated, will be especially welcomed. "

5 publications

Repenser le cinéma / Rethinking Cinema

The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages. La collection « Repenser le cinéma » privilégie les approches novatrices, les analyses de concepts, de genres, de courants, d’auteurs et de films rarement étudiés, qu’il s’agisse d’actes de colloque, d’essais, de versions remaniées de thèses de doctorat ou encore de monographies. Elle se propose d’offrir aux chercheurs, aux enseignants de l’audiovisuel ainsi qu’aux professionnels du cinéma des pistes de réflexion inédites sur la théorie, l’histoire et l’esthétique d’un art qui recèle de multiples chantiers peu balisés au cours du siècle qui l’a vu naître. La démarche méthodologique adoptée au sein des travaux publiés doit faire preuve d’originalité, d’audace et de rigueur scientifique, tout en visant les corrélations transdisciplinaires et transculturelles avec d’autres domaines des sciences humaines (histoire de l’art, philosophie, linguistique, etc.). La collection accueille des ouvrages en français ou en anglais, des publications bilingues, ainsi que des traductions d’ouvrages étrangers difficilement accessibles.

13 publications

Thought, Society, Culture

ISSN: 2195-2191

The series "Thought, Society, Culture: Slovenian and South Eastern European Perspectives" explores languages, cultures, and societies of Central and South Eastern Europe, with a special focus on Slovenia. Its titles and topics present significant works of the Research Centre of the Slovenian Academy of Sciences and Arts (ZRC SAZU) whose multidisciplinary structure brings together philosophy, social anthropology, archaeology, general and cultural history, art history, musicology, linguistics, literary studies, sociology, ethnology, folklore, and geography. The aim of the series is to publish in-depth studies in the humanities and social sciences produced not only by ZRC SAZU but also by other scholars from Slovenia and elsewhere.

6 publications

Italian Modernities

ISSN: 1662-9108

The series aims to publish innovative research on the written, material and visual cultures and intellectual history of modern Italy, from the 19th century to the present day. It is open to a wide variety of different approaches and methodologies, disciplines and interdisciplinary fields: from literary criticism and comparative literature to archival history, from cultural studies to material culture, from film and media studies to art history. It is especially interested in work which articulates aspects of Italy's particular, and in many respects, peculiar, interactions with notions of modernity and postmodernity, broadly understood. It also aims to encourage critical dialogue between new developments in scholarship in Italy and in the English-speaking world. The Italian Modernities series also includes the Panoramas sub-series. These volumes provide accessible, wide-ranging, research-led accounts of significant new trends, emerging fields of study and new methodologies within work on modern Italian culture, history and related disciplines.

46 publications

From Antiquity to Modernity

ISSN: 2328-9236

"From Antiquity to Modernity: Studies on Middle Eastern and Asian Societies is a series focusing on aspects central to Middle Eastern, Central Asian, and South Asian societies in the past and the present. It is designed to contribute toward better understandings of those important regions’ peoples. Original research within the disciplines of anthropology, archeology, art history, cultural studies, economics, history, history of science, international relations, languages, literatures, politics, religions, and sociology will be published. Interdisciplinary, cross-disciplinary, and multidisciplinary studies are welcome as well. So are ones that advance methodologies relating to complexities of the Middle East, Central Asia, and South Asia. Manuscripts can be single- authored or co-authored; edited volumes that form a cohesive body of knowledge will be considered, too. Each book-length manuscript will undergo editorial and peer review prior to acceptance for publication. Individual volumes in From Antiquity to Modernity are of particular value to individuals studying and investigating the Middle East and Asia at universities, think tanks, and governmental and nongovernmental agencies while also being of interest to the general educated reader. "

2 publications

Transatlantic Studies in British and North American Culture

ISSN: 2364-2882

The interdisciplinary series Transatlantic Studies in British and North American Culture brings together literary and cultural studies concerning literatures and cultures of the English-speaking world, particularly those of Great Britain, Ireland, the United States, and Canada. The range of topics to be addressed includes literature, theater, film, and art, considered in various twenty-first-century theoretical perspectives, such as, for example (but not exclusively), New Historicism and canon formation, cognitive narratology, gender and queer studies, performance studies, memory and trauma studies, and New Art History. The editors welcome Ph.D. dissertations and Habilitation projects, as long as they constitute valuable and original contributions to the above fields. We are leaving a broad margin for the innovative and the unpredictable, hoping to attract authors whose approaches will point to new directions of research as regards both thematic areas and methods. Comparative Polish-Anglo-American proposals will be considered, too. Authors are welcome to submit manuscripts of monographs, collected volumes, post-conference volumes as well as dissertations. The series was formerly known as Gdańsk Transatlantic Studies in British and North American Culture.

38 publications

Gdańsk Transatlantic Studies in British and North American Culture

The interdisciplinary series brings together literary and cultural studies concerning literatures and cultures of the English-speaking world, particularly those of Great Britain, Ireland, the United States, and Canada. The range of topics to be addressed includes literature, theater, film, and art, considered in various twenty-first-century theoretical perspectives, such as, for example (but not exclusively), New Historicism and canon formation, cognitive narratology, gender and queer studies, performance studies, memory and trauma studies, and New Art History. The editors welcome Ph.D. dissertations and Habilitation projects, as long as they constitute valuable and original contributions to the above fields. We are leaving a broad margin for the innovative and the unpredictable, hoping to attract authors whose approaches will point to new directions of research as regards both thematic areas and methods. Comparative Polish-Anglo-American proposals will be considered, too. Authors are welcome to submit manuscripts of monographs, collected volumes, post-conference volumes as well as dissertations. From Vol. 10 onwards, the series continues as Transatlantic Studies in British and North American Culture.

9 publications

Indigenous Cultures of Latin America

ISSN: 2689-8217

Indigenous Cultures of Latin America: Past and Present is a new bilingual series that welcomes book proposals, in English or Spanish, focused on the fields of anthropology, archaeology, linguistics, ethnohistory, and art history, among others. We encourage original proposals for projects that use a conjunctive approach to understanding beliefs and lifeways of prehispanic, colonial period, and contemporary indigenous peoples inhabiting Latin America, broadly defined (i.e. extending into parts of the U.S. Southeast and Southwest), relying on a combination of methodologies and data sets to interpret the subject matter. We further encourage projects that utilize decolonizing methodologies and seek to promote research and fieldwork undertaken in collaboration with local indigenous communities and/or indigenous consultants. The series will publish academic monographs, edited collections, and readers. All book proposals and manuscripts will be subject to a rigorous single-blind peer review process, conducted by experts in the respective field(s) of study. Proposals and author/volume editor CVs should be sent to the Series Editor, Dr. Gabrielle Vail, at vailg@email.unc.edu.

3 publications

Christianity and Conversion in Scandinavia and the Baltic Region, c. 800-1600

ISSN: 2694-555X

Series Editor: Mihai Dragnea (University of South-Eastern Norway) This is a single-blind peer reviewed series which provides an opportunity for scholars to publish high-quality studies on the culture, society and economy of East Central, Eastern and Northern Europe under the influence of Christianity. It welcomes submissions in various formats, including monographs, edited volumes, conference proceedings, and short form publications between 30,000 to 50,000 words (Peter Lang Prompts) on subjects related to: Christian kingship, Christian and pagan identity, cultural encounters, otherness, barbarians, missionary strategy, canon law, canonical aspects of missionary work, forced conversion, clerical involvement in warfare, military orders, Holy War, martyrdom, sacralisation of a landscape, pilgrimage, shrines, saints’ cults, relics of saints, icons, war banners, pagan war rituals, burial practices, diet and fashion, rural area and the concept of town life, intragroup and intergroup relations, linguistic interactions, emotional discourse, narratives gesta episcoporum, saga studies, colonization, settlement, mythology, ethnography, mental geographies, political culture, political relations, dynastic marital alliances, media and communication, trade, exploration, mappae mundi, portolan charts, art history, architecture, numismatics, and all archaeological sub-disciplines. Each volume may contain up to 20 black-and-white images. Editorial Board: Carsten Selch Jensen (University of Copenhagen) Anti Selart (University of Tartu) Jakub Morawiec (University of Silesia) Carole Cusack (University of Sydney) Stanislaw Rosik (University of Wroclaw) Felix Biermann (University of Greifswald) Rob Meens (Utrecht University) David Kalhous (Masaryk University, Brno) Stanislava Kuzmová (Comenius University Bratislava) Peter Ivanič (Constantine the Philosopher University in Nitra) Myroslav Voloshchuk (Precarpathian National University, Ivano-Frankivsk) Attila Bárány (University of Debrecen) Proposals and author/volume editor CV should be sent to mihaidragnea2018@gmail.com

1 publications

Eurosinica

ISSN: 2235-6258

"EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

12 publications

Renaissance and Baroque

The Renaissance and Baroque: Studies and Texts series deals with various aspects of the European Renaissance and Baroque. Studies on the history, literature, philosophy, and the visual arts of these periods are welcome. The series also will consider translations of important works, especially from Latin into English. These translations should, however, include a substantial introduction and notes. Books in the series will include original monographs as well as revised or reconceived dissertations. The Renaissance and Baroque: Studies and Texts series deals with various aspects of the European Renaissance and Baroque. Studies on the history, literature, philosophy, and the visual arts of these periods are welcome. The series also will consider translations of important works, especially from Latin into English. These translations should, however, include a substantial introduction and notes. Books in the series will include original monographs as well as revised or reconceived dissertations. The Renaissance and Baroque: Studies and Texts series deals with various aspects of the European Renaissance and Baroque. Studies on the history, literature, philosophy, and the visual arts of these periods are welcome. The series also will consider translations of important works, especially from Latin into English. These translations should, however, include a substantial introduction and notes. Books in the series will include original monographs as well as revised or reconceived dissertations.

26 publications

Hispanic Studies: Culture and Ideas

ISSN: 1661-4720

This series aims to publish studies in the arts, humanities and social sciences, the main focus of which is the Hispanic World. The series invites proposals with interdisciplinary approaches to Hispanic culture in fields such as the history of concepts and ideas, the sociology of culture, the evolution of the visual arts, the critique of literature and the uses of historiography. It is not confined to a particular historical period. Monographs as well as collected papers are welcome. Languages of publication are English and Spanish.

97 publications

Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie centrale

The aim of the series Worlds of South and Inner Asia of the Swiss Asia Society is to publish highquality, representative work issuing from academic research on all aspects of South and Inner Asia. It comprises, and accepts, studies on historical and present-day South and Inner Asian cultures and societies covering the fields of history, literature, thought, politics and art as well as translations and interpretations of important primary sources. Furthermore the series intends to present studies that offer expert knowledge on current themes appealing not only to the aca demic public, but also to an audience generally interested in South and Inner Asia. One important goal of the series is to establish a forum for academic work in the fields of the humanities and social sciences in Switzerland. However, the series is also committed to the rich variety of studies and writings in the international research community. The main publication languages for monographs and collections (by individual or several contributors) are German, French, and English. The series is supervised and internally reviewed by an editorial board which is advised by leading scholars in the academic fields concerned. La collection Mondes de l'Asie du Sud et de l'Asie centrale, publiée sous l'égide de la Société Suisse - Asie, accueille des études représentatives et de haute qualité sur l'Asie du Sud et l'Asie centrale. Elle propose aussi bien des études portant sur les cultures et sociétés du présent et du passé - que ce soit dans les domaines de l'histoire, de la littérature, de la philosophie, de la politique et de l'art - que des traductions et des travaux d'interprétation de sources importantes. Elle entend également publier des recherches sur des thèmes centraux et d'actualité qui s'adressent à un public plus large. La collection se veut être un point de rencontre de la recherche suisse dans le domaine des études de l'Asie du Sud et de l'Asie centrale, mais est aussi ouverte à des travaux issus de la communauté scientifi que internationale. Elle accueille des monographies et des ouvrages collectifs, rédigés en allemand, français ou anglais. La collection est dirigée par un comité de rédaction avec l'appui de chercheurs reconnus dans les diverses disciplines concernées. In der Reihe Welten Süd- und Zentralasiens der Schweizerischen Asiengesellschaft werden repräsentative, qualitativ hochstehende Forschungsarbeiten zu den Kulturen und Gesellschaf ten Süd- und Zentralasiens in Vergangenheit und Gegenwart publiziert. Die Reihe nimmt Studien zu verschiedenen Bereichen wie Geschichte, Literatur, Philosophie, Politik und Kunst sowie Übersetzungen und Interpretationen von Quellentexten auf. Sie will aber auch Arbeiten zu aktuellen Themen und Fragen anbieten, die neben einem wissenschaftlichen Zielpublikum einer breiter interessierten Leserschaft zugänglich sind. Die Reihe versteht sich als Forum für geistes- und sozialwissenschaftliche Arbeiten aus der Schweiz, ist aber auch offen für Beiträge aus der internationalen Forschung. Die Hauptpublikationssprachen für die Monographien und Sammelbände sind Deutsch, Französisch und Englisch. Die Reihe wird von einem Herausgebergremium geleitet, das von führenden Fachvertreterinnen und Fachvertretern aus den jeweiligen akademischen Disziplinen beraten wird.

6 publications

American Culture

American Culture is a series of publications specializing in literary and cultural studies. We welcome publications on literature, literary and cultural theory, history, theater, film and the arts. On the board of editors are members of the English/American language and history departments at the universities of Hamburg and Berlin (FU and HU). Die Reihe American Culture veröffentlicht Monographien aus der Anglistik/Amerikanistik und geht dabei insbesondere auf Literaturtheorie und Kulturwissenschaften ein. Weitere thematische Schwerpunkte der Reihe liegen in den Bereichen der Geschichts-, Kunst- sowie Theater- und Filmwissenschaft. Herausgegeben wird die Reihe von Professoren der Universität Hamburg und der Freien Universität Berlin sowie der Humboldt-Universität zu Berlin.

20 publications

Research on Korea

ISSN: 2196-0895

The series Research on Korea responds to the fact that interest in Korea and the need for reliable information on the country's history and present have risen considerably during the last decades, both in- and outside of academia. The series offers an interdisciplinary platform for academic works engaging with Korea. Not being restricted to specific methodological or historiographical approaches, the series is open for studies of Korea in any field as long as they make use of Korean primary sources and systematically engage with Korean language secondary literature. Based on solid methodology, the studies assembled in this series aim to open up paths for new insights and new research questions on Korea and Korea's role in the regional and international context. In der Schriftenreihe Research on Korea werden neuere Ergebnisse der Koreaforschung veröffentlicht, um dem in den letzten Jahrzehnten stark gesteigerten Interesse der akademischen und allgemeinen Öffentlichkeit an verlässlichen Informationen zu Korea nachzukommen. Sie bietet ihr eine interdisziplinäre Plattform, ohne sich dabei methodisch oder historiographisch bestimmten Richtungen verpflichtet zu fühlen. Allerdings legen die Herausgeber großen Wert darauf, dass koreanische Primärquellen ebenso wie in koreanischer Sprache verfasste Sekundärliteratur umfassend und systematisch verwendet werden. Die Reihe ist offen für Korea-Studien jeder Art, die auf der Grundlage von Quellenarbeit und solider Methodologie den Weg zu neuen Erkenntnissen und Fragestellungen in der historischen, sozial- und kulturwissenschaftlichen Forschung zu Korea und zu Koreas Rolle im regionalen wie internationalen Kontext ebnen.

12 publications