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Literary and Cultural Theory
The objective of the Literary and Cultural Theory series is to publish works, collections of articles, and conference proceedings which aim at transgressing boundaries of single disciplines and at creating common space within which themes and methodologies of those single disciplines merge and contribute to the production of a novel approach to culture, literature, and philosophy. Within thus conceived area of the humanities we place particular emphasis on: first, interdisciplinarity (both in terms of topics and methodology) and, secondly, on theoretical (or theorizing) approach, i.e., an approach which not only aims at describing cultural and literary phenomena, but also at revealing their mechanisms and multiple interrelationships, visible sometimes only when boundaries of disciplines are transgressed, and when areas of overlap are identified. Those priorities do not exclude publication of volumes within what has traditionally been considered the realm of literary studies, as long as the critical and theorizing attitude is maintained. Editors Homepage : Prof. Dr. Wojciech Kalaga
62 publications
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Literary Creativity and the Older Woman Writer
A Collection of Critical Essays©2016 Edited Collection -
Africa and Europe: En/Countering Myths
Essays on Literature and Cultural Politics©2003 Edited Collection -
From Modern Theory to a Poetics of Experience
Polish Studies in Literary History and Theory©2014 Edited Collection -
African-American Literature and Culture
Expanding and Exploding the BoundariesISSN: 1528-3887
The purpose of this series is to present innovative, in-depth, and provocatively critical literary and cultural investigations of critical issues in African American literature and life. We welcome critiques of fiction, poetry, drama, film, sports, and popular culture. Of particular interest are literary and cultural analyses that involve contemporary psychoanalytical criticism, new historicism, deconstructionism, critical race theory, critical legal theory, and critical gender theory.
22 publications
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Critical Time in Modern German Literature and Culture
©2016 Edited Collection -
A Reflection of Man and Culture in Language and Literature
©2019 Edited Collection -
The Arabian Nights in English Literary Theory (1704-1910)
Scheherazade in England. An Expanded and Updated Version of the 1981 Edition©2022 Monographs -
An Apprehensive Aesthetic: The Legacy of Modernist Culture
The Legacy of Modernist Culture©2009 Monographs -
Intermedial Encounters Between Image, Music and Text
With and Beyond Roland Barthes©2024 Edited Collection -
Culture and Literature in the EFL Classroom
Bridging the Gap between Theory and Practice©2019 Edited Collection -
Language, Nation, and Identity in the Classroom
Legacies of Modernity and Colonialism in Schooling©2015 Textbook -
New Approaches to Crime in French Literature, Culture and Film
©2009 Conference proceedings -
Revolutionary Theater and the Classical Heritage
Inheritance and Appropriation from Weimar to the GDR©2007 Monographs -
insecure, Awkward, and #Winning
Intersectionality of Race, Gender, and Sexuality in the Works of Issa Rae©2023 Textbook -
Journeys and Journals
Women's Mystery Writing and Migration in the African Diaspora©2017 Monographs -
New Comparative Criticism
ISSN: 2235-1809
New Comparative Criticism is dedicated to innovative research in literary and cultural studies. It invites contributions with a comparative, cross-cultural, and interdisciplinary focus, including comparative studies of themes, genres, and periods, and research in the following fields: world literature, environmental humanities, literary and cultural theory, material and visual cultures, speculative fiction, reception studies, cultural history, comparative gender studies and performance studies, diasporas and migration studies, and transmediality. The series is especially interested in research that articulates and examines new developments in comparative literature, in the English-speaking world and beyond. It seeks to advance methodological reflection on comparative literature and aims to encourage critical dialogue between scholars of comparative literature at an international level. Editorial Board: Gillian Beer (University of Cambridge), Helena Buescu (University of Lisbon), Laura Caretti (University of Siena), Djelal Kadir (Penn State University), Timothy Mathews (University College London), Rosa Mucignat (King’s College London), Danielle Sands (Royal Holloway, University of London), Galin Tihanov (Queen Mary, University of London), Marina Warner (Birkbeck, University of London).
16 publications
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Norman Mailer and the Modernist Turn
©2016 Monographs -
The Rhetoric of the City: Robinson Jeffers and A. R. Ammons
©2009 Monographs -
Spheres of Influence
Intellectual and Cultural Publics from Shakespeare to Habermas©2007 Conference proceedings