Britische und Irische Studien zur deutschen Sprache und Literatur / British and Irish Studies in German Language and Literature

British and Irish Studies in German Language and Literature Edited by H. S. Reiss and W. E. Yates This long-established series aims to publish works of serious scholarship drawn from the whole subject range of traditional Germanistik, originating both in Great Britain and in the Republic of Ireland, and readably written. Over fifty volumes have b een published since 1974. They include new books both by distinguished senior scholars and by younger researchers, collected essays either by single authors or by several hands (these have included papers emerging from conferences, often in both Eng lish and German) and selected doctoral dissertations reworked in book form. The weight of the series has mainly fallen on literature, theatre and cultural history from the eighteenth century onwards, in some cases with a strong comparative dimension. British and Irish Studies in German Language and Literature Edited by H. S. Reiss and W. E. Yates This long-established series aims to publish works of serious scholarship drawn from the whole subject range of traditional Germanistik, originating both in Great Britain and in the Republic of Ireland, and readably written. Over fifty volumes have b een published since 1974. They include new books both by distinguished senior scholars and by younger researchers, collected essays either by single authors or by several hands (these have included papers emerging from conferences, often in both Eng lish and German) and selected doctoral dissertations reworked in book form. The weight of the series has mainly fallen on literature, theatre and cultural history from the eighteenth century onwards, in some cases with a strong comparative dimension. British and Irish Studies in German Language and Literature Edited by H. S. Reiss and W. E. Yates This long-established series aims to publish works of serious scholarship drawn from the whole subject range of traditional Germanistik, originating both in Great Britain and in the Republic of Ireland, and readably written. Over fifty volumes have b een published since 1974. They include new books both by distinguished senior scholars and by younger researchers, collected essays either by single authors or by several hands (these have included papers emerging from conferences, often in both Eng lish and German) and selected doctoral dissertations reworked in book form. The weight of the series has mainly fallen on literature, theatre and cultural history from the eighteenth century onwards, in some cases with a strong comparative dimension.

47 publications

New Studies in Aesthetics

This series publishes explorative thinking in the philosophy of art as well as in the philosophy of life. Applied aesthetics and theoretical development of non-traditional topics are considered, along with traditional studies in aesthetic theory or the problems in specific arts. Well-written volumes may take the form of monographs, treatises, collected essays, proceedings, reference works, and translations. Use of illustrations is encouraged. In addition to works in English, texts in German, French, Spanish, Italian, and other languages may be published. This series publishes explorative thinking in the philosophy of art as well as in the philosophy of life. Applied aesthetics and theoretical development of non-traditional topics are considered, along with traditional studies in aesthetic theory or the problems in specific arts. Well-written volumes may take the form of monographs, treatises, collected essays, proceedings, reference works, and translations. Use of illustrations is encouraged. In addition to works in English, texts in German, French, Spanish, Italian, and other languages may be published. This series publishes explorative thinking in the philosophy of art as well as in the philosophy of life. Applied aesthetics and theoretical development of non-traditional topics are considered, along with traditional studies in aesthetic theory or the problems in specific arts. Well-written volumes may take the form of monographs, treatises, collected essays, proceedings, reference works, and translations. Use of illustrations is encouraged. In addition to works in English, texts in German, French, Spanish, Italian, and other languages may be published.

29 publications

Eurosinica

ISSN: 2235-6258

"EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

12 publications

German Linguistic and Cultural Studies

At a time when German Studies faces a serious challenge to its identity and position in the European and international context, this new series aims to reflect the increasing importance of both culture (in the widest sense) and linguistics to the study of German in Britain and Ireland. GLCS will publish monographs and collections of essays of a high scholarly standard which deal with German in its socio-cultural context, in multilingual and multicultural settings, in its European and international context and with its use in the media. The series will also explore the impact on German society of particular ideas, movements and economic trends and will discuss curriculum provision and development in universities in the United Kingdom and the Republic of Ireland. Contributions in English or German will be welcome. At a time when German Studies faces a serious challenge to its identity and position in the European and international context, this new series aims to reflect the increasing importance of both culture (in the widest sense) and linguistics to the study of German in Britain and Ireland. GLCS will publish monographs and collections of essays of a high scholarly standard which deal with German in its socio-cultural context, in multilingual and multicultural settings, in its European and international context and with its use in the media. The series will also explore the impact on German society of particular ideas, movements and economic trends and will discuss curriculum provision and development in universities in the United Kingdom and the Republic of Ireland. Contributions in English or German will be welcome. At a time when German Studies faces a serious challenge to its identity and position in the European and international context, this new series aims to reflect the increasing importance of both culture (in the widest sense) and linguistics to the study of German in Britain and Ireland. GLCS will publish monographs and collections of essays of a high scholarly standard which deal with German in its socio-cultural context, in multilingual and multicultural settings, in its European and international context and with its use in the media. The series will also explore the impact on German society of particular ideas, movements and economic trends and will discuss curriculum provision and development in universities in the United Kingdom and the Republic of Ireland. Contributions in English or German will be welcome.

27 publications

Wiener Slawistischer Almanach

ISSN: 0258-6819

Herausgegeben von Tilmann Reuther, Ilja Kukuj, Riccardo Nicolosi, Brigitte Obermayr Begründet und bis Band 85 (2020) herausgegeben von Aage A. Hansen-Löve und Tilmann Reuther. Der Wiener Slawistische Almanach publiziert Originalbeiträge aus allen Teildisziplinen der Slawistik und legt Wert darauf, ein breites Spektrum aktueller literatur-, kultur- und sprachwissenschaftlicher Diskussionen aufzunehmen, die über die gängigen philologischen Fachgrenzen hinausweisen. Die zwei Mal im Jahr erscheinende Zeitschrift bietet darüber hinaus ein Publikationsforum für unveröffentlichte literarische Texte und Archivmaterialien. Die nicht selten auch umfangreicheren Beiträge auf Deutsch, Englisch, Russisch und in weiteren slawischen Sprachen gruppieren sich ggf. um Schwerpunktthemen. In der Reihe „Wiener Slawistischer Almanach: Sonderbände" erscheinen vorwiegend Monographien. Alle eingereichten Beiträge werden extern begutachtet (double-blind peer-review). Founded and co-edited (until Vol. 85, 2020) by Aage A. Hansen-Löve and Tilmann Reuther. Starting in 2021 the journal is co-edited by Ilja Kukuj, Riccardo Nicolosi, Brigitte Obermayr and Tilmann Reuther. Wiener Slawistischer Almanach publishes original research in all areas of Slavic Studies and provides a forum for a wide spectrum of literary, cultural, and linguistic discussions that push the boundaries of traditional scholarly disciplines and philological approaches. The biannual journal also accepts submissions of previously unpublished literary texts and archival materials, as well as proposals for thematic clusters of articles. The languages of publication include German, English, Russian, and other Slavic languages. The special Series „Wiener Slawistischer Almanach: Sonderbände" is primarily dedicated to publishing monographs. The Wiener Slawistischer Almanach is a peer-reviewed periodical (all articles go though the double-blind peer-review). Herausgegeben von Tilmann Reuther, Ilja Kukuj, Riccardo Nicolosi, Brigitte Obermayr Begründet und bis Band 85 (2020) herausgegeben von Aage A. Hansen-Löve und Tilmann Reuther. Der Wiener Slawistische Almanach publiziert Originalbeiträge aus allen Teildisziplinen der Slawistik und legt Wert darauf, ein breites Spektrum aktueller literatur-, kultur- und sprachwissenschaftlicher Diskussionen aufzunehmen, die über die gängigen philologischen Fachgrenzen hinausweisen. Die zwei Mal im Jahr erscheinende Zeitschrift bietet darüber hinaus ein Publikationsforum für unveröffentlichte literarische Texte und Archivmaterialien. Die nicht selten auch umfangreicheren Beiträge auf Deutsch, Englisch, Russisch und in weiteren slawischen Sprachen gruppieren sich ggf. um Schwerpunktthemen. In der Reihe „Wiener Slawistischer Almanach: Sonderbände" erscheinen vorwiegend Monographien. Alle eingereichten Beiträge werden extern begutachtet (double-blind peer-review). Founded and co-edited (until Vol. 85, 2020) by Aage A. Hansen-Löve and Tilmann Reuther. Starting in 2021 the journal is co-edited by Ilja Kukuj, Riccardo Nicolosi, Brigitte Obermayr and Tilmann Reuther. Wiener Slawistischer Almanach publishes original research in all areas of Slavic Studies and provides a forum for a wide spectrum of literary, cultural, and linguistic discussions that push the boundaries of traditional scholarly disciplines and philological approaches. The biannual journal also accepts submissions of previously unpublished literary texts and archival materials, as well as proposals for thematic clusters of articles. The languages of publication include German, English, Russian, and other Slavic languages. The special Series „Wiener Slawistischer Almanach: Sonderbände" is primarily dedicated to publishing monographs. The Wiener Slawistischer Almanach is a peer-reviewed periodical (all articles go though the double-blind peer-review). Herausgegeben von Tilmann Reuther, Ilja Kukuj, Riccardo Nicolosi, Brigitte Obermayr Begründet und bis Band 85 (2020) herausgegeben von Aage A. Hansen-Löve und Tilmann Reuther. Der Wiener Slawistische Almanach publiziert Originalbeiträge aus allen Teildisziplinen der Slawistik und legt Wert darauf, ein breites Spektrum aktueller literatur-, kultur- und sprachwissenschaftlicher Diskussionen aufzunehmen, die über die gängigen philologischen Fachgrenzen hinausweisen. Die zwei Mal im Jahr erscheinende Zeitschrift bietet darüber hinaus ein Publikationsforum für unveröffentlichte literarische Texte und Archivmaterialien. Die nicht selten auch umfangreicheren Beiträge auf Deutsch, Englisch, Russisch und in weiteren slawischen Sprachen gruppieren sich ggf. um Schwerpunktthemen. In der Reihe „Wiener Slawistischer Almanach: Sonderbände" erscheinen vorwiegend Monographien. Alle eingereichten Beiträge werden extern begutachtet (double-blind peer-review). Founded and co-edited (until Vol. 85, 2020) by Aage A. Hansen-Löve and Tilmann Reuther. Starting in 2021 the journal is co-edited by Ilja Kukuj, Riccardo Nicolosi, Brigitte Obermayr and Tilmann Reuther. Wiener Slawistischer Almanach publishes original research in all areas of Slavic Studies and provides a forum for a wide spectrum of literary, cultural, and linguistic discussions that push the boundaries of traditional scholarly disciplines and philological approaches. The biannual journal also accepts submissions of previously unpublished literary texts and archival materials, as well as proposals for thematic clusters of articles. The languages of publication include German, English, Russian, and other Slavic languages. The special Series „Wiener Slawistischer Almanach: Sonderbände" is primarily dedicated to publishing monographs. The Wiener Slawistischer Almanach is a peer-reviewed periodical (all articles go though the double-blind peer-review).

30 publications

Fremdsprachendidaktik inhalts- und lernerorientiert / Foreign Language Pedagogy - content- and learner-oriented

Content and Learner-oriented Foreign Language Pedagogy is dedicated to theoretical, practical and current issues in foreign language learning and teaching. One of the main focuses of Hannover's Department of Foreign Language Pedagogy is media didactics. It encompasses fields such as artistic media, fine arts and music, (volumes 1, 12 and 17) as well as digitized media. They are analyzed from the perspective of their potential contribution to language education (volumes 7 and 28). As well as discussing media-related pedagogy (also covered in volumes 1, 11, 15 and 20 on media didactics) this book series deals with teaching literature (volumes 5 and 10) and content and language integrated learning (CLIL) (volumes 9, 21 and 26). Over the last few years, empirical research has been published on learner language, assessment and the implementation of the language portfolio (volumes 23, 25 and 26). Previous publications have included work by guest researchers, and the publishers welcome ideas for future manuscripts. Co-founder: Karlheinz Hellwig Prior to publication, the quality of the works published in this series is reviewed by all editors of the series. Content and Learner-oriented Foreign Language Pedagogy is dedicated to theoretical, practical and current issues in foreign language learning and teaching. One of the main focuses of Hannover's Department of Foreign Language Pedagogy is media didactics. It encompasses fields such as artistic media, fine arts and music, (volumes 1, 12 and 17) as well as digitized media. They are analyzed from the perspective of their potential contribution to language education (volumes 7 and 28). As well as discussing media-related pedagogy (also covered in volumes 1, 11, 15 and 20 on media didactics) this book series deals with teaching literature (volumes 5 and 10) and content and language integrated learning (CLIL) (volumes 9, 21 and 26). Over the last few years, empirical research has been published on learner language, assessment and the implementation of the language portfolio (volumes 23, 25 and 26). Previous publications have included work by guest researchers, and the publishers welcome ideas for future manuscripts. Co-founder: Karlheinz Hellwig Prior to publication, the quality of the works published in this series is reviewed by all editors of the series. Die Reihe Fremdsprachendidaktik inhalts- und lernerorientiert ist forschungsstrategisch wichtigen theoretischen und praktischen sowie aktuellen Fragestellungen der Fremdsprachendidaktik verpflichtet. Ein Forschungsschwerpunk der Hannoverschen Fremdsprachendidaktik liegt in der Mediendidaktik, sowohl künstlerische Medien, wie Bildende Kunst und Musik (Bände 1, 12 und 17), als auch Medien der digitalisierten Welt werden auf ihren Beitrag zu Bildung (Bände 7 und 28) befragt. Neben einer durchgängigen Behandlung von mediendidaktischen Fragestellungen, die auch durch die Publikationen zum mediendidaktischen Kolloquium (Bände 1, 11, 15 und 20) zum Ausdruck kommt, bilden Literaturunterricht (Bände 5 und 10) sowie bilingualer Sachfachunterricht (CLIL) einen weiteren Schwerpunkt (Bände 9, 21 und 26). In den letzten Jahren sind mehrere Publikationen mit vorwiegend empirischen Fragestellungen entstanden, wie z.B. zur Lernersprache, zur Leistungsmessung und zur Portfolioarbeit (Bände 23, 25 und 26). Gastherausgeberschaften kommen erfolgreich zum Einsatz und auch Manuskriptvorschläge sind erwünscht. Mitbegründet von Karlheinz Hellwig Die Qualität der in dieser Reihe erscheinenden Arbeiten wird vor der Publikation durch alle Herausgeberinnen der Reihe geprüft.

45 publications

Beiträge zur Angewandten Psychologie

ISSN: 2199-8795

This book series publishes original articles (monographs and edited volumes) about current topics in applied psychology. In line with Lewin’s (1951) dictum «Nothing is as practical as a good theory» this book series promotes the transfer from science to practice in the German-speaking area by offering foundational research with comments from practitioners. Preference is given to contributions that present innovative solutions for social and societal problems. The quality of the publications in this book series will be peer-reviewed by the editors and the members of the scientific advisory board. The series publishes contributions in German and English. Diese Schriftenreihe veröffentlicht Originalien (Monographien und Aufsatzsammlungen) zu aktuellen Themen der Angewandten Psychologie. Im Einklang mit Lewins (1951) Diktum «Nichts ist so praktisch, wie eine gute Theorie» fördert die Reihe den Wissenschafts-Praxis-Transfer im deutschsprachigen Raum durch die Publikation von Grundlagenforschung mit Kommentierungen aus der Berufspraxis. Priorität haben Arbeiten, die innovative Beiträge zur Lösung sozialer und gesellschaftlicher Probleme aufzeigen. Die Qualität der in dieser Reihe erscheinenden Arbeiten wird vor der Publikation durch die Herausgebenden und Mitglieder des wissenschaftlichen Beirats geprüft. Die Reihe veröffentlicht Publikationen in deutscher und englischer Sprache.

2 publications

Studies in Modern German and Austrian Literature

ISSN: 2235-3488

Studies in Modern German and Austrian Literature is a broadly conceived series that aims to publish significant research and scholarship devoted to German and Austrian literature of all forms and genres from the eighteenth century to the present day. The series promotes the analysis of intersections of literature with thought, society and other art forms, such as film, theatre, autobiography, music, painting, sculpture and performance art. It includes monographs on single authors or works, focused historical periods, and studies of experimentation with form and genre. Wider ranging explorations of literary, cultural or socio-political phenomena in the German-speaking lands or among writers in exile and analyses of national, ethnic and cultural identities in literature are also welcome topics. Proposals are invited for monographs, high-quality doctoral dissertations revised for book publication, focused collections of essays (including selectively edited conference proceedings), annotated editions and bibliographies. Senior figures in the academic profession as well as early career or independent scholars are encouraged to submit proposals. All proposals and manuscripts will be peer reviewed. We publish in both German and English. This series is a successor to Studies in Modern German Literature, edited by Peter D.G. Brown.

16 publications

German Studies in America

ISSN: 0721-3727

German Studies in America publishes research across the field of German studies in the broadest sense, from literary criticism to cultural studies. The editors welcome scholarly work that takes an innovative approach to German, Swiss, or Austrian history, literature, politics, philosophy, national identity, religion, popular culture, film, music, and/or visual art. We are also eager to consider projects that adopt interdisciplinary and intersectional approaches as well as studies with theoretical approaches including psychoanalysis, gender studies, feminism, Marxism, critical race studies, etc. We publish scholarly monographs, translations and edited volumes of essays in both German and English. This series adheres to the highest academic standards and is peer reviewed.

67 publications