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The Collector in Nineteenth-Century French Literature
Representation, Identity, Knowledge©2012 Monographs -
New Approaches to Crime in French Literature, Culture and Film
©2009 Conference proceedings -
Challenges of Translation in French Literature
Studies and Poems in Honour of Peter Broome©2005 Others -
Variété: Perspectives in French Literature, Society and Culture
Studies in honour of Kenneth Raymond Dutton, Emeritus Professor, The University of Newcastle, Australia©1999 Others -
«Plaisirs de femmes»
Women, Pleasure and Transgression in French Literature and Culture©2019 Edited Collection -
The Beautiful and the Monstrous
Essays in French Literature, Thought and Culture©2010 Conference proceedings -
Against the Grain
The Poetics of Non-Normative Masculinity in Decadent French Literature©2021 Monographs -
Visions of Apocalypse
Representations of the End in French Literature and Culture©2013 Edited Collection -
Guilt and Shame
Essays in French Literature, Thought and Visual Culture©2010 Conference proceedings -
É/change / Ex/change
Transitions et transactions dans la littérature française / Transitions and Transactions in French Literature©2011 Conference proceedings -
Leonardo Sciascia’s French Authors
©2009 Monographs -
French Ecocriticism
From the Early Modern Period to the Twenty-First Century©2017 Edited Collection -
Conventional and Original Metaphors in French Autobiography
©2009 Monographs -
Property Law in Renaissance Literature
©2005 Conference proceedings -
Modern French Identities
ISSN: 1422-9005
This series aims to publish monographs, editions or collections of papers based on recent research into modern French literature. It welcomes contributions from academics, researchers and writers worldwide and in British and Irish universities in particular. Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide, Apollinaire and Césaire to Barthes, Duras, Kristeva, Glissant, Germain and Roubaud. This series explores the turmoil in ideas and values expressed in the works of theorists like Lacan, Irigaray, Foucault, Fanon, Deleuze and Bourdieu and traces the impact of current theoretical approaches – such as gender and sexuality studies, de/coloniality, intersectionality, and ecocriticism – on the literary and cultural interpretation of the self. The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects and welcomes research on autobiography, cinema, fiction, poetry and performance art and/or the intersections between them. Editorial Board Contemporary Literature and Thought: Martin Crowley (University of Cambridge) Francophone Studies: Louise Hardwick (University of Birmingham) and Jean Khalfa (University of Cambridge) Gender and Sexuality Studies: Florian Grandena (University of Ottawa) and Cristina Johnston (University of Stirling) Language and Linguistics: Michaël Abecassis (University of Oxford) Literature and Art: Peter Collier and Jean Khalfa (University of Cambridge) Literature and Non-fiction: Muriel Pic (University of Bern) Poetry: Nina Parish (University of Stirling) and Emma Wagstaff (University of Birmingham) Zoopoetics and Ecocriticism: Anne Simon (CNRS/Ecole normale supérieure, Paris)
155 publications
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Samuel Beckett: Literatura y Traducción / Littérature et Traduction /Literature and Translation
©2020 Edited Collection