Galician Studies

Galician Studies serves as a forum for specialists in Galicia, one of the autonomous regions and one of four historical nationalities of Spain. Titles in this series may cover social, political, historical, literary, music, art, and linguistic themes. Approaches may be interdisciplinary and may address cultural productivity in Galician, Spanish and Portuguese languages, or others that are directly relevant to the understanding of the past, present, and future of Galicia. Galician Studies serves as a forum for specialists in Galicia, one of the autonomous regions and one of four historical nationalities of Spain. Titles in this series may cover social, political, historical, literary, music, art, and linguistic themes. Approaches may be interdisciplinary and may address cultural productivity in Galician, Spanish and Portuguese languages, or others that are directly relevant to the understanding of the past, present, and future of Galicia. Galician Studies serves as a forum for specialists in Galicia, one of the autonomous regions and one of four historical nationalities of Spain. Titles in this series may cover social, political, historical, literary, music, art, and linguistic themes. Approaches may be interdisciplinary and may address cultural productivity in Galician, Spanish and Portuguese languages, or others that are directly relevant to the understanding of the past, present, and future of Galicia.

3 publications

CEAUP Studies on Africa

ISSN: 2235-591X

Still-existing gaps in the current knowledge on Africa are an opportunity for collective scientific efforts: if formerly stable academic boundaries can be transgressed, then these lacunas may provide a good chance to advance with new interdisciplinary designs. CEAUP (Centre of African Studies of the Porto University) is an interdisciplinary research centre working on African issues. This series allows the discussion of CEAUP’s efforts in a larger, international context. The studies to be included focus on subjects regarded as especially innovative and which may help our understanding of African current impasses: – Identity and group conflict – Patterns of change in production and labour relationships, notably forced labour – Access to natural resources, such as water, land and raw materials – State building and ‘civil society’ The series accepts monographs, collected papers and conference proceedings in English. Still-existing gaps in the current knowledge on Africa are an opportunity for collective scientific efforts: if formerly stable academic boundaries can be transgressed, then these lacunas may provide a good chance to advance with new interdisciplinary designs. CEAUP (Centre of African Studies of the Porto University) is an interdisciplinary research centre working on African issues. This series allows the discussion of CEAUP’s efforts in a larger, international context. The studies to be included focus on subjects regarded as especially innovative and which may help our understanding of African current impasses: – Identity and group conflict – Patterns of change in production and labour relationships, notably forced labour – Access to natural resources, such as water, land and raw materials – State building and ‘civil society’ The series accepts monographs, collected papers and conference proceedings in English. Still-existing gaps in the current knowledge on Africa are an opportunity for collective scientific efforts: if formerly stable academic boundaries can be transgressed, then these lacunas may provide a good chance to advance with new interdisciplinary designs. CEAUP (Centre of African Studies of the Porto University) is an interdisciplinary research centre working on African issues. This series allows the discussion of CEAUP’s efforts in a larger, international context. The studies to be included focus on subjects regarded as especially innovative and which may help our understanding of African current impasses: – Identity and group conflict – Patterns of change in production and labour relationships, notably forced labour – Access to natural resources, such as water, land and raw materials – State building and ‘civil society’ The series accepts monographs, collected papers and conference proceedings in English.

2 publications

Human Right Studies

Among the broad structural transformation processes at the global level, the international legal recognition of human rights occupies an exceptionally prominent position. The dimensions of this process include standard setting, the functioning of sophisticated machineries for the promotion and protection of human rights, the development of a specific international case-law as well as new priorities of the political agenda. The human rights paradigm is at the heart of a new set of interrelated principles, which are equally valid at both the domestic and the international levels – such as the rule of law, democratic principles and the responsibility to protect – and of great strategic visions, as human development and human security. New functions, such as human rights monitoring, election observation, fact-finding and inquiry have already been admitted to international practice. This series intends to foster the publication of volumes that investigate the multiple facets of a strongly evolving reality, and stimulate the production of new and innovative ideas. It offers to highlight how the human rights paradigm is at times used and at times disregarded or exploited in cases and situations that regard among others those belonging to vulnerable groups (immigrants, asylum seekers, persons with disabilities), NGOs and human rights defenders’ advocacy, intercultural dialogue, governance of world economy, bio-technologies and peace operations. Those studies which adopt inter- and trans-disciplinary approaches, in accordance with the fundamental principle of interdependence and indivisibility of civil, political, economic, social and cultural rights, will be favored. Among the broad structural transformation processes at the global level, the international legal recognition of human rights occupies an exceptionally prominent position. The dimensions of this process include standard setting, the functioning of sophisticated machineries for the promotion and protection of human rights, the development of a specific international case-law as well as new priorities of the political agenda. The human rights paradigm is at the heart of a new set of interrelated principles, which are equally valid at both the domestic and the international levels – such as the rule of law, democratic principles and the responsibility to protect – and of great strategic visions, as human development and human security. New functions, such as human rights monitoring, election observation, fact-finding and inquiry have already been admitted to international practice. This series intends to foster the publication of volumes that investigate the multiple facets of a strongly evolving reality, and stimulate the production of new and innovative ideas. It offers to highlight how the human rights paradigm is at times used and at times disregarded or exploited in cases and situations that regard among others those belonging to vulnerable groups (immigrants, asylum seekers, persons with disabilities), NGOs and human rights defenders’ advocacy, intercultural dialogue, governance of world economy, bio-technologies and peace operations. Those studies which adopt inter- and trans-disciplinary approaches, in accordance with the fundamental principle of interdependence and indivisibility of civil, political, economic, social and cultural rights, will be favored. Among the broad structural transformation processes at the global level, the international legal recognition of human rights occupies an exceptionally prominent position. The dimensions of this process include standard setting, the functioning of sophisticated machineries for the promotion and protection of human rights, the development of a specific international case-law as well as new priorities of the political agenda. The human rights paradigm is at the heart of a new set of interrelated principles, which are equally valid at both the domestic and the international levels – such as the rule of law, democratic principles and the responsibility to protect – and of great strategic visions, as human development and human security. New functions, such as human rights monitoring, election observation, fact-finding and inquiry have already been admitted to international practice. This series intends to foster the publication of volumes that investigate the multiple facets of a strongly evolving reality, and stimulate the production of new and innovative ideas. It offers to highlight how the human rights paradigm is at times used and at times disregarded or exploited in cases and situations that regard among others those belonging to vulnerable groups (immigrants, asylum seekers, persons with disabilities), NGOs and human rights defenders’ advocacy, intercultural dialogue, governance of world economy, bio-technologies and peace operations. Those studies which adopt inter- and trans-disciplinary approaches, in accordance with the fundamental principle of interdependence and indivisibility of civil, political, economic, social and cultural rights, will be favored.

4 publications

North American Studies in Nineteenth-Century German Literature and Culture

ISSN: 2235-3496

"This series of scholarly works focuses on literature and other cultural artifacts produced during the long nineteenth century in German-speaking lands. The series includes studies in criticism and literary history, as well as analyses of the social and political dimensions of literature and culture. The aim of the series is to offer contributions by North American scholars who have rediscovered once significant authors, genres or modes of production and consumption; reevaluated canonical or other texts and their contexts; or explored other forms of expression, such as journalism, letters or diaries. This scholarship serves to renew our understanding and appreciation of a body of work that was acknowledged as internationally important in the nineteenth century and that still speaks to us today." "This series of scholarly works focuses on literature and other cultural artifacts produced during the long nineteenth century in German-speaking lands. The series includes studies in criticism and literary history, as well as analyses of the social and political dimensions of literature and culture. The aim of the series is to offer contributions by North American scholars who have rediscovered once significant authors, genres or modes of production and consumption; reevaluated canonical or other texts and their contexts; or explored other forms of expression, such as journalism, letters or diaries. This scholarship serves to renew our understanding and appreciation of a body of work that was acknowledged as internationally important in the nineteenth century and that still speaks to us today." "This series of scholarly works focuses on literature and other cultural artifacts produced during the long nineteenth century in German-speaking lands. The series includes studies in criticism and literary history, as well as analyses of the social and political dimensions of literature and culture. The aim of the series is to offer contributions by North American scholars who have rediscovered once significant authors, genres or modes of production and consumption; reevaluated canonical or other texts and their contexts; or explored other forms of expression, such as journalism, letters or diaries. This scholarship serves to renew our understanding and appreciation of a body of work that was acknowledged as internationally important in the nineteenth century and that still speaks to us today."

40 publications

Stage and Screen Studies

ISSN: 1660-2560

This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays. This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays. This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays.

10 publications

New Studies in European Cinema

ISSN: 1661-0261

With its focus on new critical, theoretical, and cultural developments in contemporary film studies, this series encourages lively analytical debate within an innovative, multidisciplinary, and transnational approach to European cinema. It aims to create an expansive sense of where the borders of European cinema may lie and to explore its interactions and exchanges within and between regional and national spaces, taking into account diverse audiences and institutions. The series reflects the range and depth of European cinema, while also attempting to revise and extend its importance within the development of cinema studies in the coming decades. Of particular interest is how European cinema may respond to the challenges of digital distribution and the new intermedial landscape, evolving issues in transnational funding and production, the significance of film festival culture, and questions of multivocality and pluralism at a time of global crisis. The impact of all such developments upon European culture and identity will be of fundamental interest in the coming decades and the New Studies in European Cinema series makes a key contribution to this debate. Proposals for monographs and edited collections are welcome. All proposals and manuscripts undergo a rigorous peer review assessment prior to publication.

28 publications

Cultural Identity Studies

This series publishes new research into relationships and interactions between culture and identity, broadly conceived. Studies relating to intercultural or transcultural identities are particularly welcome, as the series is the publishing project of the Intercultural Studies research group at Dalarna University, Sweden. The series embraces research into the roles of linguistic, social, political, psychological, literary, audiovisual, religious and/or cultural aspects in the processes of individual and collective identity formation. Given the nature of the field, interdisciplinary and theoretically diverse approaches are encouraged. Work on the theorizing of cultural aspects of identity formation and case studies of individual writers, thinkers and/or cultural products will be included. The series welcomes intercultural, transcultural and transnational links and comparisons worldwide.

36 publications

South Asian Literature, Arts, and Culture Studies

The South Asian Literature, Arts and Culture Studies series invites submissions from scholars working in the field of South Asian Studies, with a particular interest in literature, the arts (print and film), politics, religion, and society. South Asian Studies especially focuses on the Indian subcontinent, particularly India, Pakistan, Bangladesh, Nepal, Sri Lanka, Burma, and the diaspora of Non-Resident South Asians throughout the world. The series welcomes a variety of approaches and theories that interrogate and explore aspects and elements of South Asian thought, life, and artistic production. The series does not only focus on contemporary, but also in special cases, on the ancient or classical studies. This series welcomes a variety of analytical approaches and theories, especially postcolonial, feminist, post-structural, new historical, psychological, Marxist, and structuralist. Scholars working in related fields, such as philosophy, hermeneutics, and social theory, with a major interest in how these disciplines relate to South Asian Studies, are also invited to contribute manuscripts.

5 publications

Byzantine and Neohellenic Studies

ISSN: 1661-1187

This series encompasses the religion, culture, history, and literary production of the Greek-speaking world and its neighbours from the fourth century AD to the present. It aims to provide a forum for original scholarly work in any of these fields, covering cultures as diverse as Late Antiquity, the Byzantine empire, the Venetian empire, the Christian communities under Ottoman rule, and the modern nation states of Greece and Cyprus. Submissions in English are welcomed in the form of monographs, annotated editions, or collections of papers.

16 publications

Victorian and Edwardian Studies

ISSN: 1664-2104

The series focuses primarily on subjects, works and authors of Victorian and Edwardian literature in light of an interpretation of the lines of epistemic continuities/discontinuities involved in the historical notion of “the long nineteenth-century” (1789–1914). While promoting new critical perspectives in the field of Victorian textual production (from literature to visual arts, from scientific works to popular press), the series also aims to publish interdisciplinary works which consider the ideological and sociocultural implications of the radical transformation in Victorian society. The publications in the series originate mainly from research work conducted at the CUSVE (Centre for Victorian and Edwardian Studies – University of Pescara, Italy) but the series is open to contributions originating outside the CUSVE. It publishes monographs, collections of essays, conference proceedings and doctoral dissertations. The language of publications is both English and Italian.

9 publications

Spanish Golden Age Studies

ISSN: 2297-5225

This series publishes titles on the Golden Age, including but not limited to studies on the New World, the imperial wars, internal strife, visual arts, the popular theatre and prose fiction. Our remit is to provide an outlet for new socio-historical and cultural research on the Early-Modern period, a time when Spain could for the first and last time lay claim to being the world’s leading military, economic and political power. The series is particularly interested in reflections on how cultural production both reflected and shaped the age that ostensibly brought it forth. We welcome both monographs and edited collections in English or Spanish. Editorial Advisory Board: Dr Jonathan Bradbury (University of Exeter) Professor Barbara Fuchs (UCLA) Professor Enrique García Santo-Tomás (University of Michigan) Dr Stuart Green (University of Leeds) Professor Javier Huerta Calvo (Universidad Complutense de Madrid) Dr Anne Holloway (Queen's University, Belfast) Professor Jeremy Lawrance (University of Oxford) Professor Rosa Navarro Durán (Universidad de Barcelona) Dr John Rutherford (The Queen's College, University of Oxford) Professor Elizabeth Wright (University of Georgia)

3 publications

Cultural Media Studies

ISSN: 2577-6231

In the past few years, our political, cultural, and media landscapes have cultivated a sharp, notable rise of media activism, more representations of diverse groups and characters, and the need for intersectional approaches to media studies. The #MeToo campaign, the 2017 and 2018 Women’s Marches, Black Lives Matter marches, cross-border anti-feminicide activist marches, immigration marches, and increased representation of diverse sexual identities, racial/ethnic groups, and gender identities are evidence of the need for continued research on cultural media studies topics. The Peter Lang Cultural Media Studies Book Series is accepting book proposals for both proposed book and fully developed manuscripts on a rolling basis for media studies books that explore media production, media consumption, media effects, and media representations of feminism(s), race/ethnicity, gender, sexuality, and related topics.

11 publications

Frontiers in Journalism Studies

The aim of the series Frontiers in Journalism Studies is straightforward: journalism as a field, and journalism studies as a way to make sense of it, both face the challenge of keeping pace with a range of developments. Buffeted by new, mostly digital, changes in content, journalistic production, media technologies, business models, political pressures, and audience interest, not to mention still unfolding questions around algorithms, data and privacy, and platforms, the challenges for making sense of journalism are many and the changes have been significant. But changes can be made sense of, and even the most novel developments come from somewhere. Frontiers in Journalism Studies embraces an opportunity to understand journalism’s place in society anew. By identifying key areas of journalism which have been defined almost exclusively by ‘change’ and revisiting these for how they draw on longer legacies, and by casting our gaze back towards theories and concepts that have fallen out of popular favour and revising these for our current circumstances, this series recognizes that while digital developments often catch our attention, we also have to confront societal, political, and commercial changes that affect how we understand journalism. It does so in work that is: Conceptually rich, abundantly clear. This series will provide a conceptually and theoretically rich dialogue that is delivered within a clear and approachable discussion of journalism’s new frontiers, matching theoretical richness with accessibility. Research for tomorrow. The books in this series prioritize forward-looking research agendas that avoid being quickly ‘outdated’. By not focusing too narrowly on technological changes or current trends, it offers a jumping off point and a conceptual foundation for journalism research going forward. Mapping journalism’s terrain. This series will place journalism in our current societies, addressing how they have changed and offering a map for how they might continue to be shaped in both journalism’s and journalism studies’ futures. Comprehensive. The titles in this series will give readers the information they need to make sense of a topic, providing students and scholars alike with an idea as to how to move forward in further developing their own research or understanding. Global. The issues addressed and the research presented in this series maintain a global focus. This recognizes that in journalism studies, engaging theoretical and conceptual work is being done across the world. This series aims to elevate this work across its titles. Provocative. This series provides a platform for scholars to deeply explore the topics under discussion, with the space to engage theoretical and conceptual questions with curiosity and boldness.

0 publications

Documentary Film Cultures

ISSN: 2504-4834

This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)

6 publications

Régionalisme & Fédéralisme / Regionalism & Federalism

The contemporary nation-state is undergoing a series of transformations which question its traditional role as a container of social, political and economic systems. New spaces are emerging with the rise of regional production systems, movements for territorial autonomy and the rediscovery of old and the invention of new identities. States have responded by restructuring their systems of territorial government, often setting up an intermediate or regional level. There is no single model, but a range, from administrative deconcentration to federalization. Some states have regionalized in a uniform manner, while others have adopted asymmetrical solutions. In many cases, regions have gone beyond the nation-state, seeking to become actors in broader continental and transnational systems. The series covers the gamut of issues involved in this territorial restructuring, including the rise of regional production systems, political regionalism, questions of identity, and constitutional change. It will include the emergence of new systems of territorial regulation and collective action within civil society as well as the state. There is no a priori definition of what constitutes a region, since these span a range of spatial scales, from metropolitan regions to large federated states, and from administrative units to cultural regions and stateless nations. Disciplines covered include history, sociology, social and political geography, political science and law. Interdisciplinary approaches are particularly welcome. In addition to empirical and comparative studies, books focus on the theory of regionalism and federalism, including normative questions about democracy and accountability in complex systems of government. L’État-nation contemporain a subi une série de transformations qui remettent en cause son rôle traditionnel de cadre pour les systèmes sociaux, politiques et économiques. Des nouveaux espaces ont émergé avec la mise en place de systèmes de production régionaux, le développement des mouvements pour l’autonomie territoriale et la redécouverte des anciennes identités aussi bien que l’invention de nouvelles. Les États ont répondu à ces mutations par la restructuration de leurs systèmes de gouvernement territoriaux, le plus souvent par l’instauration d’un niveau intermédiaire ou régional. Il n’y a pas de modèle unique mais bien une gamme allant de la décentralisation administrative à la fédéralisation. Certains États se sont régionalisés de manière uniforme, tandis que d’autres ont adopté des solutions asymétriques. Dans plusieurs cas, les régions ont dépassé le cadre des États-nations, cherchant à devenir des acteurs au sein des systèmes continentaux et transnationaux. La collection s’intéresse à toute étude concernant cette restructuration territoriale, incluant le développement des systèmes de production régionaux, le régionalisme politique, les questions d’identité et les changements constitutionnels. Elle prend également en compte l’émergence de nouveaux systèmes de régulation territoriale et l’action collective au niveau de la société civile aussi bien que de l’État. Il n’y a pas de définition a priori de ce qui constitue une région, celle-ci pouvant embrasser un éventail de niveaux territoriaux, des régions métropolitaines aux grands États fédérés et des unités administratives aux régions culturelles et aux nations-sans-État. La collection comprend des études dans des disciplines variées telles que l’histoire, la sociologie, la géographie sociale et politique, la science politique et le droit. Les approches interdisciplinaires sont particulièrement bienvenues. Enfin, parallèlement aux études empiriques et comparatives, certains ouvrages s’intéressent à la théorie du régionalisme et du fédéralisme, incluant des questions normatives sur la démocratie et la responsabilité dans les systèmes complexes de gouvernement. The contemporary nation-state is undergoing a series of transformations which question its traditional role as a container of social, political and economic systems. New spaces are emerging with the rise of regional production systems, movements for territorial autonomy and the rediscovery of old and the invention of new identities. States have responded by restructuring their systems of territorial government, often setting up an intermediate or regional level. There is no single model, but a range, from administrative deconcentration to federalization. Some states have regionalized in a uniform manner, while others have adopted asymmetrical solutions. In many cases, regions have gone beyond the nation-state, seeking to become actors in broader continental and transnational systems. The series covers the gamut of issues involved in this territorial restructuring, including the rise of regional production systems, political regionalism, questions of identity, and constitutional change. It will include the emergence of new systems of territorial regulation and collective action within civil society as well as the state. There is no a priori definition of what constitutes a region, since these span a range of spatial scales, from metropolitan regions to large federated states, and from administrative units to cultural regions and stateless nations. Disciplines covered include history, sociology, social and political geography, political science and law. Interdisciplinary approaches are particularly welcome. In addition to empirical and comparative studies, books focus on the theory of regionalism and federalism, including normative questions about democracy and accountability in complex systems of government.

14 publications

Micro y Pequeña Empresa Latinoamericana

The works in this collection are open access and aim to promote and disseminate quality scientific production in the economic-administrative area and related areas, developing research on micro and small enterprises focusing on a particular aspect each year. The relevance of the study contributes to the generation of knowledge for the development of a management model with characteristics specific to the micro and small enterprises in Latin America. The study is applied to owners, directors or managers of these organizations, who make most of the decisions. The works are peer reviewed and coordinated by the Red de Estudios Latinoamericanos en Administración y Negocios (RELAYN), which is coordinated by Dr. Nuria Beatriz Peña Ahumada: PhD in Administration, member of the National System of Researchers and Researchers (SNII) and university professor; and Dr. Oscar Cuauhtémoc Aguilar Rascón: PhD in Administration, member of the National System of Researchers and Researchers (SNII) and university professor. * * * EDITORIAL BOARD Nuria B. Peña Ahumada – RedesLA – Universidad de Celaya / UTSJR – México Oscar C. Aguilar Rascón - RedesLA - Universidad de Celaya/UTSJR - México * * * ACADEMIC BOARD Roberto Hernández Sampieri – Universidad de Celaya – México Ricardo Contreras Soto – Universidad de Guanajuato – México * * * SCIENTIFIC COMMITTEE IN MEXICO Dra. Christian Paulina Mendoza Torres. Candidata a Investigadora Nacional – Universidad Tecnológica Laja Bajío – México Dra. Esmeralda Aguilar Pérez. Candidata a Investigadora Nacional – Instituto Tecnológico Superior de San Martín Texmelucan – México Dra. Corina Guillermina Ocegueda Mercado. Candidata a Investigadora Nacional – Tecnológico Nacional de México/Instituto Tecnológico de Matamoros – México Dra. Liliana de Jesús Gordillo Benavente. Candidata a Investigadora Nacional – Universidad Politécnica de Tulancingo – México Dr. Carlos Robles Acosta. SNI Nivel 1 - Universidad Autónoma del Estado de México Dra. Suly Sendy Pérez Castañeda – Universidad Autónoma del Estado de Hidalgo – México Dra. Brenda Marcela Salcido Trillo. Candidata a Investigadora Nacional– Universidad Tecnológica de Ciudad Juárez – México Dr. Luis Enrique Ibarra Morales. SNI Nivel 1 - Universidad Estatal de Sonora – México Dr. Manuel Ernesto Becerra Bizarrón. SNI Nivel 1 - Universidad de Guadalajara – México Dra. Claudia Cintya Peña Estrada. SNI Nivel 1- Universidad Autónoma de Querétaro - México Mtra. Laura Adame Rodríguez. Candidata a Investigadora Nacional - Instituto Tecnológico Superior de Pátzcuaro – México * * * SCIENTIFIC COMMITTEE IN LATIN AMERICA Dr. José Armando Pancorbo Sandoval – Universidad Tecnológica Equinoccial Sede Santo Domingo – Ecuador Dr. Erwin O. Aguirre de Lazaro - Universidad de La Habana - Cuba Dra. María Teresa Ramírez Garzón – Universidad de La Salle – Colombia Dra. Estefanía Solari Sperandio – Universidad Nacional de La Plata – Argentina Mtra. Mónica Patricia Sebastián Di Paola – Universidad Nacional de La Plata – Argentina Dr. Henry León Torres – Universidad de Cundinamarca – Colombia Dr. Carlos Mario Muñoz Maya – Universidad La Salle – Colombia Mtro. Manuel Ricardo González Moreno - Universidad de Cundinamarca – Colombia Las obras de la colección son de acceso abierto y tienen como objetivo promover y difundir producción científica de calidad en el área económico-administrativa y áreas relacionadas, desarrollando investigaciones en la micro y pequeña empresa [mype] enfocándose en algún aspecto particular cada año. La pertinencia del estudio contribuye a la generación del conocimiento para el desarrollo de un modelo de gestión con características propias de la mype en América Latina. Dicho estudio es aplicado a propietarios, directivos o gerentes de estas organizaciones, quienes toman la mayor parte de las decisiones. Las obras son objeto de revisión por pares y son coordinadas por la Red de Estudios Latinoamericanos en Administración y Negocios (RELAYN), misma que es coordinada por la Dra. Nuria Beatriz Peña Ahumada: doctora en Administración, miembro del Sistema Nacional de Investigadores e Investigadoras (SNII) y docente universitaria; y el Dr. Oscar Cuauhtémoc Aguilar Rascón: doctor en Administración, miembro del Sistema Nacional de Investigadores e Investigadoras (SNII) y docente universitario. * * * CONSEJO EDITORIAL Nuria B. Peña Ahumada – RedesLA – Universidad de Celaya / UTSJR – México Oscar C. Aguilar Rascón - RedesLA - Universidad de Celaya/UTSJR - México * * * CONSEJEROS ACADÉMICOS Roberto Hernández Sampieri – Universidad de Celaya – México Ricardo Contreras Soto – Universidad de Guanajuato – México * * * COMITÉ CIENTÍFICO EN MÉXICO Dra. Christian Paulina Mendoza Torres. Candidata a Investigadora Nacional – Universidad Tecnológica Laja Bajío – México Dra. Esmeralda Aguilar Pérez. Candidata a Investigadora Nacional – Instituto Tecnológico Superior de San Martín Texmelucan – México Dra. Corina Guillermina Ocegueda Mercado. Candidata a Investigadora Nacional – Tecnológico Nacional de México/Instituto Tecnológico de Matamoros – México Dra. Liliana de Jesús Gordillo Benavente. Candidata a Investigadora Nacional – Universidad Politécnica de Tulancingo – México Dr. Carlos Robles Acosta. SNI Nivel 1 - Universidad Autónoma del Estado de México Dra. Suly Sendy Pérez Castañeda – Universidad Autónoma del Estado de Hidalgo – México Dra. Brenda Marcela Salcido Trillo. Candidata a Investigadora Nacional– Universidad Tecnológica de Ciudad Juárez – México Dr. Luis Enrique Ibarra Morales. SNI Nivel 1 - Universidad Estatal de Sonora – México Dr. Manuel Ernesto Becerra Bizarrón. SNI Nivel 1 - Universidad de Guadalajara – México Dra. Claudia Cintya Peña Estrada. SNI Nivel 1- Universidad Autónoma de Querétaro - México Mtra. Laura Adame Rodríguez. Candidata a Investigadora Nacional - Instituto Tecnológico Superior de Pátzcuaro – México * * * COMITÉ CIENTÍFICO EN LATINOAMÉRICA Dr. José Armando Pancorbo Sandoval – Universidad Tecnológica Equinoccial Sede Santo Domingo – Ecuador Dr. Erwin O. Aguirre de Lazaro - Universidad de La Habana - Cuba Dra. María Teresa Ramírez Garzón – Universidad de La Salle – Colombia Dra. Estefanía Solari Sperandio – Universidad Nacional de La Plata – Argentina Mtra. Mónica Patricia Sebastián Di Paola – Universidad Nacional de La Plata – Argentina Dr. Henry León Torres – Universidad de Cundinamarca – Colombia Dr. Carlos Mario Muñoz Maya – Universidad La Salle – Colombia Mtro. Manuel Ricardo González Moreno - Universidad de Cundinamarca – Colombia

4 publications

Contemporary Film, Television, and Video

ISSN: 1543-0863

The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited. The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited. The Contemporary Film, Television, and Video Studies series seeks to publish serious, scholarly materials about contemporary American and international film, television, and video practices. Topics of interest include studies of national media practices, the globalization of media production and consumption, and studies of important and influential media practitioners. Submission of single author manuscripts and edited collections of essays from a wide range of theoretical and methodological perspectives are invited.

2 publications

Kurdish People, History and Politics

ISSN: 2701-3030

Kurdish People, History and Politics is envisioned as a series to create new knowledge about the Kurds. The social basis of Kurdish Studies began to widen in the latter part of the twentieth century, growing in the context of major political and cultural changes on the global and regional levels including the coming to power of the Kurdistan Regional Government in the wake of the 1991 U.S. war against Iraq, the process of peace negotiation between the Turkish State and the Kurdistan Workers’ Party (PKK) since the 1990s, and in more recent years, the struggle of the Syrian Kurds in Rojava (Northern Syria) for self-determination. In the last three decades, an expanded network of Kurdish Studies scholars have borrowed theoretical and methodological approaches from feminist studies, cultural studies, anti-colonial and anti-racist epistemology. This series pushes the boundaries of existing scholarship through a robust engagement with critiques of nationalism, patriarchy, class, colonialism, and orientalism, with the aim of contributing to the renewal of Kurdish Studies in two distinctive ways: First, it aims to prevail over the limitations imposed on knowledge production and dissemination on the Kurds and their homeland of Kurdistan, in Turkey, Iran, Syria, and Iraq. Second, it strives to broaden the social base of Kurdish Studies, which until the mid-twentieth century was primarily conducted by Western academics specializing in the anthropological study of the Kurdish people, languages and culture. The series encourages authors to engage with theoretical frameworks that allow a radical break with the colonial, orientalist, and nationalist traditions of knowledge production, exploring social media, democratization, border studies, and geographies of resistance in the context of Kurdish diaspora through this critical lens. We welcome proposals for monographs, oral history projects, anthologies, edited collections, and projects interdisciplinary and collaborative in nature.

4 publications

Pensée et perspectives africaines / African Thought and Perspectives

La collection « Pensée et perspectives africaines » a pour but de révéler, de manière critique, les différents aspects de la pensée africaine. Elle s’efforce, d’une part, de mieux faire comprendre celle-ci et, d’autre part, de dégager les voies à travers lesquelles l’Afrique peut se construire et contribuer à la construction du monde. La collection se préoccupe de stimuler et de faire connaître l’expérience noétique africaine dans ce qu’elle a de spécifique et d’universel. Elle promeut la recherche et la réflexion au sens le plus large. En créant les conditions d’une connaissance à la fois intime et critique des langues, cultures et arts d’Afrique, elle favorise la production d'oeuvres nouvelles. Elle accueille donc toute étude de littérature, anthropologie, histoire, philosophie, art, linguistique, etc., quelle que soit sa provenance, qui contribue à faire connaître la pensée africaine ou d’inspiration africaine. The series «African Thought and Perspectives» aims at a critical analysis of the various aspects of African thought. On the one hand, it focuses on a better understanding of African thought and, on the other, it endeavours to find out ways through which Africa can develop itself while contributing to the development of the world as a whole. The series presents the African intellectual experience in its specificity as well as in its universality. It will also promote research and reflection on African matters in the widest sense. By creating the conditions in which African languages, cultures and arts can be intimately and critically examined, it encourages the production of new works. It, therefore, particularly welcomes studies on literature, anthropology, history, philosophy, art or linguistics that contribute to a better knowledge of African – or African-inspired –thought.

9 publications

Education and Struggle

ISSN: 2168-6432

"WE ARE THE STORIES WE TELL. The series "Education and Struggle" focuses on conflict as a discursive process where people struggle for legitimacy and the narrative process becomes a political struggle for meaning. But this series will also include the voices of authors and activists who are involved in conflicts over material necessities in their communities, schools, places of worship, and public squares as part of an ongoing search for dignity, self-determination and autonomy. This series focuses on conflict and struggle within the realm of educational politics based around a series of interrelated themes: indigenous struggles; western-Islamic conflicts; globalization and the clash of worldviews; neoliberalism as the war within;colonization and neocolonization; the coloniality of power and decolonial pedagogy; war and conflict and the struggle for liberation. It publishes narrative accounts of specific struggles as well as theorizing "conflict narratives" and the political production of meaning in educational studies. During this time of global conflict and the crisis of capitalism, Education and Struggle promises to be on the cutting edge of social, cultural, educational and political transformation. Central to the series is the idea that language is essentially a dialogical production that is formed through a process of social conflict and interaction. The aim is to focus on key semiotic, literary andpolitical concepts as a basis for a philosophy of language and culture where the underlying materialist philosophy of language and culture serves as the basis for the larger project that we might call dialogism (after Bakhtin’s usage). As the late V.N. Volosinov suggests “Without signs there is no ideology”, “Everything ideological possesses semiotic value” and “individual consciousness is a socio-ideological fact”. It is a small step to claim, therefore, “consciousness itself can arise and become a viable fact only in the material embodiment of signs”. This series is a vehicle for materialist semiotics in the narrative and dialogue of education and struggle."

39 publications

European Connections

European Connections: Studies in Comparative Literature, Intermediality and Aesthetics is a peer-reviewed series that publishes innovative research monographs, edited volumes as well as translations of key theoretical works. The series focuses on the literary and artistic relations that have shaped and continue to shape European cultures across national, linguistic and media boundaries, leading to vibrant new forms of artistic creation and aesthetic expression. It also wishes to explore relations with non-European cultures with a view to fostering more equitable models of cultural exchange and transfer. The series promotes comparative, intermedial and interdisciplinary approaches, whether studies of specific writers, filmmakers and artists; critical re-evaluations of historical periods (from the medieval to the ultra-contemporary) and movements; or wider theoretical reflections within the fields of comparative literature, intermediality studies and aesthetics. In light of the urgent need to revitalize the idea of Europe along new lines of thought, the series encourages research that explores the rich connections within European artistic and cultural production as well as the participation of European cultures in what the great philosopher of relation Édouard Glissant has called the Tout-monde. The series publishes in English, French and German. Editorial Board: Vincent Ferré (University Paris-Est Créteil), Robin Kirkpatrick (University of Cambridge), Kim Knowles (Aberystwyth University), Frauke Matthes (University of Edinburgh), Jean-Pascal Pouzet (University of Limoges), Marisa Verna (Università Cattolica, Milan)

54 publications

Criminal Humanities & Forensic Semiotics

This series publishes monographs, anthologies, annotated literary editions, and comparative studies that critically engage the humanities as a locus for the study of criminal offending, criminal investigation, deviance, penology, and deterrence, as well as the epistemology of justice. We are especially interested in submissions with a strong interdisciplinary orientation and which lie at the crossroads of theory and practice. In other words, this series is foremost concerned with using artistic, literary, and multimedia texts, situations, and other products of the strictly non-investigative world as vehicles for exploring long-standing social and procedural issues of interest to both academia and the general public. By engaging a wide readership encompassing both scholars and practitioners, it is the intent of this series to breathe new life into the humanities and cultural studies, not to further alienate or obfuscate the scholarship done in these disciplines. For this reason, collaborations between authors representing academic institutions and those working in both private and public knowledge sectors, including government and specialized areas of law enforcement, are encouraged to collaborate with respect to this project. The series will publish studies and anthologies that explore the connection between fictional writing, movies, music, traditional electronic media, the Internet, and other domains of popular culture and how they have influenced the perception of crime and criminality. The synergy that exists between real crime (reality) and imagined criminality as manifesting itself through representations in writing and media is the primary focus of the series. We also welcome submissions that draw on any number of semiotic, linguistic, and comparative literature traditions, particularly those espousing new approaches to these fields and which allow key concepts to be unpacked within the framework of the criminal justice system, the forensic sciences, or other professions or institutions that serve the public interest.

5 publications

Disability, Media, Culture

ISSN: 2633-0849

Globally today, television, film and the internet comprise the principal sources of cultural consumption and engagement. Despite this, these areas have not featured strongly in the cultural study of disability. This book series will provide the first specific outlet for international scholars of disability to present their work on these topics. The series will build a body of work that brings together critical analysis of disability and impairments in media and culture. The series expands the work currently undertaken in literary studies on disability by using media and cultural theory to understand the place of disability and impairment in a range of media and cultural forms. The series encourages the development of work on disabled people in the media, within the media industries and in the wider cultural sphere. Whilst film and television analysis will be central to this series, we also encourage work on disability in other media, including journalism, radio, the internet and gaming. We welcome proposals from media studies: narrative constructions of disability; technical aspects of media production; disability, the economy and society; the impact of social media and gaming on disabled identities; and the role of architecture and image. Cultural studies are also encouraged: the uses of disabled and chronically ill bodies, ‘cripping culture’, corporeal projections in culture, intersectional identities, advertising, and the uses of cultural theory in furthering understandings of ableism and disablism. All proposals and manuscripts will be rigorously peer reviewed. The language of publication is English, although we welcome submissions from around the world and on topics that may take as their focus non-English media. We welcome new proposals for monographs and edited collections. Editorial Board: Eleoma Bodammer (Edinburgh), Catalin Brylla (Bournemouth), Colin Cameron (Northumbria), Sally Chivers (Trent, Canada), Eduard Cuelenaere (Ghent), Beth Haller (Towson, USA), Catherine Long, Nicole Marcotić (Windsor), Maria Tsakiri (Cyprus), Dolly Sen, Sonali Shah (Birmingham), Alison Sheldon (Leeds), Murray Simpson (Dundee), Angela M. Smith (Utah), Heike Steinhoff (Ruhr-University Bochum), Laura Waite (Liverpool Hope).

3 publications

Critical Perspectives on English and American Literature, Communication and Culture

ISSN: 2297-4628

The peer-reviewed series provides a forum for first-class scholarship in the field of English and American Studies and focuses on English and American literature, drama, film, theatre and communication. The series welcomes critical perspectives on the reading and writing of texts, the production and consumption of high and low culture, the aesthetic and social implications of texts and communicative practices. It publishes monographs, collected papers, conference proceedings and critical editions. The languages of publication are both English and Spanish. Scholars are invited to submit their manuscripts to the editors or to the publisher.

35 publications

Literary and Cultural Theory

The objective of the Literary and Cultural Theory series is to publish works, collections of articles, and conference proceedings which aim at transgressing boundaries of single disciplines and at creating common space within which themes and methodologies of those single disciplines merge and contribute to the production of a novel approach to culture, literature, and philosophy. Within thus conceived area of the humanities we place particular emphasis on: first, interdisciplinarity (both in terms of topics and methodology) and, secondly, on theoretical (or theorizing) approach, i.e., an approach which not only aims at describing cultural and literary phenomena, but also at revealing their mechanisms and multiple interrelationships, visible sometimes only when boundaries of disciplines are transgressed, and when areas of overlap are identified. Those priorities do not exclude publication of volumes within what has traditionally been considered the realm of literary studies, as long as the critical and theorizing attitude is maintained. Editors Homepage : Prof. Dr. Wojciech Kalaga

62 publications