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  • Title: The Shaping of English Poetry

    The Shaping of English Poetry

    Essays on 'Sir Gawain and the Green Knight', Langland, Chaucer and Spenser
    by Gerald Morgan (Author) 2011
    ©2010 Monographs
  • Title: Influence of National Culture on IFRS Practice

    Influence of National Culture on IFRS Practice

    An Empirical Study in France, Germany and the United Kingdom
    by Christian Reisloh (Author) 2012
    ©2011 Thesis
  • Title: How to Do Things with Pictures

    How to Do Things with Pictures

    Skill, Practice, Performance
    by András Benedek (Volume editor) Kristof Nyiri (Volume editor) 2013
    ©2013 Conference proceedings
  • Title: Global Education Under Attack

    Global Education Under Attack

    International Baccalaureate in America
    by Tristan Bunnell (Author) 2012
    ©2012 Monographs
  • Title: The Iconic Turn in Education

    The Iconic Turn in Education

    by András Benedek (Volume editor) Kristof Nyiri (Volume editor) 2012
    ©2013 Edited Collection
  • Title: Poetic Closets

    Poetic Closets

    Gay Lines and the New York School Poets
    by Hartmut Heep (Author) 2020
    ©2020 Monographs
  • Title: Teacher TV

    Teacher TV

    Seventy Years of Teachers on Television, Second Edition
    by Mary M. Dalton (Author) Laura R. Linder (Author) 2020
    ©2020 Textbook
  • Title: Social and Political Thought of the French Revolution, 1788-1797

    Social and Political Thought of the French Revolution, 1788-1797

    An Anthology of Original Texts- Abridged Edition
    by Marc A. Goldstein (Volume editor)
    ©2001 Textbook
  • Title: From Perinet to Jelinek

    From Perinet to Jelinek

    Viennese Theatre in its Political and Intellectual Context
    by W. E. Yates (Volume editor) Allyson Fiddler (Volume editor) John Warren (Volume editor)
    ©2001 Conference proceedings
  • Title: And Then They Loved Him

    And Then They Loved Him

    Seward Collins and the Chimera of an American Fascism
    by Michael Jay Tucker (Author)
    ©2006 Monographs
  • Title: Lingua Legis in Translation

    Lingua Legis in Translation

    English-Polish and Polish-English Translation of Legal Texts
    by Aleksandra Matulewska (Author)
    ©2007 Monographs
  • Title: Branded Conservatives

    Branded Conservatives

    How the Brand Brought the Right from the Fringes to the Center of American Politics
    by Kenneth M. Cosgrove (Author)
    ©2007 Textbook
  • Title: Construction of New Turkey

    Construction of New Turkey

    Turkish Identity in Transition: From Kemalist Hyper-Modernism to Religious Conservatism
    by Orhun Cem Karsavuran (Author) 2019
    ©2020 Monographs
  • Title: John Sparrow: Warden of All Souls College, Oxford

    John Sparrow: Warden of All Souls College, Oxford

    «I loathe all common things»
    by Peter Raina (Author) 2018
    ©2017 Monographs
  • Title: Language Shift in Southern New England

    Language Shift in Southern New England

    Morphosyntactic Variation in Franco-American French
    by Louis Edward Stelling (Author)
    Monographs
  • Title: Economic Populism in British and American Political Discourse

    Economic Populism in British and American Political Discourse

    A Comparative Analysis of Boris Johnson’s and Donald Trump’s Speeches
    by Ewa Feder-Sempach (Author) 2022
    ©2022 Monographs
  • Title: Refusing to be Forgotten

    Refusing to be Forgotten

    Southern Conservatism and the Political Thought of M. E. Bradford
    by Marcin Gajek (Author) 2023
    ©2023 Monographs
  • Title: The Role of Environment in Captain Marryat’s Novels and Victorian Culture

    The Role of Environment in Captain Marryat’s Novels and Victorian Culture

    by Seyyed Ali KHANI HOOLARI (Author) Shamsoddin ROYANIAN (Author)
  • Eurosinica

    ISSN: 2235-6258

    "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Board Members • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (1921–2005) and the Canadian comparatist Adrian Hsia (1938–2010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of “cultural dialogue” between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series’ founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (“contacts”) between formerly allegedly “separated” cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber • Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) • Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder • He Chengzhou (Nanjing) • Mark Gamsa (Tel Aviv / Riga) • Shu-ching Ho (Düsseldorf) • Lucie Berner (Macao) • Tatsuo Takahashi (Tokyo) • Rossella Ferrari (London) "

    12 publications

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