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Reframing the European Other

Identity and Belonging in Contemporary French and German Cinema

by Kamil Zapaśnik (Author) 2023

©2024 Monographs
What is a Woman to Do?

A Reader on Women, Work and Art, c. 1830-1890

by Kyriaki Hadjiafxendi (Volume editor) Patricia Zakreski (Volume editor) 2011

©2011 Edited Collection
Questions of Colour in Cinema

From Paintbrush to Pixel

by Wendy Everett (Volume editor) 2012

©2008 Conference proceedings
The Story of the Mexican Screenplay

A Study of the Invisible Art Form and Interviews with Women Screenwriters

by Maria Teresa DePaoli (Author) 2011

©2014 Textbook
Embodied Fantasies: From Awe to Artifice

by Suzanne Anker (Volume editor) Sabine Flach (Volume editor) 2013

©2013 Conference proceedings
Staging Difference

Cultural Pluralism in American Theatre and Drama – Second Printing

by Marc Maufort (Volume editor) 1995

©1997 Others
The Power of Symbols

The Alhambra in a Global Perspective

by Francine Giese (Volume editor) Ariane Varela Braga (Volume editor) 2018

©2018 Edited Collection
The Return Beat - Interfacing with Our Interface

A Spiritual Approach to the Golden Triangle

by Olugbenga Taiwo (Author) 2021

©2021 Monographs
Imagined Cosmopolis

Internationalism and Cultural Exchange, 1870s–1920s

by Charlotte Ashby (Volume editor) Grace Brockington (Volume editor) Daniel Laqua (Volume editor) Sarah Victoria Turner (Volume editor) 2019

©2019 Edited Collection
The Theatre of Martin McDonagh

A World of Savage Stories

by Lilian Chambers (Volume editor) Eamonn Jordan (Volume editor) 2019

©2006 Textbook
Out of History

Essays on the Writings of Sebastian Barry

by Christina Hunt Mahony (Volume editor) 2020

©2006 Edited Collection
The Physiognomical Discourse and European Theatre

Theory, Performance, Dramatic Text

by Maria-Christina Mur (Author) 2017

©2017 Thesis
The Icon Debate

Religious Images in Russia in the 15th and 16th Centuries

by Aleksandra Sulikowska (Author) 2016

©2016 Monographs
Conflict and Controversy in Small Cinemas

by Janina Falkowska (Volume editor) Krzysztof Loska (Volume editor) 2018

©2018 Edited Collection
The Origins of Western Notation

Revised and Translated by Neil Moran. With a Report on «The Reception of the «Universale Neumenkunde, 1970-2010»

by Constantin Floros (Author) 2019

©2011 Monographs
Alternatives

Debating Theatre Culture in the Age of Con-Fusion

by Vanessa Elaine Domine (Author) Peter Eckersall (Volume editor) Uchino Tadashi (Volume editor) Moriyama Naoto (Volume editor)

©2004 Edited Collection
Revisiting Space

Space and Place in European Cinema

by Wendy Everett (Volume editor) Axel Goodbody (Volume editor)

©2005 Conference proceedings
Drama Translation and Theatre Practice

by Sabine Coelsch-Foisner (Volume editor) Holger M. Klein (Volume editor)

©2004 Conference proceedings

Reframing the European Other

What is a Woman to Do?

Questions of Colour in Cinema

Aesthetic Rivalries

Between the Eye and the World

The Story of the Mexican Screenplay

Culture War

Gender in Cuban Cinema

Playing it Queer

Thinking Images

Embodied Fantasies: From Awe to Artifice

Staging Difference

The Power of Symbols

The Return Beat - Interfacing with Our Interface

Imagined Cosmopolis

The Theatre of Martin McDonagh

Out of History

The Physiognomical Discourse and European Theatre

The Icon Debate

Conflict and Controversy in Small Cinemas

The Origins of Western Notation

Alternatives

John Lennon Imagined

Revisiting Space

Drama Translation and Theatre Practice

Key Subject Areas