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  • New Comparative Criticism

    ISSN: 2235-1809

    New Comparative Criticism is dedicated to innovative research in literary and cultural studies. It invites contributions with a comparative, cross-cultural, and interdisciplinary focus, including comparative studies of themes, genres, and periods, and research in the following fields: world literature, environmental humanities, literary and cultural theory, material and visual cultures, speculative fiction, reception studies, cultural history, comparative gender studies and performance studies, diasporas and migration studies, and transmediality. The series is especially interested in research that articulates and examines new developments in comparative literature, in the English-speaking world and beyond. It seeks to advance methodological reflection on comparative literature and aims to encourage critical dialogue between scholars of comparative literature at an international level. Editorial Board: Gillian Beer (University of Cambridge), Helena Buescu (University of Lisbon), Laura Caretti (University of Siena), Djelal Kadir (Penn State University), Timothy Mathews (University College London), Rosa Mucignat (King’s College London), Danielle Sands (Royal Holloway, University of London), Galin Tihanov (Queen Mary, University of London), Marina Warner (Birkbeck, University of London).

    18 publications

  • Medical Humanities: Criticism and Creativity

    Criticism and Creativity

    ISSN: 2504-5229

    This series showcases innovative research, creativity and pedagogy in the interdisciplinary field of medical humanities. Books in the series explore the complexities of human bodies, minds, illness and wellbeing through analytical frameworks derived from humanistic disciplines and clinical practice. The series publishes a range of materials, including monographs and edited collections on scholarly approaches to medical issues in culture; creative works (accompanied by analytical and educational materials) that engage with medical humanities themes; and critical, engaged or radical pedagogies on focused topics for learners in the medical and health humanities.  Medical Humanities: Criticism and Creativity is intended to provide an informative exchange across disciplines, encouraging theoretical and personal reflections on the condition of the human mind/body and contributing to debates on health-related issues from a broad range of perspectives. The series also invites research that opens up critical conversations on being human at the intersection of other forms of humanistic knowledge, such as environmental and digital humanities. We are especially interested in collaborations between academics in the humanities and healthcare professionals. All book proposals and manuscripts undergo rigorous peer review prior to acceptance and publication. Editorial Board: Havi Carel (University of Bristol), Gretchen Case (University of Utah School of Medicine), Siobhan Conaty (La Salle University), Cheryl Dellasega (Penn State College of Medicine), Daniel George (Penn State College of Medicine), Michael Green (Penn State College of Medicine), Jennifer Henneman (Denver Art Museum), Brian Hurwitz (King’s College London), Brian Johnsrud (Adobe Education), Tess Jones (University of Colorado Anschutz Medical Campus), Lois Leveen (novelist and independent scholar), Ulrika Maude (University of Bristol), Jules Odendahl-James (Duke University), Molly Osborne (Oregon Health and Science University), Barry Saunders (University of North Carolina School of Medicine), Johanna Shapiro (University of California, Irvine, School of Medicine), Marina Tsaplina (The Betes Organization), Craigan Usher (Oregon Health and Science University), Neil Vickers (King’s College London), Martin Willis (Cardiff University), Charlotte Wu (Boston University School of Medicine)

    9 publications

  • Studies in Literary Criticism and Theory

    The focus of this series is on studies of all literary genres that elucidate and interpret works of art in the context of criticism and theory. Theory and criticism are held to provide the hermeneutically most rewarding access to specific authors, works, and issues under consideration. Studies of a comparative nature with special reference to issues of literary history, criticism, and postmodern theory are the distinctive features of this monograph series. Emphasis is on subjects that may set trends, generate discussion, expand horizons beyond present perspectives, and/or redefine previously held notions about "major" and "minor" authors and their achievements within or outside the canon. Approaches may center on works, authors, or abstract notions of criticism and/or theory, including issues of a comparative nature concerning world literature. The focus of this series is on studies of all literary genres that elucidate and interpret works of art in the context of criticism and theory. Theory and criticism are held to provide the hermeneutically most rewarding access to specific authors, works, and issues under consideration. Studies of a comparative nature with special reference to issues of literary history, criticism, and postmodern theory are the distinctive features of this monograph series. Emphasis is on subjects that may set trends, generate discussion, expand horizons beyond present perspectives, and/or redefine previously held notions about "major" and "minor" authors and their achievements within or outside the canon. Approaches may center on works, authors, or abstract notions of criticism and/or theory, including issues of a comparative nature concerning world literature. The focus of this series is on studies of all literary genres that elucidate and interpret works of art in the context of criticism and theory. Theory and criticism are held to provide the hermeneutically most rewarding access to specific authors, works, and issues under consideration. Studies of a comparative nature with special reference to issues of literary history, criticism, and postmodern theory are the distinctive features of this monograph series. Emphasis is on subjects that may set trends, generate discussion, expand horizons beyond present perspectives, and/or redefine previously held notions about "major" and "minor" authors and their achievements within or outside the canon. Approaches may center on works, authors, or abstract notions of criticism and/or theory, including issues of a comparative nature concerning world literature.

    21 publications

  • Catalan Studies

    Translations and Criticism

    ISSN: 1058-1642

    19 publications

  • Critic of Institutions

    ISSN: 1068-4689

    12 publications

  • Title: 1. Social Freedom as the Purpose of the Modern University

    1. Social Freedom as the Purpose of the Modern University

    by Shane O’Neill (Author) Nicholas H. Smith (Author)
    ©2022
  • Title: Immanente Transzendenz

    Immanente Transzendenz

    Georg Simmels Entwurf einer nach-christlichen Religionsphilosophie
    by Peter-Otto Ullrich (Author)
    ©1982 Others
  • Title: Lorca’s Immanent Mysticism

    Lorca’s Immanent Mysticism

    by Patricia A. Fitzpatrick (Author) 2023
    ©2023 Monographs
  • Title: Der Missbrauch als immanente Grenze der Freiheitsrechte

    Der Missbrauch als immanente Grenze der Freiheitsrechte

    by Vasileios Naintos (Author) 2021
    ©2021 Thesis
  • Title: The Image of the Immanent Trinity

    The Image of the Immanent Trinity

    Rahner’s Rule and the Theological Interpretation of Scripture
    by Fred Sanders (Author)
    ©2005 Monographs
  • Title: Graphic Criticism

    Graphic Criticism

    Semantics, Neurology and Cultural Transmission—A Study of 100 Classic Anglophone Novels
    by Martin J. Gliserman (Author) 2022
    ©2022 Monographs
  • Title: Engaging Film Criticism

    Engaging Film Criticism

    Film History and Contemporary American Cinema
    by Walter Metz (Author)
    ©2004 Textbook
  • Title: Apologia and Criticism

    Apologia and Criticism

    Historians and the History of Spain, 1500-2000
    by Gonzalo Pasamar (Author) 2011
    ©2010 Monographs
  • Title: Digital Media Criticism

    Digital Media Criticism

    by Anandam Kavoori (Author)
    ©2010 Textbook
  • Title: Somatic Criticism Project

    Somatic Criticism Project

    by Adam Dziadek (Author) 2018
    ©2018 Monographs
  • Title: The Uses of Criticism

    The Uses of Criticism

    by A.P. Foulkes (Volume editor)
    ©1976 Others
  • Title: Black Feminist Literary Criticism

    Black Feminist Literary Criticism

    Past and Present – With an Introduction by Cheryl A. Wall
    by Karla Kovalova (Volume editor) 2016
    ©2016 Edited Collection
  • Title: Art Criticism as Narrative

    Art Criticism as Narrative

    Diderot's "Salon de 1767</I>
    by Julie Wegner Arnold (Author)
    ©1995 Others
  • Title: In Defense of Partisan Criticism

    In Defense of Partisan Criticism

    Communication Studies, Law, and Social Analysis
    by Omar Swartz (Author)
    ©2005 Textbook
  • Title: Orphans of the One or the Deception of the Immanence

    Orphans of the One or the Deception of the Immanence

    Essays on the Roots of Secularization
    by Alba Papa-Grimaldi (Author) 2010
    ©2010 Monographs
  • Title: Rock Criticism from the Beginning

    Rock Criticism from the Beginning

    Amusers, Bruisers, and Cool-Headed Cruisers
    by Ulf Lindberg (Author) Gestur Guðmundsson (Author) Morten Michelsen (Author) Hans Weisethaunet (Author)
    ©2005 Textbook
  • Title: Film Criticism as Cultural Fantasy

    Film Criticism as Cultural Fantasy

    The Perpetual French Discovery of Australian Cinema
    by Andrew McGregor (Author) 2011
    ©2010 Thesis
  • Title: Creation, Publishing, and Criticism

    Creation, Publishing, and Criticism

    The Advance of Women’s Writing
    by Maria Xesus Nogueira (Volume editor) Laura Lojo Rodriguez (Volume editor) Manuela Palacios (Volume editor) 2010
    ©2010 Monographs
  • Title: A Theater Criticism/Arts Journalism Primer

    A Theater Criticism/Arts Journalism Primer

    Refereeing the Muses
    by Bob Abelman (Author) Cheryl Kushner (Author) 2013
    ©2013 Textbook
  • Title: The Rhetoric of Redemption

    The Rhetoric of Redemption

    Chesterton, Ethical Criticism, and the Common Man
    by Alan R. Blackstock (Author) 2013
    ©2013 Monographs
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