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Guilt and Shame
Essays in French Literature, Thought and Visual Culture©2010 Conference proceedings -
Tema y estructura en el teatro del siglo XVI y XVII en Hispanoamérica y España
Fernán González de Eslava, Sor Juana Inés de la Cruz, Tirso de Molina, Lope de Vega, Calderón de la Barca y Juan Ruiz de Alarcón©2008 Monographs -
(Con)textos femeninos: Antología de escritoras españolas. Tomo I
De Al-Ándalus hasta el siglo XVIII©2020 Monographs -
La Ville en scène en France et en Europe (1552-1709)
©2011 Edited Collection -
Hellenic Whispers
Modes of Greek Literary Influence in Seventeenth-Century French Drama©2013 Monographs -
Visions of Apocalypse
Representations of the End in French Literature and Culture©2013 Edited Collection -
‘Experienc’d Age knows what for Youth is fit’?
Generational and Familial Conflict in British and Irish Drama and Theatre©2019 Edited Collection -
Rhetorical Subversion in Early English Drama
©2004 Monographs -
To Make his Englissh Sweete upon his Tonge
©2007 Conference proceedings -
Les Origines de la Comédie Française Classique
©2008 Monographs -
Literature as History / History as Literature
Fact and Fiction in Medieval to Eighteenth-Century British Literature©2007 Conference proceedings -
Theater and the Sacred in the Middle Ages
©2019 Monographs -
Stage and Screen Studies
ISSN: 1660-2560
This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays. This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays. This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays.
10 publications